HELLO I LOVE THIS

HELLO I LOVE THIS 🤣

Thinking about that one time in mythology class where my prof used a thorki fan edit on one of the norse gods slides

Welp.

Did John really say to Paul "I like it when you're brutal"? Where did that come from?

Yes he did! You can hear it here:

It's a segment of studio chatter used in Eight Days A Week: The Touring Years (2016). The conversation is even included in the transcripts of the film:

Source: https://transcripts.foreverdreaming.org/viewtopic.php?t=61003

I think you're looking for this:

"We were around age 13 and 14. We started rehearsing in an amazingly professional way at a very early age. We had this tape recorder and this thing of trying to sound like the real people… The next thing to do was to get real good in singing so we’d sing and harmonize and hold very serious long rehearsals in his basement and he’d strum and we’d work on a song. We’d be sitting nose-to-nose looking right at each other’s mouths to copy diction. I’d want to know exactly where his tongue would hit the top of his palate when he’d say a “T,” to know exactly how to get that “T” right. And I could see that you could be almost right or even better than almost right and that all of that really was the difference between whether or not it sounded professional. Then once you had it very precise you cooled it out and made it seem effortless."

From a 1973 Rolling Stone interview to our favorite bi uncle

ffs someone pls help me ive been searching for an hour trying to find this quote... i think its garfunkel talking about paul simon but it could be vice versa, but they describe a moment when they have their faces pressed close together, something about feeling eachothers breathing or mouths or something? maybe looking in eachothers' eyes? idk pls help

Glad to provide a lovely pic I personally hadn't seen before. Aren't they cute?? Yes, yes they are.

Don't know where and when it was taken, but from Paul's beard and Artie's overall stunningness I reckon it's around fall 1968.

Original post and live recording of America Live in Cleveland Public Auditorium, Ohio 1968-10-27 (highly recommended) via FB group Paul Simon & Art Garfunkel - The Harmony Game

Baron Samedi (English: Baron Saturday), also written Baron Samdi, Bawon Samedi or Bawon Sanmdi, is one of the lwa of Haitian Vodou. He is a lwa of the dead, along with Baron's numerous other incarnations Baron Cimetière, Baron La Croix and Baron Criminel.

He is the head of the Gede family of lwa; his brothers are Azagon Lacroix and Baron Piquant and he is the husband of Maman Brigitte. Together, they are the guardians of the past, of history, and of heritage

Baron Samedi is usually depicted with a top hat, black tail coat, dark glasses, and cotton plugs in the nostrils, as if to resemble a corpse dressed and prepared for burial in the Haitian style. He is frequently depicted as a skeleton (but sometimes as a black man that merely has his face painted as a skull), and speaks in a nasal voice. The former President-for-Life of Haiti, François Duvalier, known as Papa Doc, modeled his cult of personality on Baron Samedi; he was often seen speaking in a deep nasal tone and wearing dark glasses.

He is noted for disruption, obscenity, debauchery, and having a particular fondness for tobacco and rum. Additionally, he is the lwa of resurrection, and in the latter capacity he is often called upon for healing by those near or approaching death, as it is only the Baron that can accept an individual into the realm of the dead.

Due to affiliation with François Duvalier, Baron Samedi is linked to secret societies in the Haitian government and includes them in his domain.

Baron Samedi spends most of his time in the invisible realm of vodou spirits. He is notorious for his outrageous behavior, swearing continuously and making filthy jokes to the other spirits. He is married to another powerful spirit known as Maman Brigitte, but often chases after mortal women. He loves smoking and drinking and is rarely seen without a cigar in his mouth or a glass of rum in his bony fingers. Baron Samedi can usually be found at the crossroads between the worlds of death and the living. When someone dies, he digs their grave and greets their soul after they have been buried, leading them to the underworld.

Baron Samedi is the leader of the Gede, lwa with particular links to magic, ancestor worship and death. These lesser spirits are dressed like The Baron and are as rude and crude but not nearly as charming as their master. They help carry the dead to the underworld

As well as being the master of the dead, Baron Samedi is also a giver of life. He can cure mortals of any disease or wound, so long as he thinks it is worthwhile. His powers are especially great when it comes to Vodou curses and black magic. Even if somebody has been afflicted by a hex that brings them to the verge of death, they will not die if The Baron refuses to dig their grave. So long as The Baron keeps them out of the ground, they are safe.

In many Haitian cemeteries, the longest standing grave of male is designated as the grave of Baron Samedi. A cross (the kwa Bawon, meaning "Baron's cross") is placed at a crossroads in the cemetery to represent the point where the mortal and spiritual world cross. Often, a black top hat is placed on top of this cross.

He also ensures that all corpses rot in the ground to stop any soul from being brought back as a zombie. What he demands in return depends on his mood. Sometimes he is content with his followers wearing black, white or purple clothes or using sacred objects; he may simply ask for a small gift of cigars, rum, black coffee, grilled peanuts, or bread. But sometimes The Baron requires a Vodou ceremony to help him cross over into this world