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Sebastian Stan posted this on his IG and then John Boyega tweeted this:

I'm dyingggg

Anyways stan actors revolting against the Mouse!!

If your ship hasn't attempted to kill each other at least once, is it really enemies to lovers?

writing tip #2776:

you can’t do a swear in a book what if your mum sees

Fantasy Wardrobe: Fabrics

We often call clothes silk when they are satin, velvet where they are velveteen or we have no clue what we’re on about. So today let’s look at fabrics.

Laying down the law

Many renaissance/mediaeval societies governed over who could wear what. By adding these laws you had a layer of depth to your world.

Women and men could only be dressed n clothes benefiting their position

Female servants or their daughters could not wear veils costing more than twelve pence

Knightly families could not wear cloth of gold or sable fur or velvets

The wife or daughter of a labourer were not to wear clothes beyond a certain price or a girdle garnished with silver

Cloth of gold and purple silk only worn by the royal family. This goes for ermine.

The importation of silk and lace foreigners was prohibited when the kingdom produced those textiles.

Peasant Clothing (Beggars to Merchant classes)

Wool: This was the staple of much of the clothes owned by peasants. It was in supply and it wasn’t as costly as most fabrics when undyed. It was also warm.

Linen: Forget about softness. Peasant linen was made of coarser weaves and flax. It was heavier than noble linen.

Cotton: A lightweight fabric used in hotter climates. It was softer than the linen and airier.

Fustian: heavy cloth woven from cotton, for menswear.

Leather: Leather was used for boots and shoes rather than killer jackets.

Nobility & Royalty

Cloth of Gold: Cloth made from woven threads of gold (very expensive)

Cloth of silver: cloth made from woven silver strands (very expensive)

Samite: a rich silk fabric woven with gold and silver threads

Tulle: A netting sort of material

Brocade: rich silk fabric with raised patterns sewn on it.

Cambresine: fine, lightweight linen

Cambric: thin white cotton or linen

Cypress: gauze made of cotton or silk

Damask: like brocade but the patterns are flat

Delaine : light wool/mixed wool and cotton

Lawn: sheer plain-woven cotton or linen

Sarsenet: fine and soft silk

Sateen: glossy cotton or wool

Satin: closely woven silk, shiny

Taffeta: Thickly woven silk

Velvet : piled fabric of silk, cotton or synthetic material

Velvetine: cotton with silk pile

Saxony: fine, delicate woollen fabric

Alençon Lace: intricate floral lace with three-dimensional corded detail sewn onto a fine tulle backing

Chantilly Lace: lightest of lace

Charmeuse: smooth, flowing, silk, cotton,

Chiffon: sheer and lightweight fabric

Crepe de Chine: thicker, lightly textured silk

Dupioni: crisp lusturous silk

Organza: sheer and lightweight fabric of very fine weave silk

Georgette: sheer fabric of silk

Guipure Lace: heavier lace

Designs

Embroidery: Patterns sewn on the fabric by thread

Appliqué: decorative fabric, often lace or floral motifs, sewn onto the main material

Embellishment: details such as beads, crystals, sequins, pearls

Trim: a line of material or fur that finishes off a hem or cuff.

Piping: a cord lining the fabric creating a ribbed look.

Colours

Here are the colours that you will catch your people wearing. Keep in mind that dyes had to be sourced and could be very expensive.

Peasant: brown, red or gray.

Nobility: Gold, silver, crimson or scarlet, deep indigo blue, violet colors and even deep black and pure white colors

Royalty: Purple

Furs

Mink: Soft and lightweight, silkly and glossy furs

Fox: Long, lustrous, colourful and easy to dye.

Ermine: White fur streaked with black (ONLY FOR ROYALTY)

Sable: long, luxurious, dense but light.

Wolf: thick, tough, warm but has a bad smell

Vair: fur from a red squirrel really only used for trimming.

16 Villain Archetypes

The TYRANT: the bullying despot, he wants power at any price. He ruthlessly conquers all he surveys, crushing his enemies beneath his feet. People are but pawns to him, and he holds all the power pieces. Hesitate before getting in this man’s way – he’ll think nothing of destroying you. The BASTARD: the dispossessed son, he burns with resentment. He can’t have what he wants, so he lashes out to hurt those around him. His deeds are often for effect – he wants to provoke action in others. He proudly announces his rebellious dealings. Don’t be fooled by his boyish demeanor – he’s a bundle of hate. The DEVIL: the charming fiend, he gives people what he thinks they deserve. Charisma allows him to lure his victims to their own destruction. His ability to discover the moral weaknesses in others serves him well. Close your ears to his cajolery – he’ll tempt you to disaster. The TRAITOR: the double agent, he betrays those who trust him most. No one suspects the evil that lurks in his heart. Despite supportive smiles and sympathetic ears, he plots the destruction of his friends. Never turn your back on him — he means you harm. The OUTCAST: the lonely outsider, he wants desperately to belong. Tortured and unforgiving, he has been set off from others, and usually for good cause. He craves redemption, but is willing to gain it by sacrificing others. Waste no sympathy on him - he’ll have none for you. The EVIL GENIUS: the malevolent mastermind, he loves to show off his superior intelligence. Intellectual inferiors are contemptible to him and that includes just about everyone. Elaborate puzzles and experiments are his trademark. Don’t let him pull your strings – the game is always rigged in his favor. The SADIST: the savage predator, he enjoys cruelty for its own sake. Violence and psychological brutality are games to this man; and he plays those games with daring and skill. Run, don’t walk, away from this man – he’ll tear out your heart, and laugh while doing it. The TERRORIST: the dark knight, he serves a warped code of honor. Self-righteous, he believes in his own virtue, and judges all around him by a strict set of laws. The end will always justify his nefarious means, and no conventional morality will give him pause. Don’t try to appeal to his sense of justice – his does not resemble yours. The BITCH: the abusive autocrat, she lies, cheats, and steals her way to the top. Her climb to success has left many a heel mark on the backs of others. She doesn’t care about the peons around her – only the achievement of her dreams matters. Forget expecting a helping hand from her – she doesn’t help anyone but herself. The BLACK WIDOW: the beguiling siren, she lures victims into her web. She goes after anyone who has something she wants, and she wants a lot. But she does her best to make the victim want to be deceived. An expert at seduction of every variety, she uses her charms to get her way. Don’t be fooled by her claims of love – it’s all a lie. The BACKSTABBER: the two-faced friend, she delights in duping the unsuspecting. Her sympathetic smiles enable her to learn her victims’ secrets, which she then uses to feather her nest. Her seemingly helpful advice is just the thing to hinder. Put no faith in her – she’ll betray you every time. The LUNATIC: the unbalanced madwoman, she draws others into her crazy environment. The drum to which she marches misses many a beat, but to her, it is the rest of the world that is out of step. Don’t even try to understand her logic – she is unfathomable. The PARASITE: the poisonous vine, she collaborates for her own comfort. She goes along with any atrocity, so long as her own security is assured. She sees herself as a victim who had no choice, and blames others for her crimes. Expect no mercy from her – she won’t lift a finger to save anyone but herself. The SCHEMER: the lethal plotter, she devises the ruin of others. Like a cat with a mouse, she plays with lives. Elaborate plans, intricate schemes; nothing pleases her more than to trap the unwary. Watch out for her complex designs – she means you no good. The FANATIC: the uncompromising extremist, she does wrong in the name of good. She justifies hers action by her intent, and merely shrugs her shoulders at collateral damage. Anyone not an ally is an enemy, and therefore, fair game. Give up any hope of showing her the error of her ways – she firmly believes you are wrong, wrong, wrong. The MATRIARCH: the motherly oppressor, she smothers her loved ones. She knows what’s best and will do all in her power to controls the lives of those who surround her – all for their own good. A classic enabler, she sees no fault with her darlings, unless they don’t follow her dictates. Don’t be lured into her family nest – you’ll never get out alive.

Surnames are just as important as given names. So, I compiled a list of the websites I use to find my surnames.

English Surnames

Dutch Surnames

Spanish Surnames

Scottish Surnames

German Surnames

Italian Surnames

Irish Surnames

French Surnames

Scandinavian Surnames

Welsh Surnames

Jewish Surnames

Surnames By Ethnicity

Most Common Surnames in the USA

Most Common Surnames in Great Britan

Most Common Surnames in Asia

Creative writing is just “Have I used this phrase before?” “Do I use this word too much?” “Should I find a synonym for this?” “Have I used this simile before?” “Do I always describe things this way?” “Have I used this phrase before?” “Do I use this word too much?” “Should I find a synonym for this?” “Have I used this simile before?” “Do I always describe things this way?” “Have I–”

me: i’m going to finish outlining this stupid novel today. NOTHING is going to stop me.

also me: should i create all my characters as sims???

Kristoff: You get this for one hour.

Anna: That’s okay, I prefer you in leather anyway.

Olaf: I’m shocked you can last one hour.

Me:

I love the ambiguity of the term ‘WIP’. Is it a project in it’s third draft? A final draft being queried? An idea I came up with six months ago and haven’t written anything about yet? You don’t know. Nobody knows. 

please know that australia is on fire. we’ve lost 10 times the amount of land the amazon rainforest lost. we are in drought. no one is talking about it. our government is ignoring climate change. the firefighters are now paying for fuel for their trucks out of their own pockets. our prime minister refuses international help. people are dying. wildlife are dying. the fires are catastrophic and spreading so fast. please hear us. my home is burning. it is spring.

What sort of questions should I be asking my beta readers?

QUESTIONS TO ASK YOUR BETA READERS:

When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc. 

You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising. 

Here’s some example questions that you could use:

Opening Chapter:

What is your first impression of the main character? Do you find them likable? Annoying? Boring?

After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?

Did the first sentence/paragraph/page efficiently grab your attention and hook you in?

If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?

Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?

Does the first chapter establish the main character efficiently? Do they feel believable?

Characters:

Could you clearly imagine what the characters looked like? If not, who?

Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question) 

Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.) 

Was there ever a moment when you found yourself annoyed or frustrated by a character? 

Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent? 

Were the characters goals/motivations clear and understandable? 

Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?

Do the characters feel three-dimensional or like cardboard cutouts? 

How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation? 

Dialogue:

Did the dialogue seem natural to you?

Was there ever a moment where you didn’t know who was talking?

Setting/world-building:

Were you able to visualize where and when the story is taking place?

Is the setting realistic and believable? 

How well do you remember the setting? Without cheating, can you name four important settings?

Genre:

Did anything about the story seem cliche or tired to you? How so? 

Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.) 

Plot/pacing/scenes:

Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?

Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place? 

Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful. 

Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully? 

Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?

Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?

Additional questions:

What three things did you like? What three things did you not like? 

Can you try predicting any upcoming plot twists or outcomes? 

Was there ever a moment when your suspension of disbelief was tested? 

Is there anything you’d personally change about the story? 

Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed? 

Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.

Have a question you want answered? 

Oh my god.....

I

Wait for it..

Me

reading my own writing: boy, you sure like your commas, don’t you,

Me: I’m going to write today

A Very Potter Musical: Bitch, you thought

ron: 'her skeleton will lie in the chamber forever'

ron: ginny!

harry: i mean, we can leave her skeleton down there for sure, we'll just feed her a bunch of skele-gro, it'll come back

ron: dude!

Brie Larson lifting Mjolnir is the best thing I've seen thank u ma'am

If you can, do some more of the facial and body language analysis posts because they're soooo good, I love them and your blog 💕

Hi, I’m sorry for the long wait!

This must be the hardest analysis yet. I cried three times writing this, so I’m sharing my pain with you.

1. Peter is a kid.

2. Tony and Peter are a team.

3. He’s traumatized.

Ok, the first thing you gotta understand about Peter Parker in these movies: he is a kid. 

No matter how much you want him to act all grown up and capable, he’s a kid. A very brave kid. Throughout the movie, Peter remains calm and collected because he really wants to help and he understands the gravity of the situation. Bear in my mind this kid is not acting because someone gave him orders but because they informed him what’s going on. He knows that they need to take the gauntlet off, he knows Thanos is dangerous and this could be the complete demise of not only his neighboorhood but the entire earth. We all know that at the end of the movie, Peter shows just how scared he was all the time.

‘You can’t be a friendly neighborhood Spider-Man…if there’s no neighborhood.’

The minute he realizes that there’s trouble, he goes and helps.

It’s been two years since Homecoming (it was confirmed that the time gap between HOCO and IW was two years even if Peter says he’s 16 in FFH. This could possibly be a mistake since not many people knew much about IW and Endgame back then. Also, in HOCO there was a similar mistake with the timeline. “Eight years later”) Peter’s been spiderman for almost three years and he knows how to control and work his powers better. He probably trained with Tony and he has now more experience with all the superhero thing. 

Now, Peter is his very own independent hero, he has his story but some people think that everything about him revolves around Tony and I’ve said it before, in my HOCO analysis that the reason people think this is because Tony Stark is a very big presence in the MCU and it’s easy to overlook the other details about Peter’s life when someone that big is also there too. But, any fan who really loves Spiderman knows that Peter’s journey is about growth. It’s about sacrifice. It’s about responsibility. It’s about him finding his way into this world and surviving it. It’s about him protecting the little guy because he is the little kid in a big world like his. His attachment to Tony has more to do with the fact that he wants a male figure in his life, one that is alive. He wants the comfort, the safety and the support that comes with it. A teenage wanting those things is not out of the ordinary. He’s allowed to have more than one paternal figure in his life. Don’t constraint Peter just because you don’t like Tony Stark.

And Peter himself confirms this: 

‘Peter knew he should feel all these things -help other people, being responsible inthe hero business- without Tony’s approval. But, right now, Peter wanted Mr. Stark to approve of him more than anything.’ 

‘Mr. Stark made him feel normal and okay. Something he thought he’d never feel again.’

Something very interesting to me was how both Tony and Peter reacted the same way when the aliens came. Tony was internally panicking and said to Bruce: ‘This is it.’ And in the IW novelization, the moment Peter saw the space ship he said to himself: ‘This was it. He had to do something.’ 

Something that I just love about this is how much they know each other too well. Tony knows Peter is stubborn and he won’t give up easily. Tony told him that Strange ‘The wizard’ was in trouble and Peter went after Maw and didn’t let go even if he was getting dragged up to space, so he did what he usually did when Peter was being difficult. Force him back to earth. And Peter? He cooperates with him so well, he calculates his mentor’s next moves and goes along with it. They’re a team. They have worked together before. Two years of working together. Look at the coordination, how they flawlessly work together. They’ve done this before. How Tony just informs Peter what’s going on instead of yelling and panicking. He understands Peter is pretty capable of defending himself. 

Later, they demonstrate this again with this:

Peter is capable of thinking of a solution because this kid, no matter how many pop culture references, is a genius and will be a great strategist in the future and Tony knows this. He left EDITH to Peter for these reasons.

This is routine for them. Tony makes this a teachable lesson. lol. ‘Come on. We got a situation. See him down there? He’s in trouble. What’s your plan?’

He’s a dad, forgive him.

I love how they just bicker while Strange is getting tortured down there lmao. 

This part only solidifies their relationship. Look at Peter looks so done and disappointed because this is the same argument Tony gives him when he’s in danger. Tony may trust Peter but his safety always comes first and Peter knows this. Look at him: 

He takes in the situation and even if he can come back to earth and fight the other aliens there, he won’t leave Tony. I want to clarify that the reason Peter is in space is because 1. He wants to fight. He wants to help. He’s said it before, if he has the chance to help, he’ll do it. He’s spiderman and is his responsibility to help if he can. This is the essence of Spiderman. 

‘When you can do the things that I can, but you don’t, and then the bad things happen, they happen because of you.’

2. Tony. He’s a loyal kid and he loves his mentor. People regularly point out Tony’s fear of losing Peter but Peter is just equally scared of losing Tony.

‘speaking of loyalty…’  ‘I just thought about you on the way…and kinda stuck to the side of the ship.’

So he fights Tony on this. He won’t let him not participate. He already lost Ben, he won’t lose Tony. He knows this is a dangerous situation, he wants to protect his people. He feels responsible for them and he’ll fight to do the right thing.

Another thing is how much Peter trusts Tony. He knows and is so sure that Tony will keep him safe, no matter what. This is because Tony has proved this before. Multiple times. He knows he’s Tony’s priority even if the world is practically ending. 

‘He wanted him away from all of Tony’s complicated feelings around caring about this kid way too much to focus on the task at hand.’

‘Tony had to keep himself calm and not think back to mere seconds ago when that terror had been his own, directly connected to the possibility of losing Peter Parker.’

‘Tony had only continued onto the ship because he felt certain that he’d gotten Peter safely out of harm’s way. With Peter here, very much IN harm’s way, would he be able to fully concentrate on the task at hand?’

‘They were about to take on the greatest enemy they’d ever faced. This was an enemy that had haunted Tony for six years. An enemy that threatened to wipe out half of the universe, untold trillions of beings with the snap of his fingers. He had a wide-eyed kid he had to protect’

‘Is this… oh, no… is this how it feels? To be on the other end of this? He owed Pepper an apology. He owed Pepper a lot of apologies.’

I love how Tony is comparing Pepper’s love for him with his own love for Peter. This not only tells you Peter is part of his family but just as Endgame confirms it, Peter is one of the few people he loves the most in the world.

Later, when the guardians attack, look at how Peter stays put, he could easily get himself out of Quill’s grip but he doesn’t, he lets Tony handle the situation. 

Makes me wonder how many times they’ve been in this situation. Homecoming!Peter would’ve done something very reckless. He would’ve risked his life or someone else’s but this is a 17-year-old kid who’s had Tony as his mentor, he’s had May to think about and he won’t let Ben down. 

Also,  the non-verbal communication between them is very telling. How the glances, the trust and the way they fight tells us how much they mean to each other. How he always looks at Tony for his reaction and how both of them are in synch with everything. 

Now, let’s talk about this kid’s bravery in this film. Look at him, this is peak bravery. This kid is kicking one of the most terrifying and powerful titans on the universe. 

Even if I loved FFH, I think they shouldn’t have skipped the part where Peter dwells with the repercussions of his trauma. They should’ve focused on Peter’s traumas and experiences after passing through all of this.

Look at this, you do really believe this kid wouldn’t have nightmares of this monster? He probably sees his face in every nightmare. This titan killed Tony. This titan killed him and half of the universe. He threw him around like a rag doll, chocked him and slammed him against the ground. 

One of the most heartbreaking things is that Mysterio is right about what he said to Peter. ‘Maybe if you were good enough, Tony would still be alive’ Peter feels responsible. He does. Remember how Peter was a big part in securing the gauntlet? He took the gauntlet off Thanos. He actually did it. He took it off. For Peter, there were pretty close. That was it. He doesn’t know what Strange knows, Strange must’ve seen in all of the millions of possibilities he saw that even if Peter took the gauntlet off, Thanos would still win. But Peter doesn’t know this. He thinks he almost got it. 

When he came back, he was one of the people who went after the gauntlet to protect it. He took it because he felt like this was his responsibility before waking up and now he’s trying to amend that by taking care of it. Thanos started blowing people off with lasers and Peter still held the gauntlet like it was his lifeline. 

He feels like he failed. The person who used the gauntlet, later on, is his mentor.

Of course he feels like he failed. He feels responsible for Tony’s death even if he’s not. 

‘I don’t think Tony would have done what he did, if he didn’t know you were going to be here after he was gone.’

He knows that Tony practically did it for him. Tony is a hero and he would’ve done that regardless but the motivation behind all of it, it was Peter. Always Peter.

‘Tony second-guessed everything he did. But the one thing he didn’t second guess was picking you.’

It’s natural that Peter feels responsible. Look at the catatonic way he behaves after the horrible experience. He’s still in shock.

Peter is the kind of kid that stands tall and bounces back up when the situation demands it but he’s also the kind of kid that wants to introduce himself to a magical cape and walk ladies across the street.

Look at him: This kid is scared but his bravery doesn’t let him hesitate. He knows what’s right and he knows in his heart, what he needs to do.

This is the kind of kid that would go to war with his mentor, stay on the space ship to save one person, come back from being dead and fight all over again.

Now, this is the most painful part and I almost wanted to skip it because… I’m still not over it and I never will. I still think Tony deserved a different ending.

So first Tony witness one of his biggest nightmares. Peter dying. Peter, for the first time in this film, shows us just how scared he truly is. He sees how the others start fading and he feels his demise coming. It’s inevitable. So he thinks in the one thing he always thinks about when he’s in a place where he can’t save himself. He goes to Tony. He thinks Tony can save him. Tony always saved him so why would this time be different, right? He desperately clings to Tony and begs him to save him. He doesn’t want to die. 

When he knows that there’s no other way, he gives up. This 17-year-old kid just gave up on his life and apologized for it. This just tells you how selfless Peter is. He’s dying and he’s concerned Tony is going to blame himself for his death. 

Then, when he comes back, from Peter’s perspective, it’s only been a couple of hours or minutes but he doesn’t know he lost 5 years of his life. Imagine how traumatic it was for him when he realized he’s been dead for years. 

He lets Tony hug him. He’s probably done this before. I refuse to believe this is their second hug after two years. Just because this hug is more emotionally charged doesn’t mean Peter didn’t get any affection from Tony before. 

Then the terrible thing happens. He realizes his mentor is dying and tells him the thing no one else told him: ‘We won and you did it, sir.’ 

Tony did it and Peter is aware of this. He tells him it’s him, it’s Peter. It’s someone he trusts and knows. ‘Can you hear me?’ He clings to him and by the look on his face, Peter’s in pain. He passed through this once and now he’s doing it again. For Peter, this is history repeating and he feels like is his fault all over again. 

He’s begging Tony to come back now. He’s watching his father figure die. This kid must be pretty messed up. I thought that after this he wouldn’t be capable of trusting people again but maybe FFH took another direction and showed us that nothing can corrupt Peter’s pure heart. Tony would’ve wanted him to stay pure. It’s just who he is, he always put others before himself. 

In my perspective, I think Peter is not over Tony’s death. He’s not even halfway there. He’s still in denial, he’s still assimilating, he’s still going through it and it’s going to take some time.

Peter is one of the bravest kids out there and that alone should be a big reason to have mad respect for him. He has been through hell and back and he still comes out on top in every situation.

Tony is a big part of his life, and he is always going to be. Peter has Tony in his heart and his presence will still be on him the rest of life. He loves Tony and will always love him, whether you like it or not and if you want to be mad about this, stay mad. This is a fact and no matter how much whining you do, there’s nothing you can do to change that. 

small writing exercises

make up an origin and meaning of a name

write a family history going back centuries

pick a character and make them ramble about their favorite thing

make up a fable, pretend it’s as famous as the Grimm fairytales. how does this fable affect the world and what would people reference from it? (i love this one because it can be as crazy and silly as you want)

make a commercial for something that really shouldn’t be sold at all. try to convince people to buy it.

ACRONYMS. but, like, try to have it make sense

make a poem about your story/something in your story

rewrite a classic but put your own twist on it

make up a detailed recipe

make a monologue with a plot twist or punchline in the end

create a ridiculously detailed timeline for a character

childhood memory (real one or make it up!)

improv rap lyrics

the story behind an inside joke

make up a mythical creature

pretend to be a commentary youtuber and pick a topic

the what if? pick a story and create an alternate ending to it

pick one scenario and several characters. how different are the reactions based on their personalities?

Things to Consider When Writing About Royalty

How is the throne inherited? How strict are the traditions concerning transfers of power? How is the order of succession determined? Can commoners become royalty?

How are heirs trained?

How much, if at all, are marriages for power/political ties favored over marriages for love? How common are arranged marriages

What are the biggest threats to their position?

How good is there relationship with their subjects? 

What is their preferred method of interacting with their subjects? Do they prefer to interact with them directly or indirectly?

How long has the monarchy been in power? How did it originally gain that power?

What special etiquette is required when dealing with royalty? How strict is it?

How are princes and/or princesses that aren’t first in line for the throne handled? Are they given special responsibilities in the hopes of discouraging resentment?

How do they deal with assassination attempts?

How do they spend their wealth? Why do they prioritize certain aspects of their kingdom’s well being over others?

Would they rather inspire love or fear in their subjects?

A reminder to writers:

You aren’t annoying for wanting to talk about your work.

Your characters aren’t weird or boring. You created them. They’re perfect.

Being unpublished doesn’t mean you aren’t a writer.

If you takes you 5 years to write a book, you aren’t any less of a writer than someone who took a year and finished.

You can have a life outside of writing. You aren’t cheating on your characters.

Writing can consume your life, and that’s great. If you love it, you love it. Let it define you. It’s amazing.

You don’t have to write a certain genre to be a “good” writer. Just write.

Your work isn’t “bad” because it’s full of cliches. Cliches are popular for a reason. People love them when they’re well-written.

You’re talented.

I agree! I didn't back up my plot one time and my computer decided not to work so I didn't have one of my most important documents.

Luckily my brother could fix our computer but since this happened I backup everything a thousand times. I learned that backups can save your life. You can never trust technology.

if you’re reading this, take it as a friendly reminder to BACK UP YOUR STUFF

maybe you don’t have time to back up all of it right this minute, but take the one or two things that you absolutely cannot lose and go back that up. NOW.