I Think I Have A Curse Where Publicly Saying That Im Going To Finish A Fic By [time/day] Renders Me Unable

I think I have a curse where publicly saying that I’m going to finish a fic by [time/day] renders me unable to do so. Fascinating, really

hellooo, eris, long time lurker here (particularly lurking around those mahito fics 🥵) BUT i recently saw your L work, and i was wondering what you think about beyond birthday?

death note was my first ever fandom! i was like 15, and stumbled upon a deranged yet extremely hot b.b. fic back on fanfiction.net, which is gone now for reasons 🙃

Hello! You needed no introduction, you’ve been here for a while and you were one of the first people to express a liking for my work. I appreciate you for that <3

I’m not sure if I am qualified to have an opinion on Beyond Birthday, because I haven’t read the light novel he appears in - I will get to it at some point, I swear. But I have read a couple fics with him and I certainly see the appeal, as well as the potential for deranged content.

I love hearing about people’s Fandom Orgin Stories™️ and I am relating a bit to yours - Death Note was the first anime I ever watched! I was 17 at the time and I latched onto L immediately. Man has been living in my brain for years now and he will not be leaving any time soon. Something about his particular brand of weirdness is very appealing to me, and god is he fun to write.

Happy lurking, glad to have you hanging around here :)

Purpose

Alastor x Reader // word count 3.4k

You can have you soul back, if you wish. But really…why would you even want something like that?

Tags/warnings: yandere, manipulation, power imbalance, angsty as hell, Alastor owns reader’s soul, reference to Alastor destroying other souls, shadows being far too tangible for comfort

A/N: This was supposed to be a short, simple little thing in my notes app. It did not stay that way for long. I swear I’ll write for someone else after this one (this might be a lie, haven’t decided yet)

You can’t believe that you asked. It was a sort of trance that brought you here, that forced your steps down the hallway, that raised your fist to his bedroom door - and it was your entire fist that knocked, not merely the knuckles of your hand. Like you were threatening to break the wood from its hinges if he didn’t answer. But he wasn’t angry when he let you inside. Only bemused. And even now that you’ve done it, now that you’ve somehow managed to get out the words that have been churning in your mind for months…his demeanor has barely shifted at all. Although of course, it could be an act. It’s still hard for you to tell.

“Is that truly what you desire, my dear?” Alastor’s smile, which you expected to fade somewhat, or at least twitch at the corners in a telltale sign of annoyance, is just as broad as it’s ever been. He towers over you, his hands folded behind his back. “Think carefully, now. It’s already rare for me to allow someone to escape - unheard of, in fact. But taking someone back would be even less likely, so if there’s any chance at all ”-

“I’m sure.” You set your jaw, and refuse to look down, even as the glow in his eyes becomes almost too bright to bear. Even as something stirs in the swamp behind him, threatening to draw your gaze away. “I want my soul. I’ll give you anything to have it back. I’ll”-

“No need to elaborate, darling.” He sounds calm, and just as surprising, he doesn’t sound like he’s lying. “I assure you, I have no interest in any offer you might have had planned. If you want your soul, you can have it.” 

You freeze, your mouth still ajar. It takes you a moment before you can speak again. “Really?”

“Really.” His head tilts slowly as you continue to process his words. “Does that surprise you?”

“Yes.” You’re deeply confused, in fact. You were expecting to have to haggle, if not to beg. You were certainly expecting him to be upset. It shouldn’t - it can’t - be this easy. 

“I give you my word. If you wish to leave, I’ll let you.” He pauses. “However. ”

This is a trick. It has to be. Your eyes dart around the room, as if a map to his true intentions might be lying somewhere nearby.

“It would be irresponsible of me not to help you consider your options. I don’t want you to do anything you might regret. So…tell me.” He sighs, and simply stares for a moment before brushing the tips of two fingers up the line of your jaw, from your ear to just below your mouth. “ If you were to go…” He taps the pads of his fingers gently against your cheek, and lets his hand fall to his side. “What, exactly, would you have to gain from such a thing?”

You blink, still reeling from his feather-light touch. This is not a question you expected to answer, and you stay quiet for a moment too long.

He leans over you, and lowers his face to your ear, as if he’s about to tell you a secret. “I’ll tell you what I think. I don’t think you’ll like it very much…but then again, people never enjoy hearing the truth.” There’s a buzz of static, he disappears and reappears behind you, and you’re left too disoriented to respond. “I think you’d be quite miserable, if you went through with this impulsive little idea of yours.” 

It wasn’t impulsive. Saying it out loud was, without a doubt. But the idea itself has been there for a very long time. 

“Would you like to know why I think that?” 

“No.” You’re not sure, really, whether you’re responding to his words, or to the hand that has landed on your waist. “You’re wrong.” His grip tightens, tugging slightly on the fabric of your shirt, but there it is again - that odd, detached state of mind that you fall into when you need to do something, and quickly, before you think about it and lose your resolve. “I’ll be miserable if I stay. I’ve already been miserable for a long fucking time.” You uncurl the fist you didn’t realize you had clenched, bring your hand to his wrist, and tug it sharply away from your waist. You barely even register your surprise when he lets this happen. 

He reappears in front of you, and waits silently for you to continue. 

“I didn’t think it would be like this.” Your eyes wander to the desk against the wall, to the ledger that you know contains the list of souls under his command. He’s allowed you to witness what happens to the souls - to the people - that displease him, and on more than one occasion, he’s enlisted your help in cleaning up the mess. You always got the impression that he didn’t particularly need your assistance. That it was more about the fun of watching you squirm. “You’re not who I thought you were.”

“How interesting.” He leans forward, eyes gleaming. “I must be a better judge of character than you, then. Because you have never once surprised me.” Without warning, he takes your hand, tugs you close enough to put his other hand on the small of your back, and half-drags you to his desk chair, which he kicks around and deposits you into. 

You glare up at him, hands braced tightly against the armrests, but he only pulls his hands behind his back, and sighs.

“Well, my dear. I would have merely asked you to sit down - as one should do for someone who’s about to receive unfortunate news - but it seems that you’re in a rather oppositional mood. So.” He gestures in your direction, and something slithers over your waist, binding you to the back of his chair. 

Before this all began, you would have struggled. Now, you barely glance down. “Fuck you.”

“Shall I bind your tongue as well, darling?” A dark coil, made of the same unnaturally smooth, unfathomably black material as the first, curls up from behind you and begins to inch its way up your neck. “Or perhaps do away with it altogether?”

You press your lips together, and shake your head. 

“Hmm…if you’re sure.” The second coil retreats back into the shadows, and Alastor looks down at you with an expression far too appreciative for your comfort. “I do love a captive audience,” he muses. “But what I said before does still stand. If, at the end of this little talk, you still wish to leave, I’ll happily release you.” He gestures broadly with an open palm, as if presenting you with some fabulous gift, then quickly flips his hand and points at you, his finger perfectly still in midair. “But first things first. I asked you a question some time ago, and you would do well to answer it.” He stands perfectly straight, and once again interlocks his hands behind his back. “Take some time to gather your thoughts, if you must. I’m not going anywhere.”

You bite hard into the inside of your lip, and swallow your bloody saliva down with all the things you’d like to scream at him. Instead, you avert your eyes, and quietly repeat the question you’d been unable to answer the first time around. “What do I have to gain?”

“That is what I asked, my dear.” The tendril around your waist tightens slightly, as if to force an answer out of you.

“What do I have to lose? ” You keep your eyes fixed on the floor, and force the deepest breath you can manage in and out of your lungs. The air feels heavy and humid, and smells of long-rotten vegetation - or perhaps a half-destroyed carcass, decaying somewhere in the bayou. “When I did what I did…when I gave you my soul…I didn’t think it would be like this. I thought that if I did it, I’d feel safe enough, or - I don’t know - good enough, to make a life here. But I don’t have one outside of you.” You suck in a sharp breath, all too aware of how stilted your sentences are becoming as they pass over the growing lump in your throat. “I live here because of you. And I barely leave because of you. I don’t spend time with anyone else, because I never know when you’re going to show up, and I don’t want to make friends and then watch them get roped into whatever shit you make me do next - and I can’t sleep, because - because you’ve woken me up before, and when you do that”-

You trail off completely as you remember the last time he did this to you, the images in your head far too clear for something that happened in the dark, when you were only half awake: Hand over your face in your dream, falling to touch your shoulder with just enough force to wake you and send you bolting upright. Rise and shine, darling. Smile somehow more vivid than the red eyes glowing above it, spreading wide with a manic delight that you knew was real, too real, and far too close. I’m going to pay someone a visit. They’re not aware of it yet, but I’m afraid it just couldn’t wait. Shadow, on the wall, one that shouldn’t have existed in such a dark room, blacker than you thought anything could ever be. It’s going to be a night to remember, my dear. I wouldn’t have you miss it for the world.  

You don’t want to picture what happened next. In your mind, you skip to when it was all over. When he took your hand, still shaking from the things you’d been forced to witness, and held it tight as he scratched that poor soul’s name out of his ledger. When he set down his pen, which was still dripping a dark red liquid that barely resembled ink at all, and began to turn the pages - you knew what he was looking for long before he found your name, written in impeccable cursive, glowing slightly as he guided you to touch it. I think it looks quite lovely in my hand. Whether he was talking about his handwriting, or about your face, which he’d reached up to touch in that moment, you do not wish to know. Don’t you agree?

Now, you shake your head, as if amending the answer you’d given him that night. You don’t like how you’ve conditioned yourself to say the things he wants to hear. To believe them when you say them. “I knew I’d have to do some things for you. But…” You swallow hard, because you can’t imagine he’ll have any sympathy for you if you cry, and you don’t want to find out. “I didn’t think it would be like this. I didn’t think that it would become my entire purpose.”

“Hmm.” His sigh is light and airy, with none of the weight that your words carried. When he does speak, the condescension is unmistakable. “Tell me, then.” He crouches down in front of you, leans forward, and rests his forearms on your thighs; his elbow digs hard into your leg as he raises his hand and props his face up on his fist. His grin still doesn’t waver, and his eyes appear wider from this angle, shining with something that is, perhaps, meant to resemble sympathy. “If you chose to leave…what would your purpose be then?” He tilts his head, until it’s his cheek resting against his fist, and waits.

And you are silent. Because somehow, in all your fantasies of escaping, you never managed to get to that part. The part where you lived your life, with no one to guide you but yourself.

You don’t know what you would do. But surely, surely, it would be better than this. 

He lowers his voice, and finally, you see his smile recede slightly. It becomes softer, and the glow in his eyes fades somewhat, and it’s all so unexpected that you don’t even question whether it’s real. “I know a lost soul when I see one, darling.” With his other hand, he lazily traces a path up and down your thigh. It would be almost soothing, you think, if it wasn’t him. “There’s a reason I wanted you. And a reason I keep you so close.” He sighs, and you can smell his breath, the hint of whiskey that doesn’t come close to masking the familiar rancid scent beneath. But there’s something sweet there, too. That’s new. “I think,” he murmurs, “that you have more to lose now than you ever did before.”

You try to tell yourself that you don’t want him to keep talking. That you want him to disappear now, and for good. But memories of your old life - your old after life, before he took over - are beginning to press their way forward. They make your stomach churn in a different way than any of his cruelty. 

“There’s also a reason - the same reason, in a way - that you were so easy to win over.” He opens his hand, and lets his cheek rest against his palm. There’s nothing dangerous about the way he’s looking at you now, or at least, nothing outwardly menacing, and you find yourself thinking about the night he approached you. Before anything about him seemed dangerous at all. When his appearance in your life seemed like a glorious stroke of luck.

“It was only easy because I didn’t know anything.” You’re disoriented, looking down at him, and it takes away whatever resolve you had left; your voice comes out quiet and hollow. “I hadn’t been here long. Everything about this place scared me. And I was alone…” You weren’t with anyone that night, but that’s not what you mean. Your chest seems to tighten as you remember those early days. The paranoia that haunted your every step, convincing you that something awful was about to step out of the shadows at any moment. The panic of not knowing how you fit into the world around you, and being sure that you would never truly know. The pure hopelessness of being consigned, for eternity, to the one place where no one in the world has ever wanted to go, and knowing that you could blame no one but yourself.

Alastor raises his head, slowly, and lets his hand drop gently against your thigh. “Well, my dear.” His palm touches first, and his fingers fall lightly, their touch barely perceptible at all until he presses them down in an almost-reassuring squeeze. “You’re not alone anymore, are you?” 

“No." You barely even remembered how it felt, until this moment. To be lost. To have nothing, not even the nightmares of the present, to justify your existence. You didn’t think about it.

You didn’t let yourself think about it. Because thinking about it would mean -

“That’s right. You’ll never be alone again, if you don’t wish to be.”

It’s fake, this comfort. Always has been. But you can’t ignore it, now - the way you want to believe it. If it wasn’t from him, you’d have nothing to comfort you at all. You find your mind wandering to your name in his hand, glowing in his book, and wonder if anyone else will ever think of you enough to write it down.

“As for fear… ” His voice is so soft, now, that you feel the need to quiet your breathing. To inhale slowly, between words, and exhale carefully, lest he pause at a hitch in your breath. “What do you fear most, at this moment?” 

Again, you are silent. This time, it’s not because you don’t have an answer. It’s because the one you have seems far too dangerous to say out loud. 

If you leave, and things are exactly how they were before…or worse…

“Uncertainty is a terrible thing, isn’t it?” He pauses, and glances to the side for a moment before speaking, his gaze snapping back into place so quickly that you barely catch its shift. “I’ll gladly admit to planting the thought in your head. My having done so doesn’t make the idea any less real.”

The tendril binding you to your chair disappears. It takes you a moment to notice the absence of pressure on your abdomen. Even then, you do not move. You keep yourself in place, sitting perfectly straight, because you don’t know what will happen if you don’t. 

You stay exactly where you are, even as he rises to his feet and turns to the side, leaving you a clear path to the door. You watch, motionless, as an arm made of shadow extends along the wall and wraps its long, distorted fingers over the doorknob. 

“Walk away from me now, if you wish. You have my word that your soul will depart along with the rest of you.” The door creaks open, in time with the parting of his teeth, and the appearance of his staff in his hand. Its head pulses with a faint green light. You stare into it, and wonder if it’s your soul that you see flickering in its midst. 

“And if I don’t?” Out of the corner of your eye, you see the gap between the door and its frame narrow slightly. And again, slightly more.

“To be entirely honest… I can’t imagine that I’ll ever feel inclined to give you another chance.” The light on his staff grows larger and brighter, and shifts towards you, as if daring you to pull it out. “On the other hand…” He leans forward, and tilts his head, his spine contorting with the sideways motion until his mouth is directly beside your ear. “If you do leave, that door will close behind you. And it will never open for you again.”

The green light ebbs, just a bit, and you think about the first time you saw it. That night was cold, and damp, the kind of weather that eats away at you slowly, sinking its way under your clothes and skin bit by bit, until you can’t even remember a time when you were warm. The kind of weather that seems to suck the color out from around you, leaving you stranded in a world of gray and black and muddy, desolate brown. The place inside you where you imagine your soul once resided felt heavy, just as waterlogged as every other bit of you. 

And it seemed to lighten the moment you shook his hand. The moment you traded…

It was more than your soul, you think. It was the things you feared. The things you despised in the world, and yourself. They’re all gone, now, because now, there is only one face that makes you feel these things. It’s better like this, you think. 

It’s soon to be out of your hands, either way.

The door eases shut, and you close your eyes, because you do not want to see the green light fade. It’s better not to see. Better to pretend that it was never there at all.

“Well done, my dear.” The filter has dropped from his voice. It was there, distorting his every word, until now. But why say anything about that? You keep your eyes closed, and sit still as he traces the back of his hand down the side of your face. Thinking about flinching away, but doing nothing at all.

“Stay for as long as you’d like.” He sounds different, still. Not sincere, perhaps, but closer to it than he was before. “You’ve gone through quite a lot tonight. I expect it will take you some time to feel like yourself again.” He takes a step back, but remains close, and you don’t have to look to know how intently he’s watching.

There is not much left to watch. You slide your hands down from the armrest, and clasp them together, eyes still shut tight. Head down. If you stayed in this room until you felt like yourself, you think, you’d never leave.

Then again - if you wanted to feel like yourself, you would already have left.

Blink

L x Reader drabble // word count ~800

In which: you are disturbed by the fact that L kisses with his eyes open, and make the mistake of asking him about it

Tags/warnings: vaguely defined nonconsensual relationship, noncon kissing, L puts his finger in reader’s mouth, L being generally weird

A/N: Death Note was the first anime I ever watched, I fell hard for it, it’s good to be back

“L.” You are sitting on the floor, because your bed is the only other option, and it is occupied.

“Yes?” He is crouching on the very edge of your mattress, as if he’s about to dive off, bare feet curled against your blanket, arms draped over his knees.

“You kiss me with your eyes open.” You meant it to come out as a question, but it ends up as a statement. This is not effective - unless you ask something directly, he doesn’t seem to know that you’re asking at all.

“Yes.”

“It…” Telling him that it’s strange will not be effective, either. He’ll make you explain why, and then he’ll explain why you’re wrong, and he’ll sound so sure of himself that you’ll believe him. So instead, you try again to ask. “Why?”

He tilts his head. He’s leaning far enough forward that he might just tumble to the floor - you picture this, and hope that it happens. “If you know my eyes are open, that means that yours are, too.”

“Only for a second.” Suddenly, you don’t like that you’re sitting, that he’s looking down at you. It feels a bit too on-the-nose. “I opened my eyes for a second, and you were staring.”

“You should be used to me staring by now.” To your horror, he pushes himself from your mattress and lands lightly on the floor. “It’s a good thing. I stare at people I like.” He smiles slightly. “I stare at people I hate, too. But you shouldn’t have to worry about that.”

He’s directly in front of you before you have the sense to stand up, sitting in his usual bizarre manner, face thrust a little too close to your own for comfort. “I’m staring now.”

As if he needs to point this out - it’s not like you could fail to notice. You fix your gaze firmly on the ground.

“Would you like to close your eyes?”

You bite the inside of your lip, and shake your head.

“I’m considering kissing you,” he says flatly. “Would you like to close your eyes now?”

“No…” It’s such an odd question, as many of them are. It’s also odd how you always end up answering his, and he never really answers yours.

With a precise hand, he catches you beneath your jaw, lifts your face to his. He tilts his head, and watches your eyes. His hand lingers, fingers curling slightly, testing the way your skin shifts beneath them. “You blink less when I’m close to you.”

“I blink less when I’m freaked out,” you retort. It feels good to say - but only for a moment.

“I know.” He presses forward slightly, and you get the awful sense that you’re being examined, every detail of your face being read and carefully noted in some file lying open in his head. “Your pupils dilate, too. But that doesn’t only happen when you’re scared.”

Maybe you should have closed your eyes. Maybe you shouldn’t have said anything at all.

“It happens when you’re excited, too.” He doesn’t sound excited when he says this. His voice is flat, as always. But he raises his thumb to your face, and pulls at your lower lip, and you know that his tone means nothing. His nail is long, and he slots it between the clenched rows of your teeth, and presses delicately on your bottom incisors, like he thinks they might fall out if he pushes too hard. “Sometimes, it’s hard to tell the difference.”

You don’t pull away. Instead, you do the only thing you can do. Glare until his thumb falls from your mouth. Seal your lips, and swallow hard. Open them back up, and speak in a voice too quiet for your own good. “If I was excited, that would mean I liked this. I don’t.”

He stares at you impassively, for so long that you begin to count the seconds as they pass. Then, the smile spreads agonizingly slow across his face, and he leans so close that you feel your eyes cross, so close that his lips nearly brush against your own. “You blink more when you lie.”

He squeezes his fingers hard against the side of your face. Your lips part before you can stop them. And then his other hand is in your hair, and his lips are pressed against your own, and his tongue is darting into your mouth -

And you close your eyes. Not out of instinct, but because you don’t want him to see whatever might lie behind them.

Surrounded by Hunger [Yandere Mahito x Reader]

Title: Surrounded by Hunger [Yandere Mahito x Reader]

Synopsis: You're an artist, with no muse. Until Mahito shows up on your back porch.

Word count: 3500ish

notes: yandere, mild body horror, reader is a trans male

“I want you to paint me,” Mahito says, with an uncharacteristically serious expression on his face. No smile, no leer today. Just a somber frown as he appears from nowhere--as he often does--and sits himself in front of you. 

The cool summer evening air would smell as clean as the breeze, but for the cigarette lazily perched in the ashtray on the edge of the porch. 

Smoking.  Your one vice. Or is it your eighth? You don’t keep much track of your vices, these days. If you did, you might actually try to quit them. But smoking is one of two current addictions that you can’t fathom letting go of right now.

The other one is sitting next to you.

"Like one of my French girls?” you murmur, lips quirking up. 

Mahito tilts his head towards you, still frowning. You wonder, idly, if he has an actual brain inside his skull. Do curses have brains? You’re not sure about the technicalities of how they function, but it’s not something you’d really like to ask Mahito, either.

But it’s like you can see his brain working from the minute movements of his body language. The body is one thing you’re usually good at reading, and you ought to be, considering your career. No one wanted paintings from someone who didn’t understand the basics of body movement.

“Ah,” he says, finally, with a small smile. “Titanic. Directed by James Cameron. 1997.” His smile gets a little perkier. On anyone else, that smile might look deranged. But it suits Mahito, you think.

“I liked the sinking part the best. The way they…” He flicks his fingers in the air, and makes an eerily accurate sound reminiscent of bodies banging against metal parts. “And the frozen baby!” He closes his eyes almost all the way, leaving just enough room for you to see his gaze slide over to you. “Humans do love representing their own misery, don’t they?”

Something squeezes in your chest. It might have been a barb about you and your work; and it might not have been. One of the trickiest things about Mahito was that you could never be sure when he was trying to hurt you, and when he wasn’t. 

The worst part was, you knew that it didn’t matter either way. It wasn’t like you’d ever ask him to leave. He knew that, too. Maybe that was the actual worst part.

He doesn’t elaborate on his statement. Instead, he leans his head back, looking at the darkening sky; the deep blue of the evening oozing away to make room for the blacker part of the night. His profile like this is fascinating--the way his hair seems to almost shimmer in the fading light, falling back against the side of his neck. 

“Well?” He asks.

You couldn’t say no. You were already imagining ways to capture him, like this. In profile, staring up at the sky with eyes that were anything but human. With a brain that was perhaps not a real brain. With a body he could change at will. 

Despite all that, here he is, sitting on your porch, breathing in your cigarette smoke and staring up at the ordinary evening sky.

What does he see that you don’t? That no human does? Why does he even come around you, when he could be off trying to--your brain fumbles for snatches of what he’s told you--battling sorcerers? 

Maybe you can capture something of the answer in your painting. 

“Okay,” you say, lightly, even though the answer is anything but. “But we have to go inside for the sketch. There’s not enough light out here this late.”

Mahito smiles. In profile, you see only the half of it, the edge of his lips curling, a glimpse of his teeth. 

You’ll be up all night sketching, trying to capture this expression. 

--

Your first finished painting of Mahito isn’t all that great. The evening skyline was done from memory because the next few days had been cloudy and they stole the sky’s normal colors away. And no amount of mixing could quite give you the right shade for his hair; you put something new on order, a type of shimmer pigment. That might help for future pieces.

The expression, though. There was something in that. Something not quite human that you managed to capture, although if you had to do it over, you’d reconsider taking your drawing from sketch to painting. The sketch had something raw to it, like Mahito might just turn his head and wink at you. 

As an artist, you knew that such a subject was rare. It was not always easy to find inspiration that kept you working almost relentlessly, eager and passionate rather than staring at an empty canvas and willing the world to send something to you.

Mahito was a gift, wasn’t he? To an artist. To someone like you, who needed something to make your work stand out. And it does, here. Mahito looks unusual--striking, beautiful, but with something unpleasant itching to get out from underneath his skin. 

But still. It’s flawed. 

And that’s not the standard artist humble-brag designed to avoid a reputation of pompous pride. Your paintings, as a whole, just aren’t good enough. 

It’s why the galleries rejected you. Why what few connections you had with other painters tended to fade away, becoming more and more untethered as they were invited to galas, as they held openings, as their works went to auction, and you…

You sat on your porch smoking and waiting, heart pacing, for a curse to show up on your door.

--

Mahito stands in front of the revealed piece, quietly observing it. His fingers reach out and skim the canvas, bumping along a few rough areas of paint. His mouth parts a few times, then closes. 

You expect him to be blunt with some kind of critique. He’s never been shy with honesty, no matter how hurtful. It was something you hated and loved all with one confusing, awful sameness.

Instead, his gaze flits over every square of the canvas enough times that sweat begins to bead down the back of your neck. Does he hate it? Is he about to tell you that you’d be better off doing something else, something more ordinary, something more mundane? 

No.

What he does is turn his head towards you, slowly, something that is not quite a smile on his face. An expression that makes you think of the back porch, sunsets and cigarette smoke. 

“Now do it again.”

--

You should hate this, really. Someone who sticks around and more or less demands that they be your muse. Most artists purge these types of people from their lives, unwanted flypaper hangers-on who pout and demand to be painted. 

But Mahito is your muse, and you don’t hate it, and you don’t think he’s clingy or desperate like others who have found themselves on your back porch before. 

He’s your muse simply because he exists. You could not fathom knowing Mahito and not committing him to the canvas. The only shock is that it was his idea, not yours; and maybe, deep down, you were too afraid to ever ask him. In case he said no.

So you draw him, and paint him. He drapes himself over your couch wearing nothing, spreads himself on your bed with winter clothes in the summer heat; perches on the end of the kitchen stool and watches gnats circle a bowl of bananas. 

The ideas are his, mostly. 

And the pieces are interesting. “Intriguing,” your regular art gallery said, when you submitted the one of Mahito sprawled out in a fuzzy scarf and hat and puffy winter coat while sweat clung to his forehead from the summer afternoon sun.

Interesting, intriguing, a striking model… and yet. They’re still not enough--not enough to get paid. Not enough to get noticed. 

Not enough to get you out of bed some days, when all you want to do is smoke lying down and hope the smoke alarm in your bedroom still has low batteries. 

This is how Mahito finds you this morning. Half-resting on sore elbows while smoke wafts up to your  ceiling, imperceptibly adding to the layers of brown and yellow build up. 

“Hey.”

He pokes your nose. You blink, slowly turn your gaze towards him. Then close your eyes and let out another puff of smoke.

“You’re being mopey,” he says, flatly. Not teasing or whining, certainly not with sympathy. Just a matter-of-fact. 

The options weigh heavy on your shoulders. It’s not like you two don’t talk about serious things. But God, with Mahito, the roles are reversed between artist and muse. You’re the clingy one, the one desperate to keep him around; afraid that the wrong word or gesture might make him blip out of your life as quickly as he came into it.

Who were you, if you didn’t have Mahito? Just another failing artist who could barely afford their cigarette addiction. 

But you trust him. Because he’s here. Because he hasn’t left yet. Because when you’re drawing him and you ask him to lift his arm up, he somehow knows the exact angle you mean, every time. So you lick your lips and look up at him with tired, reddened eyes.

“They’re not enough.” A pause. “The paintings, I mean. No one will buy them.” You drop the rest of your cigarette in the ashtray on your night stand. “I don’t know what I’m doing wrong.”

You do know, though. Your paintings aren’t interesting enough anymore. What little buzz you’d generated in your first break onto the scene from your fantastical horror work had long since faded, as had your inspiration for such pieces. 

It wasn’t enough to play with color and light, to perfectly capture the sun through an opaque curtain playing on Mahito’s hair while black flies buzzed onto overripe fruit. Of course not. People wanted more. You just weren’t more, now. If you were ever that. 

Mahito crawls onto your bed, languid; it’s not the first time he’s been so close, so intimate, but it gives you goosebumps nonetheless. He curls himself behind your back and runs a finger down your arm. 

“They like your older work,” he muses. You’ve ranted about this, and he apparently listened, which makes you feel at least a little least sour. “So why don’t you paint like that again?”

So much for feeling a little less sour. You curl inwards, eyes fixated on the dimming red glow of your cigarette in its tray. 

Mahito pokes your shoulder. Impatience. You can feel it building in him, in the way his arm muscles tense, just a little. When he gets bored, he sometimes leaves. 

You don’t want him to leave, so you force the words out, although you’d rather keep them private. Your mouth feels sticky when you talk, but you press on. 

“My old stuff was before…” You know he knows, but you’ve never pinned down a single way to explain it to him. “Before I figured myself out. Before a lot of things, I guess.” Mahito’s hand wraps itself around your stomach, and you reach out to intertwine your fingers. To keep him with you, if such a thing were possible.

“I haven’t had the same type of inspiration in a long time,” you admit. “So I don’t know how to just…” Flashes of your old canvases come to mind. Demons and ghosts and landscapes of terrible beauty. “Get back into that head space.”

There is a stretch of silence that begins to worry you. Maybe you are too boring, maybe you’re whining, maybe whatever this is has run its course and he’ll leave and you’ll have nothing to your name but this empty apartment and your empty life.

But then Mahito grips your shoulder and pushes you firmly, swiftly, onto your back. There’s a dull ache where he touches you and you stare up into his eyes, wide and bright even in the darkness. He’s grinning. He’s grinning, and it’s beautiful and ugly--

And on his side, arms sprout out; some with mouths sporting their own grins. Behind him, arms upon arms,  hands upon hands. A grotesque vision come to life in your dim apartment bedroom. You can see it now, on canvas. A creature with greedy hands outstretched to the world, taking what it wants, when it wants. 

You can see Mahito, posting, while you furiously work at the easel. You know you’ll work until your hands cramp, desperate enough to capture every microexpression in pencil before it fades. 

Mahito, the muse, painted again and again. Until your hands cramp, until your eyes are red and burning. 

“Does this inspire you?” he says, a bright giddiness in his tone fading into something lower and warmer as he leans down to capture your lips.

You’re not certain which of you tastes the most of ashes.

--

The paintings are perfectly grotesque. Inspirational. Disturbing.

“And yet,” the director continues, tapping his pen against his chin, “so life-like. You can hardly tell where the real model ends and your imagination begins.” 

Because, of course, humans cannot sprout extra limbs from their sides. Humans cannot stretch their tongues to wrap around their body like a rope. Humans cannot pull open the flesh of their stomachs to reveal what’s inside.

Not without dying, anyway. 

You’d almost asked Mahito if that was what curses looked like on the inside--if they had organs, like stomachs and lungs--but thought better of it. Knowing would be worse than pretending. 

When you pretend, you can ignore the growing sickness in your stomach as the paintings become worse--and better. As Mahito pushes you farther and farther, and you’re not sure if you want to turn back. 

When you pretend, life with Mahito doesn’t seem very fucked up at all. 

“Keep it up,” the director tells you, thumbing through the wad of ghastly cash he hands over for your latest piece. It’s enough to pay off your rent and bills and cover cigarettes and booze and some new books for Mahito, though you’re sure he just steals them when he’s not with you. 

And you do--keep it up.

Because Mahito wants to, and because despite all the disturbing dreams you begin to have after sessions of drawing and painting, your new works really are better. More visceral and alive; galleries want them. 

They want you.

You feel seen, finally, for who you are and what your hands can do--

How could you turn that away?

--

“I don’t know,” you say, slowly, watching the thing Mahito brought with him writhe on the table. 

It was soft and gelatinous, like a blob of moving goo. At first, that’s what you thought it was: something he scooped out of a container at a toy store that sold novelty slimes. 

But this wasn’t some gob of bright orange or neon blue with a telltale sticky sheen that told parents that yes, mom and dad, this was going to wind up sticking to the carpet by the end of the day.

This was light beige, with two big black spots that looked a bit like eyes. It was larger than you think a toy slime would have been and it--well it moved. Really moved. Not just from a slight breeze drifting in through the window or due to its own gelatinous nature.

It was--whatever it was--alive. 

It had eyes, and perhaps that bit of discolored beige was hair, and that was it. Two eyes, slick, shiny skin, and no mouth at all. 

“It’s a statement piece,” Mahito says simply, even happily, as he adjusts the blob to his liking on the table. He tries out a series of poses that you direct with hesitation--looking down at it with his chin resting in his elbow, holding it in his arms like some sort of stuffed bear, endless, restless poses, all punctuated by the strange writhing of the thing.

The two of you finally settle for Mahito looking one way, and the blob--were those its eyes?--face another. A contrast between colors and shapes and Mahito’s lithe form and the writhing blob. But while there is a dim satisfaction in putting Mahito onto the canvas, a sense of self-worth and pride that grows with every stroke, you put off working on the blob until the last possible minute. Your body seems to know why, even if your mind doesn’t. 

At the end of the night, you start to ask a question that’s been on your mind the entire evening--

“Mahito?” 

But when he turns, a small smile on his face, blob in hand, the words die in your throat.

You say nothing as he leaves. You work a little more on the painting, avoiding half the canvas, not wanting to think about what it was that Mahito brought and why he brought it.

That night, you dream about a garden of squirming, writhing blobs.

--

Today, Mahito has no mouth. 

And today, you’ve decided, that this will be your last Mahito piece. No more. Not a single one. The singular lack of a mouth is not even as horrific as some of the other ways Mahito has posed for you, but somehow, it’s the one that terrifies you the most. 

Mahito has no mouth, and you can’t even ask him why.

Mahito has no mouth, 

Mahito has no mouth, and he wants you to paint him.

He tells you this, in gestures. Maybe if he was over the top about it--if he was wildly waving his hands, if he made a game of it--then it wouldn’t make you feel so wrong. But he’s slow, methodical. Serious.

It makes your stomach clench on nothing but whisky and overcooked eggs. 

But you let him bring out one of your mirrors and set it up in front of a stool so you can paint him, looking at himself in the glass. There’s nothing else you can do but this, you realize; that’s what your life has come to. You are mingling with a curse and he could kill you in a moment if he wanted to--but right now, he wants you to draw him and paint him and put something monumentally distressing on the canvas. And you want to do these things--because he wants you to? Because you know the gallery owner is going to take one look at this last piece and ask you to open your own show? Love or ego or something awful and in-between?

You sketch quickly. It’s the final layers of painting that will take days, you think, if you want this to turn out right. Right now you’re worried about two things: capturing the tones while the light is just right, and how Mahito will react when you tell him you’re done after this.

It’s not like you can tell him now. He can’t even talk. 

What is it like, without a mouth? You bring cigarettes to your lips and wonder if he feels jealous of it. Would he get mad, if you told him you needed a drink? A snack? Eating and drinking--curses can do these things, and you’ve seen Mahito do them, but you don’t know how much of it is a want or a need. It’s hard enough to tell the difference with a human. 

If you had no mouth, what would you be? Your thoughts flit, briefly and then away again, to the blob. To its eyes. To the way it couldn’t stop moving and Mahito held it like a toy. 

You don’t want to think about that. 

It would feel wrong to talk while you work on this piece, you decide. Better to save it for when it’s finished. A few days, at most, with Mahito holed up in your bedroom--and no mouth at all. 

In these few days, you want to kiss him more than ever. Want to capture the memory of his lips, because surely, he’ll want to leave if you’re done painting him. Done being entertaining. 

The thought of kissing the awful, empty space where his mouth should be keeps you from even thinking about it.

--

It’s your masterpiece. You know this from the moment the last stroke is complete. You’ll never top this work, and some prideful part of you demands that you try, anyway. 

Mahito still has no mouth. Even as you pull the drape off the canvas, as he gets close to inspect it. 

“Mahito,” you say, suddenly. He doesn’t look at you. That’s better, you think. Makes it easier to stomach what will come next; the inevitable moment where Mahito drops you like an old toy. Usually it’s the other way around, an artist getting bored of its muse and flinging them aside. 

But you’re not bored of Mahito. You’re afraid of him. You want him here--but you don’t. It’s a big jumbled mess and maybe it would have been easier if he never showed up on your back porch, if you never saw him at all, if he hadn’t opened up some wound inside you that only he can stitch up. 

“Mahito,” you repeat. “I don’t think I can paint you anymore.” Stupid, weasel words. You cringe. “I mean. I don’t want to paint you anymore--after this one.”

Mahito tilts his head, and finally turns his eyes towards you--but still, there’s no mouth, no mouth, no mouth.

After a moment, you continue, mouth dry and sticking. “Did you hear me, I said I--”

Mahito’s hand slaps against your own, hushing you.

“Have you been wondering what it feels like?” It takes a few blearly, confusing moments for you to realize that Mahito is talking not with lips on his face, but on the hand that’s pressed over hours. “To be unable to speak?”

The awful thought hits you. Is your mouth even still there, under Mahito’s hand? 

Mahito leans in, and pulls his hand away. Slowly, like he’s revealing a prize .

“I want to paint you now,” he murmurs. He might even be cooing, eyes alight at what he sees as he lifts his hand. 

You want to answer him--you want to scream.

But you can’t say a word. 

I’m going to unlearn shame *bursts into tears and beats my head against a brick wall*