Woo! Lots Done Yesterday. I Made The Very Last Of The Puppets (Monster #2, Above) And Started The Epic

Woo! Lots done yesterday. I made the very last of the puppets (Monster #2, above) and started the epic trim/patch/paint process for the remaining eight puppets. I took the night off tonight to see my friend Colin who was visiting from out of town, but rest assured that I have no plans to see the sunlight tomorrow at all.

Hooray, we're in the studio! I spent the better part of my Sunday listening to the Beatles and coating a headless, eight-year-old boy in Vaseline. See?

Because of all the time I spent unpacking the 8,000 boxes of puppet-making supplies we ordered from Burman, I didn't get as much done today as I would have liked. But I did make the first half of the boy body mold (this week I'll finish the mold and hopefully pour some latex before the weekend), and that's a start.

Here he is after a layer of hydrocal:

And after the first half of the mold is complete:

The west side of the studio, just for kicks:

Remember the frog prince from this post? I decided to clean him up and give him as a gift to the boy who inspired him, so I popped him in the oven a la Rhonda's R2D2. Unfortunately, unlike Artoo, he came out a little burnt:

So I painted him. But rather than go to the store for some new acrylic paint, I used some hand-me-down tubes of paint from my grandmother, who bought them for an art class maybe 40 years ago. I can't find a date on the box anywhere, but it looks like it's from the 70s at the absolute latest. When I tried to twist the cap off the tube of white paint, the tube itself split down the side.

This is my way of explaining that the paint came out a little...funny.

But after the first, somewhat chunky coat, I started thinning the paint with water (I was also using those rainbow-colored dollar-store brushes with the black nylon bristles; classy) and the texture improved. Anyway, here he is in all his whitewashed glory. Enjoy!

This little droid is a Christmas present for my friend Rhonda, AKA Rhonda2D2. Ever since Star Wars: Uncut, Artoo has made me think of her, so I hope she gets a kick out of it.

It's funny how the different colors mold differently. The white clay was much softer and more pliable--to the point where it was impossible to get my fingerprints out of it--than, say, the black, which crumbled in my hands no matter how much I kneaded it first.

This is the first sculpture I've baked since the puppet heads from the film shoot, so I was a little worried it would crack, but it came out beautifully. Working in color is much more time consuming, but the finished product looks so much nicer, wouldn't you say?

Sculpey III (white, black, and denim), ~3 hours

Still plugging away at the first models for the film project. Here, you can see rough versions of the "young boy" body (to be used for some schoolkids in the background), a couple of heads (we'll see what works after we cast them in latex, starting tomorrow), and "sketches" of the monsters. The pear-shaped one on the right is really growing on me, but the cat/walrus/Reptar hybrid on the left has got to go. I'll keep fussing until something sticks. It's hard to know exactly what's going to work, since the bodies will be clothed (real fabric) and the monsters will have fur. It's like trying to sculpt the skinned version of something you can't quite picture in the first place.

Thanks for sticking with me while I do the boring parts. After tomorrow, there's going to be a lot of cool stuff to see. :)

We started filming today. :)

Eyeless Mina and about 5% of my tools.

Sara and Jim, setting up the shot.

Little Mina could use some friends.