The Second Blade: Diplata - Extinct Bolo

The Second Blade: Diplata - Extinct Bolo

Continuing the countdown to the launch of the Gubat Banwa Kickstarter coming up on the 10th of October- 6 days to go! Gubat Banwa is a tactical war-drama TTRPG set in the Sword Isles, a fantasy setting inspired by Southeast Asian cultures and folklore.

To promote its launch, I'll be posting some of the weapons I've been drawing for the game every day until the campaign kicks off in earnest. These were meant to be Swordtember entries, pardon the lateness I suppose. 2/7 blades so far, let me introduce you to the DIPLATA.

The diplata is a short-to-mid-length blade with a distinct handle, with most specimens sporting a horn-like protrusion facing the same side as the edge.

The blade shape itself I feel is something common across most toolblades in the Philippines, not much longer than one's forearm with a more-or-less rounded out tip- though the diplata seems a bit wider than most. I would say the most unique features definitely lie in the shape of the hilt, and the circular guard. Most Philippine blades don't have anything in the form of hand protection, so a wide guard like this stands out.

This one was a little difficult to find photo references for, as apparently they're quite rare. Some blade scholars call it an "extinct" blade, meaning those who traditionally forge authentic ones supposedly aren't around anymore.

(Photo from Victor Balaguer's museum near Barcelona; Diplata on the blades hanging on the wall, the two next to the rightmost blade) "Traditional" blades refer to those made by the same people to whose culture a blade belongs. To illustrate in the simplest terms, a katana made by a traditional Japanese swordsmith would count as a traditional blade. A messer made by a traditional German blacksmith would count as a traditional blade. I'm sure there's more internal nuance there, but that's the quickest reference point I could come up with. Take note however that the Philippines is composed of many, many different cultures who all happen to exist in the same archipelago with varying levels of overlap- there is no singular, unifying blade culture, so categorizations like "Traditional" and "Modern" (often referring to modern reproductions) aren't always as exact as convenience may demand. In particular, material exchange between cultures makes a mess of this categorization, not just because the blades themselves could get traded (or stolen or lost) and physically make their way to other places beyond the imaginary borders of their "homelands", but because the smiths themselves (or their knowledge and techniques) may travel around. Smiths in different places may also see blades from different cultures that they might feel like imitating or emulating in some way- that's how certain Philippine blades obtained D-guards- but that's a story for another time. The diplata is oft-attributed to the Aeta peoples, specifically those who come from Mt. Pinatubo in Zambales. Not much confusion as to whose culture these blades belong.

It is a little disheartening that most of the refs I could find were photos from foreign museums and loose images in books and blade forums. I will not speculate here as to how these blades ended up in these places, but it isn't hard to guess.

(Image from a Spanish museum)

(Image from Philippines, Early Collections, Museum of Ethnologie Vienna)

(Image from The Philippine Journal of Science Volume 81) I'm not a hardcore blade scholar, but even I recognize how inseparable blades are from the myriad cultures of the Philippines. I'm forever thankful to the random communities of blade enthusiasts who dedicate a not-insignificant portion of their time (and wallets) to supporting local artisan blacksmiths to grow their collections, and keeping track and tracing which blades came from which places and peoples. Our blade cultures are alive and still developing, but they could still use a little help sometimes, just so we don't lose them.

(Photo from the collection of Zel Umali) In any case- while it's not exactly a scholarly work in the academic sense- part of Gubat Banwa's violence is pushing a fantasy setting of our own making, as seen by our own eyes, as told on our own terms. This is no foreign museum; This time, SEAsian cultures take center stage.

The Gubat Banwa Kickstarter launches in 6 days! Check it out here:

Kickstarter

Coming soon: Gubat Banwa - SEAsian Martial Arts Tactics Fantasy RPG

A Drama and Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent history of Southeast Asia.

It would be a huge help to this very small team from the global south if you could help us get the word out! We straight up can't afford to advertise on the same scale as bigger players in the field, so we're relying heavily on word of mouth. You can find out more about the game on its itch page.

You make a compelling argument oinkymoo I think I'll be calling them "blade commissions" from now on

WEAPON COMMISIONS OPEN

Weapon design commissions by a martial artist and engineer! I make blueprints and weapon designs to arm you and your OCs respectively. Ever wanted to hold a sword of your own? If you live in the Philippines, I can also help you connect with local blacksmiths who can help bring your ideas to life. If you live elsewhere, you can commision me for a blueprint that you can bring to a forge near you. From the deepest reaches of untouched seas,

To the searing light of burning skies,

To the muted glow of stars beyond,

And- perhaps-

To the palm of your hand?

Your next legendary weapon awaits.

Contact me for samples and terms of service at [email protected]

Seven Blades Until Glory

Gubat Banwa launches on Kickstarter TODAY! Just a few more hours before the highly-anticipated launch of this award-winning, SEA fantasy-based, tactical martial arts TTRPG. Godsfuck, that's a lotta adjectives.

I've been posting the weapons I've drawn for the game to count down the final week before the launch. These were supposed to be for Swordtember but we had to move it back a little bit.

Below are links to all the individual threads, providing details on each of these individual blades, including which cultures they belong to and how they might have been (and still are) used.

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The First Blade: Balaraw - Winged Dagger

I realize I haven't been explicit about it on here yet (mostly because I'm not the best at keeping all my social media profiles up to date),

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The Second Blade: Diplata - Extinct Bolo

Continuing the countdown to the launch of the Gubat Banwa Kickstarter coming up on the 10th of October- 6 days to go! Gubat Banwa is a tact

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The Third Blade: Hinalung - Handheld Speartip

Five days left to go before the launch of the Gubat Banwa Kickstarter campaign! Gubat Banwa is a TTRPG that allows you to play as warrior K

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The Fourth Blade: Panabas - "For Chopping"

Four days to the launch of the white-hot lightning that is the Gubat Banwa Kickstarter! Gubat Banwa is a TTRPG supported by the twin pillar

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The Fifth Blade: Kampilan - Warrior Made

Down to the last three days before Gubat Banwa launches on Kickstarter! Moon-eating titans, sword-souls and bullet devils, giant flying cro

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The Gubat Banwa Kickstarter launches in 2 days! Check it out here:

Forging onwards! It certainly doesn't help when blades are found far from home and are labelled with confusing specific terms or useless ge

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The Seventh Blade: Kalis - Bleeding Edge

And so- in the end- the wheel must turn, and a new day must usurp the old. Perhaps then, these long-fallen flowers will feed the soil, and

The Gubat Banwa Kickstarter launches in a few hours! Check it out here:

Kickstarter

Coming soon: Gubat Banwa - SEAsian Martial Arts Tactics Fantasy RPG

A Drama and Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent history of Southeast Asia.

Hello again! I know this account is mostly my art and weapon designs, but I think it's about time I actually post about the games I write (since Tumblr allows me to make long text posts, as opposed to the burning bluebird site).

I designed this little game built around memories some time ago. You play with one (1) other person, working together to build a stack of rocks, and recalling your past together.

You take turns recalling your memories of each other, and adding a rock to your stack. The more it grows, the more precarious things become.

It's a bit of a wistful one, for those who like to lounge in daydreams, and those who lie bothered by small heartaches at night.

Is it- strange to say that it's a game that I, myself, am afraid to play?

River, mountain, field, or sea- no one knows where a rock may have come from or where it may end up, before and after it crosses your hands.

I don't- I can't- know where I reside in the memories of those I hold dear. Do we hold the same things close to heart? Do the memories we share, which I cherish in my mind, languish and fade in theirs? What is it that keeps people together? What is it that "we" are built upon?

What would it take to break things apart?

You can get it for free (it's pay what you want) on my itch page, here:

itch.io

i remember you. by R- (Tawen)

a game of memories, relationships, and falling apart.

Footage emerged from Gazan journalist Nooh Al-Shagboni of the heroes of the Civil Defense rescuing a number of children, women, and youth from under the rubble of a home bombed by the IOF in Gaza.

A 37-day-old baby named Salam (peace), born during the first days of the war amidst the bombing, was rescued after a four-hour-long operation, reborn from under the rubble after all thought she had been martyred.

Salam was the firstborn child of her mother and father, who both ascended to martyrdom as a result of the bombing.

This is an incredibly sad thing to share but I feel like I have to. I’m not a defeatist but I don’t want to downplay the human toll, either.

I’d have to look up some words (it’s not in dialect) or have some help from someone better at this than me to do a better and more direct translation, but the gist of what Motaz is saying is that the pause has ended and it’s about survival now. He’s been transferred(? Moved around?) through all of it and he swears he’s done what he could in service of his country. He lives now in a new period of internal siege; there’s no escape from any direction. He is surrounded by Israeli tanks in central Gaza in a tragedy beyond imagination. He wants us to remember that Palestinians are not content to be consumed, they’re a people being murdered and a cause to protect from erasure…he ends with an expression of loneliness and abandonment and that’s why I can’t not share this. Those of us who are physically safe need to stay steadfast and keep pushing.