Ima-bitch - Eden

ARE U TELLING ME THAT THIS WAS IN THE ORIGINAL SCRIPTTTTTT

Wkgm3kktkorifriqogjgnfdn

WHY MOFFAT WHYYYYYYYYYYYYYY😭😭

If I were writing Sherlock, I’d have given the plane scene a hug, dammit.

hang on I’m trying to see something

don’t tell me the name of your pet, just tell me in the tags the name you call them that’s got nothing to do with their actual name

People on here are always like, “I don’t know why modern adaptations always make Sherlock Holmes an asshole. He is extremely polite and nice to everyone.” 

Meanwhile you turn to the second page of any Sherlock Holmes short story, and he’s going on like, “Watson, thank you for making it! You know you’re the only one I can trust I appreciate you so much <3. We’re going to go assist our bestie, Lestrade, because he’s so dumb he not only wouldn’t figure out my insights on his own - he wouldn’t even understand them if I didn’t have you there to translate. Man, he’s so out of it, I bet he wouldn’t even have deduced which side of you was facing the light while shaving, which is so totally obvious, because you look like a depressed slob who doesn’t own a mirror on one side but not the other. He’d hang an innocent man. Go, team!”

Now if you want to argue that’s he not an asshole for that; he’s just a little too honest and his filter is a little wonky and it’s probably a touch of autism, that’s fair. But this man is, like, northeast nice at best. He’s New Jersey nice. Helps you shovel your car out of the snow and lectures you while doing it nice. 

OMGG I CONSIDER THIS CANON. THIS IS CANON

It would've been kinda cool if right after the snap and Tony's death (and instead of that kneeling hommage from the heros in the deleted scene), we would've had a black cut to the next scene -

"Move, move, move!", somebody shouts.

We're in a hospital. Someone's pushing a mobile bed. Tony is in it, with a respirator and all. They arrive in a surgery room.

"What do we have?", Christine Palmer asks.

"Brain trauma."

"Life functions critical", somebody says.

"He's going into cardiac arrest."

Someone uses a defibrillator on him.

"He's stable."

"What about the arm?"

"Brain first."

"I'm on it", a dark voice says. Christine looks up, and it's Strange. He's wearing a surgical mask and he's putting on surgical gloves.

She smiles.

Strange holds a hand up, and the surgeon assistant gives him the tool he needs.

Strange takes a breath. Now his eyes smile.

"Mr Stark. You're not going to die."

Credits roll.

I'm sorry, I know nothing about hospitals and science and surgeries but I just wanted to point out that it would've been cool that in the end, Tony is saved by a superhero, not through superpowers, but by using his former talents, that made him as much a hero as well. And I like that it was Strange, who's kind of responsible for Tony's death (by putting them on the path of that one scenario case), but decided, whatever outcome I saw, I'm going to do everything I can to fix it - I saw the end of the fight and I know how to fix it. My part is not done yet.

Anyway. That's my interpretation.

AAAAAAAAAHHHH I CAN'T OHHHKMMYY GOODDD *RIP ME , I DIED DEAD*

It fills me with such pride and joy to announce that my version of Speak Now will be out July 7 (just in time for July 9th, iykyk 😆) I first made Speak Now, completely self-written, between the ages of 18 and 20. The songs that came from this time in my life were marked by their brutal honesty, unfiltered diaristic confessions and wild wistfulness. I love this album because it tells a tale of growing up, flailing, flying and crashing… and living to speak about it. With six extra songs I’ve sprung loose from the vault, I absolutely cannot wait to celebrate Speak Now (Taylor’s Version) with you on July 7th. Pre-order now at http://taylor.lnk.to/SpeakNowTaylorsVersion 💜💜💜