SANTA CLAUS Aka SANTA CLAUS VS THE DEVIL (Dir: Rene Cardona, 1959).

SANTA CLAUS aka SANTA CLAUS VS THE DEVIL (Dir: Rene Cardona, 1959).

Unraveling like one of my better fever dreams, the weird and wonderful Santa Claus is a 1959 Mexican production, re-cut and dubbed into English by schlock movie producer K Gordon Murray and released in the US in 1960.

José Elías Moreno stars as Santa as he is pitted against devil minion Pitch, portrayed by dancer José Luis Aguirre, in a bid to save the festive season from the clutches of Lucifer.

Seemingly made with an eye on the international market, Cardona’s film is a mishmash of Mexican, US and British cultural references (who knew Merlin the Magician was an ally of Santa?). Santa’s workshop (which is in space by the way) is filled with some frankly freaky gadgets. Everyone knows that “he sees you when you’re sleeping” but who ever thought it was through a re-purposed vacuum cleaner hose with a human eye on the end? Or that he listens to us by way of what looks like a severed human ear attached to a fan? All of this is relayed to Santa via a bulky bit of machinery complete with a massive pair of human lips!

It is true that much in this children’s film could terrify those of a sensitive disposition and no one would argue that it is a good film. In fact many would argue that it is a very bad film. It is certainly camp and kitschy and little of it makes much sense, but it does features some weirdly attractive mid-century style sets and it means well; I have to admit that part of me enjoyed it un-ironically.

With its copyright having long-ago lapsed, Santa Claus is easily to find on-line in varying states of decay. If you are inclined to watch it (and you really should be!) I suggest you find a decent print and settle yourself down for 95 minutes of incredulous festive fun!

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THE LAND BEFORE TIME (Dir: Don Bluth, 1988).

In 1979 director Don Bluth famously led an animators walk out at the Disney Studios to form his own company Don Bluth Productions. Their first feature length venture The Secret of NIMH (Bluth, 1982) while critically well received was a commercial disappointment and it wasn’t until after Bluth released the groundbreaking coin operated video game Dragon’s Lair that Hollywood once again came calling.

The Land Before Time was to be Bluth’s third feature and his second, following An American Tale (1986), for Steven Spielberg’s Amblin Entertainment, co-produced by Lucasfilm. This surprisingly downbeat dinosaur adventure is something of a prehistoric Bambi meets The Incredible Journey as longneck Littlefoot, after the death of his mother and separation from his grandparents, teams up with a band of similarly lost young dinos to find their families in the fabled Great Valley.

Just as An American Tail was pitted against Disney’s Great Mouse Detective on original release, The Land Before Time found itself competing against Disney’s Oliver and Company in late ‘88. Unlike the previous meeting, Disney’s movie was box office champ on this occasion. However, I would argue that, on this occasion, Bluth’s movie is superior. Unlike the numerous made for video sequels, the original Land Before Time features some beautiful animation, and while its plot is quite basic and occasionally saccharine, it is sophisticated enough to engage adults as well as children.

At little over an hour The Land Before Time is short and sweet. Stick around for the end titles for Diana Ross’ lovely ballad ‘If We Hold On Together’.

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Movie number 19: The Wrong Man (Alfred Hitchcock, 1956). Henry Fonda stars as ‘Manny’ Balestrero, a Stork Club musician wrongly arrested for robbery. Unusually for Hitchcock, The Wrong Man is a true story and befitting the subject he shoots in a stark documentary style on the real life locations on which the story takes place. The director cameo, gallows humour and exotic locales which characterise much his 1950’s oeuvre is absent in what is Hitchcock’s most serious work. Fonda is excellent in the role of Manny, conveying fear and bemusement with complete conviction. Vera Miles is equally convincing as his wife whose descent into mental illness is, thankfully, handled with sensitivity and taste. Support comes in the form of underrated British Star Anthony Quayle. Lacking the glossy flamboyance of much of the director’s mid/late 50s movies, The Wrong Man is none the worse for it. This was a first time view for me and I would certainly regard it as among Hitchcock’s finest work. #thewrongman #alfredhitchcock #henryfonda #veramiles #anthonyquayle #filmnoir #hollywood #classichollywood #vintagehollywood #goldenagehollywood #jinglebonesmoviereviews #jinglebonesmovietime #jinglebonesnewyearsresolution #everymovieiwatch2019

SUSAN SLEPT HERE (Dir: Frank Tashlin, 1954).

Frank Tashlin made his name as an animation director at Warner Bros’ Termite Terrace before graduating to live action slapstick comedies of questionable taste such as The Girl Can’t Help It and this movie Susan Slept Here.

As with much of Tashlin’s work Susan Slept Here is very much anchored to the decade in which it was made. The convoluted plot concerns Hollywood scriptwriter Dick Powell and 17 year old juvenile delinquent Debbie Reynolds who is given to Powell as a ‘gift’ on Christmas Eve in order to keep her out of jail during the festive period.

Recalling such better comedies as Billy Wilder’s The Major and the Minor and the Preston Sturgess scripted Remember the Night, Tashlin’s middle age male fantasy remains just about on the right side of good taste. Were this movie made today it would certainly raise eyebrows and maybe it did in 1954. If it was made today I doubt the subject would be given the light and fluffy rom com treatment.

As it is the movie is far more palatable than expected, thanks to the appealing performances of Powell and Reynolds and the assured direction of Tashlin who could turn out this sort of material in his sleep. The highly saturated Technicolor photography shows off the 1950s decor in all its garish splendour and Reynolds gets the opportunity to show of her considerable dancing skills in a very much of its period dream sequence.

To fully enjoy Susan Slept Here requires a certain amount of suspension of disbelief, not least to accept 55 year old Powell as the 35 year old object of Reynolds’ desire. It is by no means a classic but neither is it the vacuum of good taste I was expecting. Fans of its director and stars, particularly Debbie Reynolds, will probably find much to enjoy.

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THE GHOSTS OF BUXLEY HALL (Dir: Bruce Bilson, 1980).

Originally screened in two parts on the long running Disney anthology series, at this point in its history broadcast on NBC under the Disney’s Wonderful World banner; The Ghosts of Buxley Hall is a throwback to Disney fantasy comedies such as Blackbeard’s Ghost (Robert Stevenson, 1968) and Charley and the Angel (Vincent McEveety, 1973). Failing military academy Buxley Hall is forced to merge with a cash strapped girls school, enraging the ghosts of founder General Eulace C Buxton, cohort Sergeant Major Chester B Sweet and wife Betina Buxley (played by Dick O’Neill, Victor French and Louise Latham respectively). Their focus soon shifts to aiding new student Jeremy (Red Daly) whose scheming aunt and uncle threaten both the future of the school and more importantly the well being of their nephew.

Although very much a product of its time The Ghosts of Buxley Hall is undemanding formulaic fun. It has a welcome, albeit slight, feminist message, although some may find gags involving smoking and alcoholism and some mild risqué humour involving a sex education class a little out of place in a family movie. With regards to modern audiences, I imagine this film is more likely to appeal to grownup children of the 1970s/80s than by actual children.

Is The Ghosts of Buxley Hall a good movie? Not particularly. Did I enjoy it? Yes, I kinda did. It felt nostalgic, raised the odd smile and kept me out of mischief for 90 odd minutes.

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The Ghosts of Buxley Hall (1980)

The Ghosts of Buxley Hall  (Dir: Bruce Bilson, 1980).  O riginally screened in two parts on the long running Disney anthology series

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