ladyazzyscoffeecorner - Lady Azzy's Coffee Corner
Lady Azzy's Coffee Corner

Hello! Bonjour! Ciao!Someone said I should have tumblr so here we are. I write things (poetry, fanfics, short stories, etc) and occasionally take photos. I'm here to vibe with what scrolls across my dash ✌🏻You can find me under Lady_Azzy on AO3!

1719 posts

It's Just Us And Our Quiet Happiness Here

It's Just Us And Our Quiet Happiness Here
It's Just Us And Our Quiet Happiness Here

It's just us and our quiet happiness here

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More Posts from Ladyazzyscoffeecorner

im sure theres a word denoting the divide btwn what you believe as a citizen of civic society and what you believe as an animal with anger synapses. as a civic citizen i do not believe in the death penalty nor do i think anyone deserves to die for being stupid on twitter. as an ape,

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

Hoshina: What.. In The World..is He Wearing...?

Hoshina: What.. in the world..is he wearing...?

Reno: Listen, I......... we thought it was a fun gag, Iharu... they found this on yamazon and Kikoru bought it, before I could even argue.. (T▽T)

Haruichi: He's like so happy wearing it,... we... don't really have the heart to tell him, it was meant as a joke...

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Happy Birthday to my favorite chaotic loving beautiful golden retriever kaiju man, Kafka Hibino <3

I grabbed the manga's first volume by total chance in a book store while on holidays and I'm obsessed with you ever since. (°◡°♡) And if that wasn't enough already, I returned to a big passion of mine and got to know so many cool and nice people. Didn't expect my year to turn out like this, but I am more than happy about it. c:

Also sidenote:

I know this shirt-idea plopped up on tumblr a few weeks ago already - here's OP's post that even came up with a original shirt design as well <3


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I think there's something that needs to be said about encouraging readers to leave feedback.

For me it's not about "tell me my writing is amazing and stroke my ego"

It's more about "please engage with me so that I can experience your joy secondhand and foster a connection with you"

I understand that not everyone wants this in their reading experience, some people are shy and a million other reasons why maybe someone wouldn't want to engage and that's perfectly fine!

But what I'm trying to steer away from is being a passive content creator with passive consumers. What I want to steer toward is fostering a community that is essential to fandom. I want to see your reactions because it makes me feel like I'm a part of something.

On encouraging reblogs —

I understand that not everyone is comfortable reblogging, especially explicit content. This is ok!

But just consider that the only reason you were able to enjoy a fic or fanart is because someone else shared it, and by not sharing it yourself you are potentially robbing someone else of the opportunity to enjoy it as much as you did.

As OPs our reach only goes so far and this website relies on reblogs in order for anything to truly get seen by a wider audience.

So that's really it! That's why I encourage these two things at the end of every story I post. Not because I'm trying to be demanding and "make people feel bad" if they don't do it.

I know most other social media sites encourage mindless content consumption and that's just the way of the world nowadays, but I am from a time when community was at the heart of fandom and I just don't want to lose that.

''what if my writing isn't good eno--'' what if it's a reflection of your of your soul. what if it has a place in this world. what if you write it anyway