
he/they // call me either shark or punk // 19 yo // proud men liker
9 posts
Punksharkois - Sharkois - Tumblr Blog
YEAAHHH OFF PURIFIER OCSS đ„đ„đ„đŁđŁđđ
did a purifier oc out of nOWHERE



his name's Yoto, he attacks with a yoyo :3 he's more younger than other purifiers, like, uh, a young-adult or an adolescent, of... aprox 16-20 years
probably likes these mini skateboards for fingers
let's say... while I was sketching this guy I had other ideas and... now I have like- 4 Purifier OCS... oops
reblogged some people who needs commisions asap :))







 PLEASE DONATE, COMMISSION OR SHARE IF YOU CAN... WE CAN BECOME HOMELESS IN JUST 2 WEEKS
OUR MAX GOAL IS AROUND 3,500 USD
 FOR COMMISSION CONTACT ME VIA DMS
DONATE HERE: https://boosty.to/favorite_lie
PAYMENT IS VIA BOOSTY AS WELL
100% UPFRONT PAYMENT
PLEASE NOTE THAT COMMISSIONS CAN TAKE AWHILE.


METAMORPHOSIS âŸ

INFO: 2246 words, kafka x gn! reader SYNOPSIS: The threads of fate were never to be interpreted by the senses of mortals, and you pay the price. An extravagant cage, or a slave to destiny? You play your part like the puppet you learned to be, with Kafka serving as your lesson to maintain the realm between art and the artist. You, the Frankenstein's monster of fate's mistakes, and Kafka, the one who sees everlasting beauty in you. WARNINGS: uh nothing really except angst ig and REALLY FUCKING DENSE PROSE good luck reading allat bc i'm not reading what I wrote again LMFAO. this is gonna flop bc it's too complicated rip AUTHOR'S NOTE: NOT PROOFREAD BC ITS CURRENTLY 3:30AM AND IM DELIRIOUS. This was intended to be a weird character study but it turned self indulgent REAL quick i hate it sofuckingmuch YIPEEE!!! likes and reblogs are appreciated i'll give u a fat sloppy kiss.

Art governs the world, as Kafka says.
The world is governed by its artists. Formed by the hands of sculptors, decorated with grandeur by its musicians and dancers, yet art runs far deeper than these meticulous displays. Art is present in all. It allows life to be breathed into the mundane, allows men to understand their souls â the contours of their being, the purity and refinement of their essence. It allows for the soul to become honed as sharp and pedantic as oneâs craft, etching the outline of an artistâs life.
Art allows man to discover and become familiar with themselves, and hence becomes a vehicle for all those yearning for greatness to have their wishes fulfilled. Thus, art is mistaken as a noble practice, each misshapen line of a paintbrush burdened with the virtue it cannot promise. Yet art may not be as noble as what meets the eye, with its breath shaping each whisper of life. As there is an art to all, there can only be balance. Shrouded with the curse of mortality and death, the act of stealing life becomes an art as well. Dark and taboo, but an art nonetheless.Â
Killing becomes an art, each spray of blood the artistâs signature, each cut, bruise and scar carrying the same reverberations as the splash of paint on a blank canvas. It could never be replicated, even if the artistâs eye was the most honed at their craft. Done right, killing could be beautiful, and death could be revered. It was a mantra for all she did â Kafka, the absurd devotee to all that was beautiful, perpetually in pursuit of beauty and purpose.Â
Beauty, she thought, was the hierophant of art in itself. Though this may present a causality dilemma in all art mirroring beauty and beauty ever present in art, she believed that beauty would reign triumphant. To her, it was a sanctimonious practice that would rule out of presence alone, but instead of interpreting the beauty of the world, she craved to find beauty for herself. Selfish to no end, but what were humans if not selfish?
Many thought she was mad. That her self imposed quest was futile, and sheâd return tasting bitter disappointment sickly on her tongue. Her self imposed quest was woven into her being, the thread that perpetuated her fate and directed her to Elio. The thread that gloriously pulled her towards you.Â
Were you art, or the artist? Were you the creator, or the created? The all knowing maker or the grotesquely beautiful creation? She couldnât tell. It was trivial. Did it matter? No, it didnât. You were beautiful to her â the embodiment of all she believed to ring virtuous and true. Causality dilemma as you may be, you remained unshaken by the wiles of fate.
âHow did Elio get you?â were her first words to you.Â
Composed of fragments of dreams and broken flesh, you appeared in front of her. Stricken by a plight of existence, but beautiful, still. A Frankenstein's monster of beauty and decay. âHe didnât.âÂ
âWhat do you mean?â
âI came to him.â
Curiosity flashed in those eyes of honeyed wine. âWhat reason would someone like you have to enslave yourself to fate?â
In turn, you smiled at her. âFate will tell, will it not?â
Fate strung its threads across your body in a pattern of knots so ravishingly complex. Your fate, ambiguous to all but Elio, it seemed, wrapped around you in the most tragic and delightful way, she couldnât resist tangling herself with you; tracing her gloved hands along your bindings, losing herself in the rumination of possibility. The rumination that she once wouldâve scoffed at for being so wishful.Â
You didnât know what you did to her.
âIs it time already?â she rose from her position, glancing down at the unconscious man beside you, oblivious to your presence. Blade was barely conscious, drifting in and out of the hypnotic state Kafka had induced on him.Â
âLooks like it. Elioâs never wrong.â you reply.
âAre you nervous?â
âWhy would I be? Did Elio mention anything about danger?â
Her laugh is musical. âThe trailblazer hasnât met you yet.â
âIâm excited to make their acquaintance, then, if theyâre as interesting as you suggest.â
Kafka smiled, slipping through the doorway of the makeshift abode with a fleeting glance. Fleeting glances, furtive touches, whispered words. Thatâs what the thin bond stringing you together consisted of. Neither of you let the other linger for too long, so help the stain that youâd inevitably leave. You were the substance she wanted to get blissfully drunk on, yet you were far too beautiful to squander on such menial things. In turn, she was the overture that haunted your dreams, yet disappeared once the score came into view.
Some things were best left at a distance, the careful and prudent restriction promising preservation.Â
With a laugh to none but yourself, you followed her from a distance just beyond armâs reach. You realised you would follow her to whatever end she led you to. Youâd let her lead you to desolation, because you trusted sheâd restore what she called your âbeautyâ once again. You trusted her cunning eye â the eye of the artist â to watch you become derelict, and to salvage what could be saved from the shards of your remains.Â
The trailblazer had the same eyes that Kafka had â willful and shrewd â yet determination sat at the forefront instead of the tinge of deadly curiosity Kafka held.Â
âWho are you?â the trailblazer questioned, eyes flickering between the two of you. Two questions spent, one left.
âI used to be a knight of beauty.â a faint glimmer in her eye as she smiles towards you. âWe worshipped Idrila, the Aeon of Beauty. We vowed to guard their beauty with the sword, but one day they suddenly disappeared.â
The trailblazer appeared to be conflicted, gaze darting back and forth between the two of you. âAnd you?â
âI am the interpreter of the cosmos.â Kafkaâs amusement is undeniable. Her lie doesnât escape you as you weave a web with the string she provided. Playing her game as intended. âThe stars ordain their prophecy, and I interpret them into coherent events that mortals are able to comprehend.â
The trailblazer says nothing. The best lies are moulded from dregs of the truth, as sheâd taught you.
âWhatâs your last question?â Kafka asks.Â
âWhat are you two?â
Very few times youâve seen Kafka taken by surprise. The woman blinks.Â
âKafka is an artist.â you respond in her stead as she scoffs at your answer.
âThen you are the wanderer above the sea of fog.â
Full of riddles, always. She could never give anyone a straight answer. Why would she? She was the artist, forever touched by the calamitous effect of your being.
âThat doesnât answer my question.â The trailblazer frowns.
Kafka laughs in delight. If you could store the sound in your heart, surviving from its pure, unbridled mirth, you would. âEverything leads to the answer eventually. Thereâs only the illusion of being lost.â
âQuit being cryptic.â
âThe future is a labyrinth. Divergences are merely inducements. There is only one true path. You only have to know how to look.â A smile plays across her lips as she gestures towards you. âAnd I have my looking glass.â
â
If beauty was present in all art, you failed to find the art in deceit. Morally, its falsehoods nurtured the true nature of humankind, yet the guilt that followed in tandem with this practice ate away at the disposition like rotting flesh in the maw of a rabid beast.Â
Elio had revealed his plans to you â your script to act out â and youâd shied away in cowardice. Or could it be seen as self preservation? Where was the line between cowardice and preservation? Surely, you walked across it with fear of teetering to one side. Thereâd been no deceit on your part until this very moment, the illusion of what youâd had finally facing the denouement.Â
You so desperately wanted to continue living this beautiful farce with Kafka, but there were other plains written in the stars.Â
âKafka?â
âIâm here.â
âTell me a lie.âÂ
âA lie?âÂ
You frowned, gazing up at the stars. The infinite, perpetually changing stars that voiced their teachings to you with whispers unheard to ears but your own. If it was in Elioâs script, youâd play your part, no matter the height of the fall. Such was your deal with Elio â your shackles in exchange for an extravagant cage. âYes.â
âWhy would I do that?â she asks, leaning against the railing of the balcony. Another city, another task to fulfil via Elioâs requests. Did they ever end? It was a foolish question to ponder.Â
âYour lies are pretty. I could get blissfully drunk on them.â your eyes reflect the cosmos in them, and as Kafka leans in closer, you shut your eyes.Â
âWhat do you mean?â
You laugh, palm outstretched in front of you as if to gather the galaxy in your fist and force the fate of the world out of its grasp. âYou lie so often that itâs the only constant I can find, anymore.â
She pauses. Sheâs sure you can feel her body tense beside you. â...Donât tell me.â
âLie to me, Kafka.â you close your eyes, leaning against her shoulder as the stars gaze down at you. She remains still.Â
âI canât. Did Elio put you up to this?â
âWhy not?â Your avoidance of her question only makes her even more wary.Â
âIâll feel guilty.â she pouts, her light tone an attempt to alleviate the atmosphere, but you turn to face her completely.Â
âKafka, Iâm in love with you.â
Silence hung rigid in the air as the stars sang their lonely hymn, their finale of Orpheus and Eurydice. Kafka, the picture of stoicism â the unmoving sword in the stone â was torn. Her facade of cold, amused indifference had shattered, leaving a demeanour that betrayed her emotions, now written clear across her face. You turned away.Â
Two stars, born of the same nebula, yet suffering far different fates from one another. Your star burnt far too brightly, while hers shone with cold light that you relished in. Your star would soon wink out, your death a destruction unbeknownst and insignificant to many, yet cataclysmic for one.
Deceit was necessary, or so Elio had told you, for Kafkaâs resolve to steel. For her to become the character he needed to execute his script.
So, you supposed, as there was an art in Kafkaâs beautiful lies, there was beauty in deceit. A beauty of sacrifice to set Kafkaâs beauty etched into time, while you burned away in the depths of history.Â
The wanderer above the sea of fog, and the artist that could only appraise its beauty. The two realms far too separate for the artist to reach out and stop the hand that tore the canvas with a blunt knife.Â
âWas that a lie?â Kafka asks, voice distant as the look in her eyes.Â
âI couldnât lie to you.â the words spill out like a wound torn open. Rehearsed, and performed like the slave to destiny you became. It repulsed you. You wanted to rip your tongue out.Â
âYou canât do this.âÂ
âIâm sorry.â
âYou canât do this.â she meets your eyes. Pleading, almost. The Kafka you know never pleads â but the thread between you is stretched taut, and the three fates lie in wait.Â
âTell me a lie, please.â you step closer. She steps back, expression carefully blank. âTell me you hate me. Tell me you despise the air I breathe. Tell me that the beauty that you see in me is unfading.â
âStop.â her gloved hands rest on your shoulders. Delicate, as if youâre a statue that she sculpted herself.Â
âKafka, please.â
âEnough.â She releases her hold, turning away from you. âGoodnight.â
The art must be separated from the artist, or so Elio had claimed. You were the grotesque creation, and she was the artist with unbridled curiosity. Your mere touch was poisonous to her, Elio claimed â he claimed many things, and you wanted to scream at him, to tear the tapestry of destiny apart with your bare hands, but he gave you a choice.Â
Though a life as destinyâs slave was demanding, life as an orchestrator of the most beautiful catastrophe sounded far more enticing â morbidly so.Â
Kafka was the artist in perpetual pursuit of all things beautiful, and you could think of no entity more beautiful than the tragic story of your own satirical tragedy.Â
Elio handed you the options, and you tugged at the thread lined with gold, cajoled with fables of love and artistry. The world fell silent around you as you stepped into the role of the artist, commanding the orchestra with a baton of bones. Cold, unfeeling. Such should be the shape of your soul, as your art demanded.Â
Art aids mankind in discovering the contours of their soul. Yours just so happened to be the missing star in the sky. A tale of destruction unknown to any other except the star burning blindingly bright beside you, mourning.Â
You, the monster of art, pressed too close to the artist, and now you were marked with lacerations none could erase. Kafkaâs sword found its mark through your heart, and blood sprayed onto the floor in a flourish of red. The artistâs signature.Â
âI canât lie to you anymore.âÂ
And so the star burned brighter.

written by @atlaswav , published 17th of January 2024
this whole series was amazing đđ
Alone
Ghost Team & Male reader
Word Count: 7,218
Warnings: Catholicism, reader attending church for a funeral
Summary: The reader decides wether or not to join âGhost Teamâ in their mission to not only take back a Los Vaquerosâ bases, but also handle Commander Graves in the only way they know: killing him

Part I / II / III / IV / V / VI (The End)

Tight, balled fists resting in your lapâif not for your gloves, your nails would be piercing the palms of your handsâas you listen attentively to Captain Price and his other sergeant, Gazâor Garrick, youâre not entirely sure on the specifics of his nameârecite what Laswell had uncovered: the most recent traumatic eventâup until nowâthat left you scarred, inside and out.
You remain silent in your seat next to Soap, keeping your gaze limited to your lap or the floor, though you notice the frequent glances the other men exchange from the corner of your eyes, except for Gaz, who keeps his eyes on the road in front of him (and perhaps only occasionally stealing glimpses in the vehicleâs rearview mirror to monitor you, specifically, without you knowing).
You struggle to recognize when your breathing becomes harsher and labored, engrossed in every word leaving Priceâs mouth, anticipating what else would come out or how far Laswellâs digging had truly gone. Your chest tightens with each bout of you withdrawing breath for an extended amount of time, completely unaware of you doing so in the first place, and underneath your mask, your jaw is severely clenched; even so, you make an effort not to grind your teeth as well. At one point, you unclench your fists to press against your knees, restraining your legs from nervously bouncing in place.
Despite this less-than-subtle panicking, you possess a sole concern: whether your involvement in that mission would come to light.
Regardless of what they do or donât know, you seem plenty guilty enough to them. A nervous wreck would be an understatement of your outward appearance and expressions, to the detriment of your lacking efforts to seem otherwise.
Although your primary focus should be on the speaker, whether that be Price or Gaz, your concentration falters from the onslaught of thoughts preoccupying your mind.
What if Price already knew of your involvement within the missionâand if so, why would he let you assist? Did he want to make use of you before disposing of you? If that were the case, at any point, you could have been thrown over, trapped within the prisonâs walls, and left for dead.
Going off the assumption that he doesnât know, you canât imagine the captain being keen on letting a Shadow run looseâeven if you no longer consider yourself one. Besides, what more use could you provide from them? Because, by the looks of it, Los Vaqueros is a plentiful team of allies willing to do whatever it takes to protect Las Almas, and youâre just someone who ended up fighting alongside them and Ghost and Soap.
Will you have a choice or any say in what happens to you? The chances of that are looking slimmer by the second as Price nears the end of his recount of Laswellâs information. If they know, thereâs no telling what theyâll do to you.
Should you just be honest from the start and hope all goes well? The task force has little reason to go out on a limb for you, especially the captain, who doesnât know you very wellânone of them do, not even John, whoâs given you the benefit of the doubt and stuck out his neck for you at each and every given chance.
Would Soap maintain his dependable stance on you, or would that image shatter right in front of his eyes once he knew the reality of what transpired two months prior?
Either way, what will become of you when all is said and done?
When Price mentions that Kate informed them that there were no survivors from the mission, a bead of sweat trickles down the back of your neck. This is a good thing, right? If at least they wonât have that information to hold against you, then why does your stomach feel like itâs tied up in knots?
The car rolls to a halt after non-stop driving to wherever Alejandro has led them, just as Price wraps up the informal briefing.
Finally, you work up the courage to look up from your lap, slowly craning your neck to gauge the reaction from everyone. They donât seem all that surprised.
Price leans forward, staring at you dead-on and asking, âKnow anything about that?â in reference to everything heâd explained.
Your fingers around your knees flex, and you gulp inaudibly. Is now the time to speak candidly, or should you feign ignorance? Will your answer have any impact on your outcome, or would revealing the truth be all in vain?
Fuckâyouâre thinking about this too intensely; your temple begins to throb.
âYes,â you reply at a momentâs pass, maintaining eye contact with the captain, âbut Iâd like to speak somewhere privately on that.â
Gaz turns around, still in the driver seat, and sends Price a cagey expression. He notices, yet doesn't acknowledge it.
âAlright. Letâs get inside.â
Instead of informing Alejandro on the matters that have led everyone here, Captain Price merely requests a place to gather in privacy, and the colonel obliges.
Youâre not quite out of the woods yet, it appears.
As you make your way inside, the pain from your ankle becomes excruciating; nevertheless, you push forward, masking your lamp to walk normally, therefore putting agonizing pressure on your ankle, despite the pain flaring and seeping into your skin.
Your hands tremble, laced behind your back, as you stand alongside Ghost, Soap, Gaz, and Alejandro while Price gets into contact with General Shephard via video call. In a bleak, private room, the five of you gather around the table, opposite Price, whoâs sat down for his less-than-cordial conversation with Shephard.
Although Alejandro isnât properly acquainted with the incident responsible for the missing missiles in specifics and great detail, heâs quickly caught up to speed as Price lists off Shephardâs wrongdoings at every turn, to the generalâs faceâon the laptop screen, at least.
âYou hid this, why?â
âWe all keep secrets, Captain.â
His response evidently frustrates Price. âWhy the hell wasnât I informed?â
âConsider yourself well informed now, John.â
Instinctively, you glimpse over to Soap. There are two Johns in the task force?
Price restrains himself from losing his cool, especially over someone as clandestine as Shepherd. âOh, thatâs really fuckinâ helpful, General. Thank you, but youâre a day late and a missile short. Thereâs three of âemâwe only found two.â
âThen point yourself in that direction and fix it,â Shepherd snaps as if the missing missile isnât a direct result of his actions.
Price tilts his head, staring at the general through the screen. âAnd who fixes you, eh?â
âI donât need fixing. Iâm a patriot protecting my country.â
Price rises from his seatâthe wood subtly creaking from the shiftâattempting to keep his ever-growing frustration at bay.
âYouâre protecting your own arse.â
âI do what needs to be done, and no one holds me down with a roll of red tape. I know whatâs best for the cause.â
The captain chuckles, shaking his head at the sheer audacity of the man. âYouâve lost your mind, General.â
Shepherd raises his voice and says, âAnd youâve forgotten what youâre fighting for, John. To do good, you gotta do some bad. When we shit, we bury it, thatâs how it works,â justifying his actions in an attempt to defend himself.
âYeahâŠâ Price agrees, then points at the screen and continues, âBut we donât bury each other with it, do we?â
âYou need to turn off that side oâ your head and face down the real enemy.â
Price pulls back the chair to hover closely to the laptopâs camera. âYou need to call off your Shadow.â
âGraves?â
âYeah.â
The general laughs in a mocking tone. âHeâs a dog with a bone, and I highly recommend you donât try to take it.â
âThis is your last chance to change your mind,â Price warns.
âThen what?â
He leans closer to the camera. "Then, after I go for himâŠIâm coming for you.â
Price strips Shephard of a chance of retorting back by simply closing the device.
The general has no power over the captain when he sets his mind to something, even if it means pitting himself and his team against the Shadows and whoever else Shephard would throw at them.
Price's eyes scan across the table at the others, who are processing the extent of damage Shepherd and the Shadows have caused, before they land on you.
Offering a faint nod, he asks, âWhat do you know?â
Your hands twist behind your back as you lightly tug your hands apart. Itâs now or never.
Regardless of your internal struggle and going back and forth on whether or not to be honest and just how honest to be, none of it could prepare you for the excessive unease settling in your being. Your distress may have dampened from the change in location from the back of the vehicle to this dim room, though it doesnât negate that your nerves are shot and the unpleasantness of guilt attaching itself to you, gnawing at your deepest wounds and eating away at you.
To these men, you are not to be trustedâwithin well enough reason, to be fairâand if you were to disclose the level of participation you had in those missiles falling into the wrong hands, wouldnât you just be proving them right? That all Shadows are spineless, deceitful bastards, unworthy of compassion, and, least of all, the continuation of a life span.
Still, you admire both teams for theirâwell, everything. The respect they grant to one another, the perseverance they exhibit no matter the situation, and the tight-kniteness across each member, which resembles a familial unit, more than anything.
You knowâknew what that felt like as a fellow Shadow, but by and by the disconnect grew larger and larger until it all came to a head once Commander Graves decided massacring the people of Las Almas was their best bet to deal with the narcos and the corruption they induced in the town.
Los Vaqueros and TF141 could care less about you if not for your aid or possible information to offer; however, you continue to feel as if you owe them more than thatâyour honesty and everything that entails it.
You stand straighter, subtly rolling your shoulders back and clearing your throat.
âLaswellâs information is solid and mostly accurate, except for each Shadow dying.â
That gains everyoneâs attention well enough.
Next to you, Ghost and Soap glance at each other, and Gaz tilts his head, fairly curious.
âWhat?â
Alejandro scoffs in disbelief. âYou expect us to believe that?â
âHow do you know this?â Price asks, ignoring the others' reactions.
âBecause youâre looking at the sole survivor.â
John examines you in a different light. âYou were..?â
You nod, averting your gaze from him.
âBut, how?â
A haze glazes over your eyes, recalling the events of that mission.
âBy playing dead, which wasnât all that hard since I thought I wasâwell, I was dying, or bleeding out pretty badly, at least.â
You remove your best, setting it down on the table to tug the collar of your shirt down, stretching out in the process, as you lower it to reveal the gnarly scar on your chestâthe one you went to great lengths to keep hidden while being patched up the morning prior.
âTwo centimeters to the right, and it wouldâve nicked my heart and killed me.â You let go of your collar soon enough, unwilling to let their eyes linger on the imperfection for too long.
Shutting your eyes, you sigh, the memories flooding back all at once.
âWe didnât know what we were getting ourselves into, and if we had, we wouldnâtâve gone in blind like that or without backup that couldâve prevented whatâs happened.â
âAnd if youâd known?â Alejandro questions.
You open your eyes, peering at the Colonel.
âWould you still âave done it?â Soap challenges.
Your stomach churns, and if the grimace on his face was anything to go off of, he already knows the answer.
âShephard has stuff on all of us, Phâ" You feel your mouth go dry. âGraves,â you correct yourself, âis just his puppet executing his every command, and by extension, usâhis Shadows.â
Ghost huffs from underneath his mask; your reply is deemed unsatisfactory.
âWhy didnât ye say anythinâ earlier?â John pesters.
You shift your weight off your injured ankle, silently mulling over how to not only answer honestly but also nicely.
âI-I donât know...I guess I just thought I wouldnât make it this far.â
He frowns at that. âWhat?â
You pause, biting your tongue to hinder yourself from saying something snarky.
âJohn, any one of you couldâve killed me at some point.â You begin to mumble, âIâm sure some of you still do, and I donât fault you for that.â
Johnâs frown doesnât worsen, yet the corners of his mouth donât lift either.
Crossing his arms, Price narrows his eyes on you. âWhat does Shephard have on you?â
You clench and unclench your fists, remaining hidden behind your back. âYouâd have to ask him about that, but Iâm done with Shadow business. I canâtâI wonât have them dictate my life. Not anymore.â You stare at your vest laid out on the table, taking a deep breath. âI truly am sorryâand I know just saying that wonât change or fix anything, but I really mean it. None of this shouldâve happened in the first place, so Iâm sorry you all had to get involved to clean up this mess.â
Price steps forward, and you keep your feet firmly planted on the floor, ignoring your instinct to flee without ever looking back.
âYouâre right, this never shouldâve happened, but youâre here now, yeah?â
âHereâ meaning alongside TF141 and Los Vaqueros, as opposed to Shadow Company or as another one of Shephardâs lap dogs.
You nod. âYes, sir.â
He looks at the rest of the men, signaling them with his own nod.
Alejandro is the first to move, making his way over to the roomâs doors, with you and the others following behind. He swings both wooden doors wide open, their hinges slightly creaking, almost making a show of a grand entrance.Â
Now, outside of the room, the sounds of lively chatter and Spanish music greet you. On either side of the main area are the parked vehicles from which both teams traveled, creating a walkway in the middle between the vehicles.
You quickly spot Rodolfo, standing behind a table in the very back, and Alejandro is conveniently leading the five of you over to him.
Alejandro whistles loudly, garnering the attention of his men. âOraleâVaqueros, pongon atenciĂłn.â [HeyâCowboys, pay attention.]
The Vaqueros halt what theyâre doing, assembling behind the seven of you gathered around the table.
âAlright, listenâwe are taking back your HQ,â Price announces, resting the tips of his gloved hands on the edge of the metal table. âWe are getting our prisoner. We are killing Commander Graves.â
Directly across from the captain, Rudy asks, âWhen?â
Next to Price, Ghost answers, âNow.â
âThis is a fight against our own." Price taps his fingers against the table to emphasize his point. âWe are not 141 or Los Vaqueros on this. Weâre a teamâŠâ
Ghost leans down, picking up a bag by his side and tossing its contents onto the tableâmasks, more specifically, his skull balaclava.
â...Ghost Team.â
Before you can contemplate the aspects that would entail this mission, Ghost abruptly reaches for the top of his head, yanking off his skull mask to reveal his face.
As curious as you were about the lieutenantâs identity, you restrain yourself from seeing him. If there was anybody more undeserving of the privilege to view his unmasked face, it was you.
âGood to see you again, Simon,â Price says softly.
Simon? It was hard to imagine Ghost being anything other than Ghost, a hardheaded lieutenant without a legitimate name or identity besides his call sign.
Simon doesnât respond, and Price takes off his boonie hat and places it on the table.
âIf youâre in, take a mask. If youâre not, donât.â
Price grabs one first, with Simon doing the same, and the rest followâexcluding you.
They each take a few seconds to adjust the fabric properly as you blankly view the dwindling pile of masks.
You canât do this. You just canât.
As much as you feel indebted to them, you canât go through with thisânot after the countless Shadows youâve killed for more or less their sake. Youâd rather die by their hands than willingly put yourself in the position to do so again.
Thereâs no reason for you to keep fighting; theyâll have it covered from here.
After fixing his mask on, Soap turns to look at you; only you haven't removed your mask, staring at the pile in front of you. Perhaps youâre strict about showing your face? Moreso than Ghost, apparently.
He wonders whatâs going through your head at that moment, if youâre questioning whether or not you should join the team, and why this would be something to have to consider.
How could you want to back out now? Considering all you and he have been through, wouldnât you want to see this through to the end?
John nudges you carefully, seemingly breaking you out of your daze. You catch his gaze, and disappointment seeps into his chest when you shake your head.
âIâm sorry.â
âWhy?â
âItâs nothing personal, I justâŠI canât be there when you face Graves.â
âButââ
âJohn, itâs okay. Besides, you guys donât need me. Youâll be fine.â
From across the table, Price asks, âAre you sure?â
You nod, âMore than ever,â and separate from Johnâs side to approach Price and Alejandro.
You stick your hand out, and Price calmly shakes your hand, a stark difference from the handshake you and he exchanged hours prior.
âItâs been an honor to serve alongside you and your men, both of you,â you say as you inspect Alejandro, who seems to regard you less harshly. âIâd wish you all good luck, but if thereâs anyone who can deal with the Commander, itâs you guys.â
You offer your hand to Alejandro, who gives you a nice, firm shake.
[You are a great colonel with a wonderful team, and I applaud you for all the great things you are doing for Las Almas. I wish you and your soldiers the best of luck.]
âEres un gran coronel con un equipo maravilloso, y te aplaudo por todas las grandes cosas que estĂĄs haciendo por Las Almas. Les deseo a ustedes y a sus soldados la mejor de las suertes.â
You canât quite make out his expression with the mask covering his face, but he accepts the compliment with grace. âGracias, lo aprecio mucho.â [Thank you, I appreciate it very much.]
Suddenly struck with an idea, you hastily remove your radio and its respective earpiece to set it on the table. âI donât have much to offer in terms of intel, but itâs not like Iâll be needing this any time soon.â
Price claps you on the back. âYouâve done more than enough, believe me.â
âThank you for the hospitalityâfrom everyoneâbut I should get going. The less I know, the better.â
John inches forward, trying not to appear too desperate. âWhereâll you go?â
You shrug. âNot sureâbut donât worry, we wonât have to run into each other again.â
Ghost huffs in what you think is laughter and otherwise doesnât comment.
With that, you wave goodbye to the rest of the table before looking back at John again to wink at him.
âGo get âem, tiger.â
You exit the compound, straying outside of the building to momentarily collect yourself. Observing above you, the sky darkens, with water-filled clouds moving along the mild windâs route. You wonder how long it'll be until rain begins to pour out and if the weather will be as intense as the previous day.
Johnâs question clings to your thoughts as well: Where?
Truthfully, you hadnâtâand still havenâtâformed a proper answer. Where should you go? What place is there left for an outsider like you? And more importantly, how would you come to such a place?
You find yourself considering such things as you glance over at the parked van to your left. Perhaps you shouldâve thought this out more, or you could go back inside and see if theyâre willing to part with one of their vehicles. You scoff at the thought, nearly scolding yourself.
Ridiculous, as if theyâd ever do that for you of all people.
Your bullet wound aches as you paw at the opposite shoulder, finally tearing off the velcro patch of the Shadow Company insignia. Also foregoing the mask in privacy, you let both items fall from your hands onto the concrete ground.
This moment has long been dueâshedding the skin of the Shadow that clung onto you so tightly, you imagined it was futile to view yourself separately from it, but that couldnât be farther from the case; thatâs just what you are: yourselfânot the mercenary youâve been molded to be.
With the cool breeze wisping along your bare face, you decide, Iâll go where the wind takes me.

It takes a while to reach the heart of the city, with the compound located in a relatively remote area, not to mention your ankleâs painful swelling the longer you walk. You could count on a single hand how few cars have passed your limping figure, though, as a rule of thumb, you donât get into strange or unfamiliar cars if you can help it.
You wander the streets of Las Almas with a semblance of a sense of direction, taking the route you and John had lurked upon. Itâs substantially easier to navigate where youâre heading not only without constantly monitoring your surroundings for Shadows but also in the daylightâif this weather could be considered 'daylight.'
A light drizzle, the grey clouding the sky, and not a sun in sight. Fog encompasses every crevice, obscuring things from a distance and misting the fine details of what is visible.
You observe what little differences there are to make out. Most stores continue to have their doors unlocked and wide open, while some have been locked up and have a sign hung up reading [Sorry, WE'RE CLOSED] Lo Siento, CERRADO.
Out of curiosity, you scour two specific shops and find that the bodies of both Shadows Ghost had executed have already been recovered.
Blood is no longer flowing through the streets, having been washed away with the rain, but the bodies remain, and the aftermath will too.
Even where there is an absence of corpses, tiles and walls remain tainted with the viscous splattering of blood.
Soon enough, you locate the ledge overlooking the lower part of the cityâwith a distinct lack of dead Shadowsâand stay to watch a slow, steady stream of water flow in the alley.
After a moment, you turn back around, fixated on finding an alternative, safer approach to finding your way down there. You allow yourself to get lost, roaming where you hadnât, and eventually find your way there.
You donât go all the way to where you jumped and landed and had to have John lift you to your feet; instead, you approach the gated alley, separating oneâs house from the coffee shop. The dead man still lay there, face down, on top of the doormat.
Is his family out there searching for him at this very moment, or have they met the same fate?
Your lips drag into a frown as you jostle the gate, only to find it locked. Looks like youâll be going elsewhere.
Moving along, you return to the gated area with the DĂa de los Muertos altars. Itâs become disheveled from exposure to the elements: picture frames fallen over, marigolds strewn about, and shattered glass from the now-broken jars lit with LED candles.
Like previously, you walk to the end of the area, observing the tunnels below. Unsurprisingly, they have remained flooded, though the water level has diminished. Nevertheless, you stray off the path to find a different way to reach the plaza near the church.
You scarcely encounter others, which was to be expected. So many lives were lost, all because of one stubborn man and his fleeting figures on a manhunt.
On the rare instance you do come across someone, more often than not theyâre kneeling over the dead body of a loved one, weeping fiercely and begging to God. At various times, you see lonesome people on the corner of the street or in front of their houses, calmly smoking a cigarette and watching the smoke whirl into the air.
Your trek to the plaza takes longer than expected, with numerous streets of housing and unopened shops and the agony of treading cracked and uneven concrete sidewalks, declining and inclining at random.
To your shock, the plaza is livelier than the different areas youâve explored.
Shop owners are sweeping along the front exteriors of their businesses, and mothers are clutching dearly to their children.
Those who are operating food stands are giving away their labors of love, and a majority of people have gathered in the center of the plaza to create ofrendas in commemoration of those who had not survived the massacre brought on by Graves.
The large rings of barbed wire are no longer there to act as a border outside of the city, though the knocked-over food stand Ghost had run over remains, with shards of broken glass near the area.
Again, there are no traces of Shadows in sight, dead or otherwise, and the armored trucks are gone.
Feeling out of place, you keep your head low, staring at your feet as you walk forward. You appear normal enough and civilian-like, you suppose, since leaving your vest in that one room in the compound and ditching your mask and Shadow Company patch. Your gloved hands remain in your pockets, more for comfort than tactical reasons; otherwise, you may just seem odd for wearing all blackâthough considering the entire town is shrouded in mourning, maybe not so.
You stop in your tracks as the front of your shoe lightly taps against the bottom of a set of steps. Lifting your head, you find yourself in front of the church, the place of worship somehow grander up close than from afar.
Before you realize what youâre doing, youâve already begun to walk up and pause when your foot bumps into something else.
Lying before you is a dog with honey-brown, almost golden-like orbs, peering up at you through the scrunch of its brows. Your foot had collided with its paw, but the dog made no indication of moving, and on closer inspection, you notice how wet and matted its coat of black fur is and the lack of collar or dog tags around its neck.
You move your foot back, and slowly the dog rises to sit ever so politely in front of you. It tilts its head, staring at you expectantly, causing your heart to melt and sympathy to grow.
Upon a second glance, you promptly mutter, âHey, boy,â while running your knuckles across the top of his head in your unique way of petting him.
It may not be the best or safest idea since youâre ignorant of his historyâmedically speakingâbut how could you resist when he looks at you so? If he were human, he wouldnât have trusted so easily; alas, he's just a dog and isnât quick to judge based on appearances. In fact, he seems to be relishing the touch of your handâor knuckles, ratherâas his snout leans in to sniff at you.
Even strays are deserving of love, are they not?
You pull your hand back, allowing him to continue sniffing at you. Once heâs done evaluating your scent, he leans his head back into its normal position, and you stuff your hand in your pocket.
Both of you stare at one another, waiting for the other to make a move until the dog breaks eye contact to glance at the churchâs gate.
Is he urging you to go forth, or is he anticipating someoneâs exit from the church? It would explain why heâs taken to lying at the gates, except if he doesnât have an owner, then why wait here, of all places, when there are plenty of shops with canopy awnings to take shelter underneath, at least until the rain subsides?
Regardless of his actions or motivationsâafter all, heâs just a dog, one you just met, mind youâyou proceed toward the vast structure, passing the black, metal gates that you canât quite seem to recall if they had also been unlocked the night prior.
Even while wearing your slip-resistant boots, you tread carefully across the slick, tiled floor, approaching the considerably large and carefully composed wooden doors, propped open to entice and invite passerbyers like yourself. Framing the doors is detailed stonework, with an arch flawlessly outlining the shape of the doors, along with pillars and statues on either side. Above the stonework, resting on the ledge of the upper floor of the exterior of the church, is another, more intricate statue of an archangel, with the phrase [WHO (IS) LIKE GOD ?] QUIS UT DEUS ? scrawled in gold letters beneath it.
Not thinking much of it, you enter the church. A foreign feeling overcomes you as your eyes glide to the pulpit to discover youâve stumbled into the middle of a funeral. Your body freezes in place, giving you a few seconds to decide what to do. You shouldnât be here in a ceremony to honor the deceased, much less among the family and friends of said deceased, but if you were to step out now, itâd undoubtedly be rude.
Iâll just stay until it ends, you tell yourself.
You blend in with the shadows, slinking quietly and carefully so as not to make your presence known, and head toward the nearest pew, all the way in the back and far from the attendees. Despite the church's noticeable age, the wood does not creak as you sit down, and you nearly thank the heavens for that. The relief in your ankle is almost instant the second you rest your feet, crossing it over your uninjured ankle.
You sit back, trailing your eyes over every inch of the interior, and discover all there is to admire in its grandiosity, from the shimmering silver, almost white, chandeliers hung in between each arch, to the portraits of saints and holy men alike mounted to the walls, the panes of intricately crafted stained glass windows depicting Christ and other figures from the Bible lining each wall, and the gold trim neatly applied to the stone arches, pillars, lectern, and altar table, the metallic sheen glistening beautifully off of the many candles lit across the expanse of the room.
You draw your attention back to the pulpit, where the sleek, cherry-wood casket lay, the lid completely shut with bundles of flowers and bouquets on top of it. Next to the casket, propped on a metal stand, is a wreath composed of all-white flowers, such as roses, lilies, and carnations.
The Father, dressed appropriately in black vestment robes, strolls casually amongst the pulpit, at times drawing nearer to the front pews as he preaches along the lines of nothing that holds your interest as you dwell on personal experiences with deathânear deathânot of these last few days, however, but of the ordeal from two months ago.

One minute, youâre sprawled on the dirt ground, lying beside your dead comrades as fire spreads among nearby patches of dry shrubs, convinced this is where it all ends for you.
You lay your head to rest, accepting fate as it comes, and wait for your final moments to pass, except the agony of the shot to your chest is far worse than imaginableâborderline unbearable. In a last-ditch effort, you drag your hand up to your radio.
âGraves?â
â2-3? What is your location, and why isnât anybody answering?â The commander asks sternly, though you know itâs an act to mask his fear.
âDead. Theyâre all dead.â
Static rumbles in your ears before his voice becomes intelligible. ââRepeat your last.â
âFuck off,â you manage to bark out, aggravating the excruciating pain in your chest. âNot wastinâ mâ last breath on tellinâ whatâchu already know.â
You can hear him curse under his breath. âWhatâs your condition?â
âCouldnât say, sir.â
âY/Nââ
You interrupt him, âP-Promise me..." The ache in your chest worsens, and you fear it wonât be long âtil youâre through.
Philipâs voice softens. âWhat?â
âDonât trust Shââ
All at once, your chest tightens, and you clutch onto the source of the pain, accidentally pushing the bullet farther into your skin. Something obstructs your airway, so you roll onto your front, sputtering and hacking up a pool of blood onto the dirt.
Graves is fuming in your ear to procure an understanding of whatâs happening, but you kneel there, uncontrollably shaking as you release blood and bile. When you stop, you collapse onto your side, breathing heavily at an erratic rate, until you shut your eyes, enveloped in darkness.
You do not wake while your body is being dragged and hauled away separately from the dead Shadows; instead, you regain consciousness in bed in a medical ward.
Your eyelids feel impossibly heavy as you will them to open, barely able to view past a squint in your sluggish state as the bright, fluorescent lighting assaults your eyes.
For a moment, your eyes flutter, opening and shutting in a battle to rest or remain awake, and itâs then that you almost bolt up upon realizing where you areâthe incessant beeping of the heart monitor, the fluorescent lighting, the sterile smell lingering in the air, the cords and IV attached to your bodyâeverything cluing you in.
The beeping accelerates with your heart rate increasing, and your eyes shift all around the room as your breath comes out in a short staccato.
No, youâre supposed to be deadâyou were left for deadâyou heard so yourself when Shephard repeatedly refused to authorize Graves to provide you and the other Shadows assistance.
How is this possible, and why did you survive, out of everyone involved in the mission? What did you do to deserve to live?
Soon enough, someone is at your bedside, stroking your head to coax you out of your panic.
âShhh, relax. Itâs alright,â Philip attempts to assure, using his opposite hand to hold yours as a means to ground you.
You look up at the commander, squeezing his hand to determine whether youâre dreaming or not. Philip squeezes back gently, and you canât help the hiccup that escapes from your mouth or the tears that well in your eyes.
Why did it have to be you?
What follows is a coughing fit, brought on by sniffling and your breath getting caught in your throat. Phil ceases his stroking, hardly separating from you as he brings a plastic cup to your lips.
âDrink up, soldier. Yeah, thatâs it. Nice and steady.â
You empty the cup of water with his help. So many questions fill your head, yet all you can think to ask is, âWhy?â
Philip turns to you, confused, as he sets the cup back on the bedside table. He goes to ask what you mean, but when he sees you touching your hospital gown over your injury, he understands and shakes his head mournfully, staring down at the floor.

The next minute, youâre back in the pristine church, with all the attendees repeating, âAmen,â before rising from their seats at the pews. You stiffen as some quickly exit the church, while others linger behind, conversing with one another or engaging in conversation with the Father, and some approach the casket to say their last goodbyes.
Itâs over, so you should leave now, right? Although you were the last one to arriveâuninvited, of courseâso shouldnât you be the last one to leave?
So, you remain seated, observing from a distance the grieving friends and family, consoling each other as best they can. Tissues are passed around, hugs are exchanged, and farewells are given.
All the sorrow has you pondering over your own funeral and what it will look likeâor what it wouldâve looked like if you had already died. Would this many people show up to your funeral, and which of them would truly grieve over your death? If you were to die soon, would there be any Shadows left to attend, or are TF141 and Los Vaqueros currently eradicating them? Would your body be honored or left to rot in some desolate area like the narcos and terrorists youâd been responsible for âtaking care ofâ were?
Maybe you should have died two months ago in Al-Mazrah with the rest of your squad instead of being here and crashing someoneâs funeral, but not much can change that now.
As the crowd disperses, you rise from your seat, step out of the pew, and head toward the exit. You hesitate to leave upon reaching the doors; the bowls of holy water are coincidentally placed on either side. Youâve viewed people on their way out, stopping in front of the bowl to dip their hands in and sign the cross on themselvesânot that you felt the need to mimic them, but it doesnât feel right to leave without doing something.
Donât churches usually have donation boxes?
In the corner, beside the pulpit, you find the votive stand with the donation boxâan offering box welded underneath the rows and rows of white votive candles contained in red glasses. Some of the candles have already been lit, thanks to the matchbox provided, illuminating the kind face of the La Virgen de Guadalupe statue with her head slightly tilted, gazing down at those who light candles for her or give money as an offering.
You quickly search the insides of your pockets, only coming up with dollar bills instead of pesos. Regardless, you place your money into the boxâsurely a member of the congregation could exchange it for the appropriate currency if they were to use it.
Following other examples, you strike a match and light one of the candles before blowing the matchâs flame out and discarding it in a nearby box with the other used matches.
You stand there, watching the flames dance and flicker at a steady pace, until you hear a voice from behind you.
âCon permisoâŠâ [Excuse meâŠ]
Stepping aside, you move out of the way for an older woman to light a candle just as you did.
âDisculpe, no sabĂa que estabas allĂ,â you apologize. [Sorry, I didn't know you were there]
She waves her hand in the air as a dismissal, though not unkindly, and clasps her hands together in prayer, closing her eyes and mumbling words you canât quite catch. After reciting the prayer, she pivots to look at you.
âÂżConocĂa al fallecido?â [Did you know the deceased?]
You drop your gaze back to the candles, shaking your head. âNo.â
Still, she grins, cupping her hand on your upper arm and saying, âQue Dios lo acompañe.â [May God be with you.]
You raise your eyebrows, stunned at her comment, nearly forgetting to reply.
âGracias.â [Thanks.]
She nods and lets go of your arm to leave you be.
When you turn around to exit the church yourself, she isnât there. Nobody isânot even the Father. You practically scurry out of thereâthe eerie fact of being alone with only the body lying in the casket accompanying you, unsetting you to your core.Â
The fog has worsened in the short time you spent indoors, with your view limited to a few meters in front of or around you. Droplets of rain continue to fall from the sky, and the faint chatter of nearby and distant discussions alleviates the anxiety building up in your chest. There are other people here, and you are not in some abandoned town by your lonesome.
As you draw closer to the gate, you notice the dog that had been there also left from the churchâs vicinity. Curiouser and curiouser.
Once you reach the bottom of the steps, you walk in the direction of what you think is the center of the plaza, though you have no way of knowing until you either come across the ofrendas or ultimately find yourself lost and turned around.
The few street lamps in the area guide your (most likely misguided) way, but by the second, the chatting seems to subside.
You consider repositioning yourself to move forth in the opposite direction, except you swear you just heard your name being called.
You stand in place, listening carefully for it to be a mere fluke, and thenâ
âY/N,â a voice rang.
You spun around, straining your eyes to hopefully make out a figure in the distance, and yet the fog persists.
The disembodied voice snarls your name again in a hushed tone.
Whoever it is must be nearby, but why have they not presented themselves then?
You gulp, finding your voice following your hesitancy. âHello?â
No response is given.
Reluctantly, you pad your feet along the wet pavement, roughly making it a few steps until something yanks at the back of your collar, simultaneously choking and tugging you backward. Youâre manhandled and thrown into the back of a vehicleâa van, if you had to guess by the sound of the side door being closed. You grunt as your back makes contact with the steel wall, protecting your head from any further harm with your arms.
The rumble of the engine running from the van starting up has you scrambling to sit up, and there in front of you is Shadow 2-1, peering over his shoulder in the driverâs seat, andâno, this isnât right. Surely your eyes are playing tricks on you.
He canât be here. How is this possible? Did something go awry in Ghost Teamâs objective? Otherwise, he wouldnât be sitting here, right before you.
âCommander?â
A triumphant smile spreads across his smug face, accentuating the scar on his right cheekbone.
âWe have a lot of catchinâ up to do, now donât we?â
Graves isnât supposed to be here. It couldnât have taken you that long to reach Las Almas for the Ghost Team to have either failed or succeeded in their objective already, so how is he here? And better yet, how did he find you?
He tosses a few items that end up falling in your lap, and your heart drops as you examine them: the Shadow Company patch and your face mask you left behind.
This doesn't make any sense. How does he have theseâhave you been followed this entire time? That can't be possible; you've been with the task force and Los Vaqueros; surely any one of them would've noticed if you were being tailed?
But if a Shadow had managed to track you down, then what did that mean for your allies? Did Ghost Team even make it out of the compound, or were they immediately ambushed as soon as you left?
"Howâ"
"Did'ya think I'd let you get away so easily? I'm hurt, Y/N. I thought you'd expect more of me."
You subtly inch away from the man as reality sets in.
Alone.
Even surrounded by Shadows and Philip Graves in the flesh, you are utterly alone hereâno Soap to help you now, no members of his task force to provide aid, and certainly no Vaqueros to watch over you.
You just hope whatever Graves has planned for you doesnât involve imminent death this time.

Masterlist
Taglist; @cumbermovels @tobbotobbs @cptg00s3 @copiasratscheese @maskedmenenjoyer @marsontherocks @cerberusking @kanaminamine @kaoyamamegami @mikahrh @ghostsgh0st @luc4luc4 @spiritzofthedead @nikaloosgarden @senmiyaazx @logicalhorror
a/n: this is it!! i hope everyone enjoyed this while it lasted, i certainly did. kept the ending vague and sorta open ended on purpose :) does it count as a cliff hanger? idk if i ever considered it that but i planned to have it end like this pretty early on into writing this series.
to be fair, i still havenât delved into mw3 gameplay, so it might strike some inspiration in me, but for the time being, i donât have plans to continue this series or write a sequel
ALSO, donât know if it was clear or not since it was written so early on in the series, but some of the dialogue from the flashback is the same as Not Alone p2 when reader is panicking/having a coughing fit, so that flashback has been planned for a LONG time now
can't fathom how much I love this series
Prison Break
Ghost Team & (Ex-Shadow) Male Reader
Word Count: 6,550
Summary: Reader aids in the prison break, but his presence isn't necessarily appreciated by all

Part I / II / III / IV / V / VI

PRISON BREAK LAS ALMAS, MEXICO 03, NOV 2022, 0400
Possibly hours pass by of you staring out the back seat window, watching the stark, black sky lighten into a dusty blueânearly identical to yesterday morning.
Conversation is minimal, besides SoapâJohn narrating to Rudy what happened prior to getting to the safe house and only slightly boasting on his lieutenantâs behalf; how neither you nor he would have made it without Ghostâs help; or his unique input on cultivating distractions and making molotov cocktails and trip-mines from whatever Soap had access to.
His story-telling is mesmerizing, with his profound and boisterous way of speaking, to the point where you find yourself hanging onto every word that leaves his lips, even though you had been there right by his side and lived through most of what heâd recited.
Ghost slams down on the brakes, and you jostle in your seat, holding your arm out to grab the back of the passenger seat to lessen the impact.
If this was how he drove the day before, youâre glad you passed out when you did.
âWeâre here,â Ghost announces, and he takes the keys out of the ignition to toss to Rudy.
Everyone elseâyou includedâunbuckles the seat belt and hops out of the car as quickly as possible. Thereâs a sense that maybe Ghost wasnât the best choice when it came to driving.
Rudy climbs up into the back of the vehicle, stating, âGravesâll have this place locked down.â
He hands Ghost a small pack, and the lieutenant responds with, âExpect patrols on the outside.â
âNo doubt,â Soap says, accepting the much larger bag Rudy gives him and slipping his arms through the straps.
âWe geared up?â Ghost asks.
Rudy glides off the back, gun in hand and his own bag strapped to his back.
âGuns, ammo, and charges in the pack,â Soap lists.
Rudy turns back around to grab something. âIâve got the plummet gun. Ascenders?â
âCheck,â you and Ghost reply in unison.Â
Soap nods. âCheck. Letâs hope Alejandroâs alive.â
âCount on it,â Rudy asserts with vigor.
âOn me," Ghost says.
Next to you, Soap cocks his gun, following behind Rudy, whoâs behind Ghost, and directing the lieutenant as they march past a raggedy shack, bolted with wood boards and sheets of metal.
âGo left,â Rudy instructs him.
âTrail,â Ghost identifies.
The rocky terrain, dirt, and cacti surround you as you make haste onto the trail into the mountains.
âRudy, how longâve ya known Alejandro?â Soap asks out of the blue.
Rudyâs answer is immediate. â20 years. Signed up together. Toughest dude in the regiment.â
Twenty years?
Shit, thatâs much longer than anyone you personally knew in Shadow Company.
As the four of you curve around a rock formation, a mild fog mists up from the knees and below.
âI wouldnât wanna mess with âim,â Soap remarks.
âWe used to say, âEl unico que puedo matar a Alejandro es Alejandro.â
âNo kidding?â you blurt out.
âWhatâs it mean,â Ghost asks.
âThe only thing that can kill Alejandro, is AlejandroâŠâ Rudy translates for them while moving past Ghost to take the lead.
âSo glad heâs on our side,â Soap admits.
Rudy jumps down off the short hillside. âA heuvo.â
You let out a short sigh, preparing to take the jump as well. The height isnât as considerable as the ones in town, but that doesn't mean you aren't less than pleased to have to do it at all.
A small cloud of dust dissipates when your boots meet the dirt ground below, and the other men are standing by since you went last. You bounce on your heels, ignoring the faint pang of pain in your ankles. At this rate, you'll have to be carried out to efxil once the mission's complete.
Here's to hoping you can make it out unscathed.
From this position, the prison is in view, with the yellowish tint of their searchlights shining brightly.
âHold up. Eyes on the prison. Patrols on the outside,â Ghost assesses.
Rudy retorts in kind with, âWeâll have to take them out first.â
âTwo snipers, first tower,â the lieutenant observes. "Soapâyou take one, Iâll get the other.â
Everyone takes cover behind rocky piles that have eroded from the mountain.
Soap looks through the scope of his firearm, diligently following instructions, and shoots one of the patrols while Ghost takes the counterpart.
âShadows down,â Soap confirms.
You and Rudy watch through your own scopes as a precaution.
âGood shots, hermanos,â [brothers] Rudy praises.
âIâll flank around and clear the field,â Ghost says, and Rudy shuffles to the cliffside as if he knew what Ghost would say next. âRudy, give us a hand. Hold fire, Soap.â
Us? That could only mean one thing.
Rudy boosts Ghost up to the top of the cliff, and you get into the same position, muttering a soft "Sorry" in exchange as soon as he presses his gloved hands against the soles of your shoes.
You follow the lieutenant before he stops in his tracks.
âGot a heli incoming. Looks like a supply drop.â
âCopy,â Rudy says. âEyes on six shadows.â
You and he wait for it to pass, then continue to crawl in the tall, spindly blades of grass.
âAffirmâŠThree at the vehicle, two behind the rocks, one solo on the right,â Ghost lists off.
Soap made his own way down the patchy field, watching the two figures in the scope crawl toward the vehicle and their targets.
âTake the two at the vehicle first, the others wonât see,â Rudy advises.
âGood call. Y/Nâon my mark, drop the one in the cap,â Ghost instructs.
âSet,â you respond, attempting to push any personal feelings aside.
Youâve already killed a shadow, and it certainly wonât be the last time you do.
Besides, you offered to help them. Thereâs no backing out now.
âCheck-3, 2, 1,..."
The shadows are swiftly executed.
âSolid. Two down. On the move,â Ghost verbalizes.
He signals to you with his hands to move up to the back of the vehicle while going in the opposite direction, stationing himself at the front of the car, just behind his target.
âSoap, Y/N, take the two, right of the vehicle, Iâll hit the one on the other side.â
âI got it,â Soap insists, lining up his shot perfectly and killing two birds with one stone, so to speak.
You blink, and both shadowâs bodies are on the ground, with matching bullet holes through their heads. Less work for you, then.
Peering to the other side of the car, Ghost drives his knife through the neck of a shadow, immobilizing and pinning him to the ground.
âClear,â Rudy claims.
âAll clear,â Ghost parrots. âPush up to the base of the tower, thatâs our entry point. Stay quietâŠâ
All of you gather together to approach the tall, looming walls and size up the tower in a convenient gap of darkness between the searchlights.
âLetâs get up there,â Ghost says.
Rudy kneels down, taking out the plummet gun to aim and shoot for the tower railing. It attaches wonderfully, and on the first try, no less.
âGood hook,â Ghost commends, lightly tugging on the rope.
âTake point, Lieutenant,â Rudy encourages.
He clips on the ascender, beginning his ascent.
âSoap, cover him,â Rudy obliges him before the sergeant follows after Ghost. âCheck, fire up topâkeep us quiet.â
âAye.â
You and Rudy watch him get up and into the tower in a matter of seconds. You tilt your head at Rudy, expecting him to go next, except he shakes his head.
âAll you, Y/N.â
âAlright.â
Your ascender latches on, and you climb into the tower in no time, verbalizing, âUp.â
âCopy. Behind you,â Rudy acknowledges.
Thereâs already a dead body off to the right, undoubtedly Ghostâs work, with blood splattered on the windows of the watch room.
âLetâs get to the security room. Stay close,â Ghost urges.
âLook for a hatch with a ladder,â Rudy tells him.
You trail behind the other two, walking around the platform into the watch room.
âGot it,â Ghost replies.
He pulls the hatch open, beginning his descent down the ladder.
âOn me, Soap. Down and in.â
âAye. Cominâ down.â
Soap practically glides down the metal, not having to worry about friction burns with the gloves protecting his palms.
You soon join him at the bottom of the ladder, and Rudyâs voice hums in your earpiece.
âAbove youâŠâ
Ghost carries on. âAll in. Letâs move.â
Now outside of the tower, Rudy informs that the âSecurity building is straight ahead. CCTVs inside.â
âMove fast and stay low,â Ghost prompts.
The four of you make a run for the building, stopping outside the door.
Rudy glances through the barred window to get a visual on the inside.
âTwo inside. Letâs take them out before they call their amigos.â [friends.]
He moves next to the door on the left, with Ghost behind him, and you mimic their stance with Soap in front of you on the opposite side.
âLetâs get you in there,â Ghost says.
âOn you, Soap,â Rudy spurs.
Soap barely taps the door, letting it fall open on its own as he enters the room, promptly shooting both shadows.
âWeâre clear,â Rudy verifies. âWeâll use the closed circuit to locate my men.â He peers down at one of the computer screens showing off the security cams.
âAnd find Alejandro,â Soap adds.
âWeâll need diversions when we move. Y/N and Iâll plant charges on the outside. Soap, your eyes will guide us,â Ghost discusses.
âAye.â
âGet on those cameras,â the lieutenant directs.
âOn it.â
He seats himself at one of the desks in front of a computer.
âSame,â Rudy says, sitting at the other desk.
Ghost steps further into the room to nudge Soap on the shoulder, similar to how Soap had before their first (unsuccessful) mission to capture Hassan.
âWeâre out. Watch out for us.â
John nods. âRog. Good luck, Lt., Y/N.â
âYou too,â you express, though itâs mostly directed toward Rodolfo.
Rudy gives a thankful wave, and you and Ghost are off.

The next 15 minutes or so are spent lurking just out of sight of Shadows as you and Ghost plant charges to the underside of numerous vehicles, all the while Soapâs voice buzzes in your ear to navigate you both, which by the minute seemed more like him and Ghost flirting nonstop.
You did your best to focus on the task at hand, refusing to intrude on theirâŠmoment, though youâd be lying if you said it wasnât entertaining.
To hear Soap say âNighty-Night fuck head" or âTrash bin on your right. Time to take out the trash,â to his superior, of all people. Or when he compliments Ghost for his handiwork in dealing with shadows by saying âLookinâ good, Lt." and âClassic Ghost,â or even proclaiming âFuckinâ beautiful, sir!â after dumping another Shadow.
At first, the lieutenant did not want to even entertain Soapâs chattering, but thereâs a certain charisma John possesses that is thoroughly irresistible, and it certainly wore Ghost down enough to have their back-and-forth âbanter.â
Once all four charges have been set, Ghost speaks, âWeâre all set here. Have we located Alejandro?â
âPerfect timing, I found him,â Rudy declares.
âWhere?â Soap asks.
âStand by.â
In the security room, Soap finally takes his eyes off his own computer screen to look at Rudyâs. And there he is, in the bottom left corner of the screen.
âBlood fuckinâ hell, thatâs him,â Soap mumbles.
âHeâs in solitary. Two on the door.â Rudy points to the upper right corner, where two Shadows are stationed outside Alejandroâs cell.
âI see âem. Ghost, we got him. Heâs alone. Two Shadows on guard."
âNot for long,â Ghost rasps. âRV outside the cellblock, weâll pry him loose.â
âRoger that, on the move,â Soap responds.
Both men separate from their screens.
A job well done, but not quite finished.
âGood work,â Soap tells Rudy.
[Same, friend.] âIgual, amigo.â He slips his bag of weapons back onto his back. âAlejandro wouldâve come for us.â
John cups his hands with Rudy to shake hands with him and says, âEso qĂșe ni qĂșe.â [Definitely]
âVamos por unos Vaqueros, cabrĂłn.â [Let's get some cowboys, bastard.]
They exit the security room together, and as soon as they step outside, the obnoxious droning of a nearby helicopter grows louder the further they go.
âGhost, Y/N, whatâs your status?â Soap checks in.
Ghost answers for both of you. âCominâ your way.â
âCopy. Weâre on the move,â he lets him know.
âHeads up on the helo,â Rudy mentions.
âLooks like weâre outta his line of sight,â you comment.
You and Ghost come into view of Rudy and Soap on the other side of the walkway. They join you and him in taking cover behind brick walls on the opposite side, overlooking the relatively empty area fenced in with more brick walls.
âCellblock. Entryâs ahead. Shadows blocking the way,â Rudy audibly perceives.
âLetâs send âem to hell and get inside,â Soap grunts.
Everyone moves up, ducking behind cement barriers to avoid being spotted.
Soap takes the honor of throwing a molotov cocktail at the two shadows the furthest away, flames immediately spreading upon impact and their petrified screams ringing out.
Rudy and Ghost shoot the remaining shadows while you try to ignore the immense suffering of the shadows lit on fire.
âAll clear,â Rudy reports.
You make your way to the double doors, finding yourself in the same position as earlier before entering the security room.
Soap tugs on the door handle, except it doesnât budge. âItâs locked.â
âWeâll need to breach it,â is Rudyâs immediate thought.
âNo, RudyâKnock,â Ghost suggests.
Boy, does he like the sound of that.Â
Rudy switches his weapon for a lighter one, inching closer to the door. âOn me.â
With two swift knocks to it, the door unlocks, and Rudy yanks the Shadow that answered the door by the scruff of his neck, pulling him outside for Ghost to fire a bullet into his head.
He and Ghost storm inside, shooting the other shadows near the doors, and you and Soap follow after them further into the prison.
Instantly, the four of you are being shot at from many directions.
âEnemies on the second deckââ Rudy alerts.
Soap shoots one of the Shadows on the deck while Rudy takes care of the other.
âMore cominâ down the stairsâ!â Ghost draws attention to; his voice is hardly distinguishable among the storm of gunfire.
âSoap, weâll keep âem busy up top, press forward!â Rudy shouts.
Soap listens to the order, taking cover behind a pillar as the rest of you stay back to deal with the Shadows in sight and reach.
With the three of you working together, it doesnât take long to get the enemy fire under control, and Soap is also quick at killing his targets.
âComing up behind you, sergeant,â Ghost notifies him as Soap shoots the remaining Shadow peering past the staircase.
âAlejandroâs up here, letâs go,â Rudy enthuses.
Soap reloads his weapon, climbing up the stairs in haste, with you and the others following closely behind.
âAlejandroâs down the hall, right side,â Rudy tells him.
âExpect contactâŠlight âem upâ!â Ghost implores.
Now at the intermediate landing, Soap chucks a smoke bomb into the room next to the staircase to the second floor, leaving the two shadows guarding Alejandroâs cell dazed and coughing.
[Die (you) fucking Shadows!] âÂĄMueran pinches Sombras!â Rudy hollers.
Soap promptly shoots one of them, then bolts into the room to close in on the other, wretching the gun out of the Shadowâs hand and knocking him down by pushing his foot against his stomach before stabbing him in the neck.
âThereâs Alejandroâs cell...Open it up, Iâll cover for you,â Rudy offers, staying posted by the stairwell while Soap walks up to the cell.
Ghost pulls out his trusty bolt cutters, getting into position. âJohnny, when I pop this lock, push in.â The lock snaps off, clattering on the ground. âThis is what we came for.â
Soap enters the cell, softly calling out, âAlejandroââ until a hand grabs him from behind, tugging at his vest for purchase to slam him against the wall by the man himself, Alejandro.
John huffs from the force, and Alejandro groans from the effort. His arm is reeled back, with his fist closed tightly, preparing to punch Soap.
In a panic, Soap cries out, âAlâItâs me, hermano!â [brother]
Rudy rushes inside, more concerned than ever for his friend/colonel. He puts one hand over Alejandroâs wrist and gently places the other on his chest.
âCoronel, relajate, cabrĂłn, somos nosotros.â [Colonel, relax, bastard, it's us.]
Alejandro relaxes upon seeingâand hearingâhis second in command.
âSoapâRudy!â He peers past the aforementioned man. âGhost!â
A relieved grin replaces Soapâs momentary fear of getting his shit rocked.
âDidnât think weâd leave you, did you?â
They lock hands into a firm grip as Alejandro sports his own grin.
âWhat the fuck took you so long, pendejos?â [idiots] Alejandro asks without a hint of malice.
Rudy hands the colonel a firearm in response.
âPlace is crawling with Shadows,â Ghost announces, still standing at the doorway of the cell. âThereâll be hell ahead.â
âLetâs fight fire with fire,â Alejandro states.
Rudy comfortably holds his gun again. âThereâs more Vaqueros in the cells upstairs.â
âTime to get âem out,â Soap says.
Alejandro jerks his head. [OK] âĂrale, on you, Rodolfo.â

You overhear their conversation from outside the cell, staying put at the stairwell in case anyone should happen by.
It doesnât take a genius to see or hear how much Rudy and Alejandro mean to each other, considering how long theyâve known one anotherânot limited to just their military service but also in their personal lives.
Thereâs an ache in your heart as you wonder if you'll ever have that sort of relationship with someone ever again.
You wouldnât get your hopes up, seeing as you no longer work for the Shadowsâor anybody, for a matter of fact. Youâre merely working alongside 141 and Los Vaqueros, not for them.
The dull thud of their approaching footsteps causes you to straighten up, your shoulders tensing just enough for the bullet wound to sting.
âThereâs somethinâ else ye should know, Alejandro.â
Soap lowers his voice substantially, though by then itâs too late. You make eye contact with the Colonel, and he swiftly draws his gun at you.
You stash your gun out of sight, putting your arms up by your head to appear as non-threatening as possible.
âWaitâ!â Rudy opposes, putting his hand on Alejandroâs to get him to lower the gun.
Alejandroâs eyes rapidly shift to Rudyâs, then Soapâs, then Ghostâs, and back to Rudy. Why do they look so indifferent? Thereâs a Shadow right here!
âListenââ Soap begins, but Alejandro interjects.
[What is there to listen to?] âListen?! ÂżQuĂ© hay para escuchar? Iâm not letting a single shadow live if itâs the last thing I do."
[Colonel...] âCoronelâŠâ Rudy mumbles, moving in front of him to shield you from getting shot.
Soap holds Alejandro by the shoulders. âPlease, hermano. Heâs on our side, I promise.â
You donât utter a word, figuring you have a better chance at survival if you keep your mouth shut.
His chest visibly rises with every intense draw of breath, wanting to understand where everyone is coming from while also having his fury fueled by the second the longer he stares at you.
âItâs alright, Alejandro,â Ghost assures.
Alejandro scoffs, shaking his head and finally lowering the gun. âAre you serious? Nothing about this is alright! First Valeria, and now this...Did you learn nothing?!â
He shuts his eyes, inhaling and exhaling sharply.
âFine, fine. Weâll do it your way.â
He shrugs off Soapâs hands from his shoulders, shoving past Rudy to get to you.
They all stand aside, watching and waiting in anticipation for what comes next.
Alejandro sizes you up, clad in your gear and uniform, and indistinguishable from any other Shadow.
âWhy didnât you introduce yourself earlier?â
âDidnât wanna interrupt your happy reunion,â you calmly explain.
His grip on his firearm tightens.
The nerve you have on you.
âThen go.â
âY/N. Formerly part of Shadow Company.â
He hums, staring blankly. âWell, donât blame me if I confuse you for one of those monstros.â
A not-so-thinly veiled threat. How kind.
[Do what you have to, Colonel.]
âHaz lo que tienes que hacer, Coronel,â you establish.
He doesnât react, simply looking back at the others and asking, âWell, what are we waiting for?â
You stick close to Ghost, ensuring you stay in Alejandroâs line of sight as much as possible as you move up to the second floor. Thereâs no way youâre going to let him mistake you for any mere Shadowânot after all youâve sacrificed to get to this point.
With Soap at the end of the line with Alejandro, he asks him, âYouâve seen Graves?â
âNo,â Alejandro sighs, âbut I plan to pay that cabrĂłn a special visit.â
Soap hums. âMe too.â
âThey have guards on all the floors, be ready,â Alejandro warns.
Now in the hall of the second floor, Soap picks up a flashbomb from an unlocked and unattended crate. He takes the lead, peering over the corner, only to be shot at.
Thankfully, they miss, yet it looks like there are always Shadows to be dealt with.
âRiot shields!â Alejandro articulates.
âSoap, throw whatever you got at them!â Ghost authorizes.
He chucks the flash bomb.
[Sons of bitchesâ] âÂĄHijos de putaâkill everything that moves!â Alejandro howls.
The two shadows keel over, turning to the side without using their riot shields for cover. Soap quickly shoots them, and theyâre no longer an obstacle.
âThink weâre clear,â he says.
You join the men in stalking down the hall while avoiding the fresh corpses.
âLos Vaqueros are locked in these cells,â Alejandro indicates once the smoke diminishes.
Rudy sets down his bag of weapons on the ground between two cells, enthusiastically purporting, âAquĂ estamos, Vaqueros, hora de ir a casa.â [Here we are, cowboys, time to go home.]
[We're here, my brothers, we'll get you out]
âEstamos aquĂ, hermanos, to sacaremos,â Alejandro guarantees.
âWe breachinâ the doors?â Ghost wonders aloud.
âDoors are powered. Controls are in the command post across the hall,â Alejandro briefs him.
Soap goes into the control room, and you follow after him since itâs only natural that you feel more comfortable in that position.
Instinctually, you search the room for supplies and barely turn up with a small crate of ammo on the desk beside the controls.
Without much thought, Soap switches the dials, which are lit red, until they turn green, hovering his hand over the big red button at the bottom of the control panel.
âDoinâ it.â
A loud buzzer rings momentarily as the cell doors unlock.
[Alright! My brothers unto death] âÂĄĂrale! Mis hermanos hasta la muerte,â Alejandro exclaims before explaining to his men, âEl Sargento Parra tiene armas, tomen una y esperen aqui.â [Sergeant Parra has guns, take one and hold here.]
[Commander, you're alive!] âÂĄComandante, estĂĄs vivo!" One of them cries out.
âRest of you, with me,â Alejandro declares.
A Vaquero behind you gleefully laughs. âEl unico que puede matar a Alejandro, es Alejandro.â [The only one who can kill Alejandro, is Alejandro.]
You move to follow him and the others, except Alejandro puts his hand out in front of your chest, stopping you in your tracks.
âNot you,â he growls.
Clenching your jaw, you try to push aside your own growing frustration.
You know he has every right to be wary of you or downright resent you. You know this, but fuck, is it starting to get to you that so far, anyone youâve come across has greeted you with a violent or loathsome reaction.
Who else will you have to prove yourself to, and what will it take for everyone to realize that youâre not their enemy?
âReally? So youâd rather I stay with your Vaqueros, unsupervised?â you inquire, knowing heâd refuse when you put it that way.
If he didnât already look like he was one second away from punching the daylights out of youâwell, letâs just say if looks could kill, youâd be long dead.
Rudy grips Alejandroâs upper arm, subtly trying to keep him in check.
You stare back at Alejandro, unwilling to let him intimidate youâthough that gun in his hand is not very reassuringâas he looks at you with pure disgust, his lip curled in disdain and eyebrows furrowed tightly together.
He clicks his tongue, huffing to himself. âPinche mierdaâvamos, entonces.â [Fucking shitâcome on, then.]
At the end of the hall, the barriers preventing people from falling from the second floor to the first are crumbling, with enough leeway to jump down from them.
âThis used to be the mess hall,â Alejandro remarks off-handedly, peering below.
Soap chuckles. âLetâs make a mess.â
âĂrale.â
One by one, those who were appointed to join Alejandro jumped from the ledge into the mess hall.
Great. Just your luck.
Your knees nearly buckle underneath you as a shooting, almost paralyzing sting spreads further up than just your ankle once your feet touch the ground on the level below. You take a moment to stabilize yourself, breathing in deeply and heavily as a means to mask the pain.
There are no other options but for you to continue on in this state. It won't be easy, and it certainly won't be painless, but one way or another, you are getting out of this prison.
The once-dark room is suddenly illuminated, with the bright lights in each corner flickering on.
âShadows know weâre here, stay sharp,â Rudy cautions.
As he says that, bullets fire out, and everyone takes cover behind cafeteria tables or oil drums scattered about.
âMovementâopen fire!â Alejandro calls out.
âCheck high!â Rudy advises.
Everyone, including you, does their part in combating enemy fire, yet there are far more Shadows than anybody was expecting.
âWatch the catwalk,â Ghost barks.
Soap takes care of the Shadows hiding in the serving line by throwing a molotov, and you heed Ghostâs warning, shooting anything moving along the catwalk.
For a solid minute, all you hear are gunshots after gunshots, and then all is silent.
âBig room! Make sure weâre clear,â Alejandro insists.
[Clear, Colonel] âDespejado, Coronel,â Rudy verifies.
âNo threats,â Ghost vouches.
âRe-group on the door,â Alejandro instructs.
You, along with the others, scurry to the closed metal doors on the other side of the mess.
âItâs padlocked,â Alejandro murmurs.
âI got it,â Ghost replies confidently, pulling out olâ reliable: bolt cutters.
A quick snip and the lock is broken off.
Alejandro chuckles. âEl Fantasma, siempre preparado.â [The Ghost, always prepared.]
âOn you, Colonel,â Ghost states.
Alejandro gladly kicks the doors, busting them open completely, and takes the lead.
âWeapons hot, hermanos. Stairwell leads down and out.â A line is formed behind the Colonel to march down the stairs. âWeâll link up with the others and get the fuck out of here.â
âExfil vehicles are set. Ghost and Y/N planted charges to help us get out,â Rudy informs him.
âWith Johnnyâs help,â Ghost adds.
Alejandro complains that he canât call Soap âJohnnyâ and Soap tells him not to as you reach the bottom of the stairs with them and find the room leading outside.
Now outside of the actual prison, but still within its bordering walls, Rudy says, âWeâll have to cross the yard to get everyone out.â
âLead the way, Soapâlet's give these [Shadows] Sombras hell,â Alejandro all but encourages.
As expected, it results in another gunfight. Everything moves so quickly, with everyone focused on counteracting enemy fire, until the engine of a vehicle rumbles loudly as it charges in.
âJohnnyâthat truckâs got one of our charges on it. Detonate it,â Ghost commands.
Soap takes out the remote detonator, says, âHere it comes..." and presses the button. The charge goes off, and the truck momentarily disappears in a cloud of fire and charcoal-gray smoke.
âKa-freaking-boom, baby.â
John couldnât sound more proud of himself if he tried.
Heading in the direction where the truck came from, more bullets whizz by. You recognize the vehicle with the terret gun actively keeping you and the others from escaping as one you planted with a charge. You enlighten Soap, and just as easily as before, with a click of a button, the vehicle goes up in a cloud of smoke.
Perhaps more impressed this time around, Alejandro cries, âÂĄĂrale, que belleza!â [how beautiful!]
After clearing the area, you cut through a building onto the other side of the yard, where youâre greeted with even more Shadows, though this time they came prepared with riot shields.
In turn, you either have the choice to rely on grenades to break through or close in on the Shadowsâgetting up close and personal as you take their life, seeing the look of recognition spark, before watching the life drain out of their eyesâso, itâs fair to say the choice was easy.
âTheyâre down,â Rudy announces once the Shadows have been eliminated.
âMore will be posted near the cell block entry, stay alert,â Alejandro advises.
Since youâre no longer being shot at, for the time being, at least, you move across the courtyard with ease, and as Alejandro warned, there are still Shadows eagerly waiting to fire at you and the others.
âAlejandro was rightââ
Ghost is interrupted by Rudy.
âWe need to finish them off, or theyâll give chase.â
âGood call, Rudy!â Alejandro agrees.
Even after all those hours of sleep you caught up on, the onslaught of Shadows is really starting to wear you down.
Itâs hard to imagine there was a time when you stood alongside them, admiring their tenacity and unyielding efforts.
Now, itâs just pissing you off.
Once the Shadows are taken care of, you feel the end is just out of reach, except things arenât over quite yet.
âPush through, thereâs a field we can use to flank up,â Rudy attests.
âWe need to get up and over that wall,â Ghost reminds him.
Following Soapâs lead further up, a familiar sound garners everyoneâs attention.
âYe hear thaâ?â Soap rasps out.
Your eyes gravitate towards the early morning sky to confirm that it is, in fact, aâ
âHelicopterâsearching for us!â Alejandro distinguishes.
The smart and immediate response is to take cover behind cement barriers, but John has to practically wrestle you to get you to move.
Bullets fly in the air, raining down at rapid rates and reminding you of the Las Almas streets, drenched in water and blood.
âWeâll need more than this to get out!â Ghost bellows.
Regardless, he also shoots at the heli in hopes of slowing it down, at the very least.
Then, like an angel being sent from above to answer their prayers, a new voice rings out.
âAll stations, this is Bravo-6âget down!âÂ
You watch as something is shot through the airâmuch larger than a mere bulletâhitting the tail of the heli, causing it to catch fire and spin out of control.
The captain of Task Force 141 himself has come to their aidâour aid, you mentally correct yourself.
âItâs Price!â Ghost about cheers at that very moment.
John, on the other hand, has no shame in cheering. âHell fuckinâ yeah!â
âAll Bravo and Vaqueros, top oâ the wall. Get here and Iâll get you out. How copy?â Price asks.
âLoud and clear, Price. Cominâ to ya..!â Ghost responds.
To re-quote Soap, hell fucking yeah, they are.
You make haste, nearly tumbling over your own feet to keep pace with Soap and Ghost, who are steadfast in making their way to the wall.
A green flare shoots down from the wall, signaling Priceâs location.
âWho is he?!â Rudy questions, confused and only slightly panicked.
âA friend,â Soap tells him.
âI like him already,â Alejandro remarks. âÂĄVaqueros, vayan al muro, entre las torres, ya!â [Cowboys, get to the wall between the two towers, now!]
âBe advised, ropes deployed. Find âem and climb,â Price states.
âRoger that,â Ghost says.
Panting from excitementâor the short run, either wayâSoap attaches his ascender, with Ghost doing the same on the rope next to him.
âWeâre clear for now, but Shadows are on the way, count on it,â he reminds Soap.
They reach the top of the wall, with Price offering his hand to Soap and Gaz doing so to Ghost.
 âSergeant MacTavishâŠâ Price greets.
âGood ta see you, Captain,â Soap replies in kind.
Gaz and Ghost greet each other rather simply.
"Ghost.â
âGarrickâŠPrice.â
Soap shares a glance with the lieutenant, wondering how to break the news.
âThereâs someone you should meet,â Ghost mutters rather cryptically.
Price arches his brow while Gaz's head tilts to the side, intrigued with curiosity.
âYer noâ gonna like it, butâjust give âim a chance,â Soap adds, in hopes of diminishing their initial reaction, which he could only assume would be hostility.
Price huffs, unamused by their lack of transparency. âSo, who is it?â
Hearing someone come up behind him on the rope, Soap turns around to help you get up onto the top of the wall.
You stand before their captain, dressed as any other Shadow is.
Nowâs the time to make a good impression, if ever.
You hold your hand out for him to shake, introducing yourself.
âY/N. No longer of Shadow Company. You must be the captain, yes?â
Price doesnât hesitate to shake your hand, keeping a firm grip that could be interpreted as a threat with how harshly he presses his thumb against the back of your hand.
âThatâs right. No last name?â
You fight the urge to rip your hand out of his; instead, you loosen your grip.
âNo.â
That garners his attention; however, he doesnât push on the issue.
Before Price can continue his line of questioning, Soap butts in.
âHowâd you know..?â
âLaswell,â Gaz answers first, and Price elaborates. âSoon as Shephard went dark, she called us.â
âLaswell, still solid as a rock,â Ghost is relieved to say.
At the sound of the rope, Soap turns back around to give Alejandro a hand.
âColonel Vargas, meet Captain Price and Sergeant Garrick.â
He speaks quickly and with urgency. âThanks for the assistâmy men need cover fire.â
Price nods. âY/N, Gaz, Soap, Ghost-overwatch-now!â
It seems like the fight never stops.
Regardless, you obey the captainâs orders, getting into position alongside the other men and kneeling in front of the wallâs ledge, firing back at the Shadows persisting in their ways.
âVehicles incoming, right side,â Price spots.
âSoapâthat oneâs rigged, detonate it,â you give the go-ahead.
âMy pleasure,â Soap coos all too happily as he clicks the remote button.
âVehicle destroyed! Rudy, send your men up that rope!â Ghost coaxes him.
âCopy. ÂĄSuban, Vaqueros, ahora es su oportunidad!â [Climb up, cowboys, now's your chance!]
Price grunts, âShadows in the right tower, watch your backs!â
With you and Soap being the closest to the tower, the two of you shoot at the doorway, lest any Shadows get the jump on you from up here.
Slowly, and ever so carefully, you approach the tower with Soap walking ahead of you. In the middle of the room lay a single shadow, dead.
Surely theyâd send more than one, wouldnât they? If their intention was to take everyone here out, then why only one?
They canât be that low on numbers unless they really thought just one Shadow could finish the job.
As if to confirm the bluff, John begins to get shot at from right beside you.
âShitââ you curse, turning to the corner next to the door, where neither of you had checked.
You shoot the Shadow, ripping the gun out of their hands and bashing them across the face with it. A sickening crack resounds, most likely from their nose.
âYou hit?â you ask John as soon as you face him.
He shakes his head, focused on the rack of weapons in front of him. âSteaminâ Jesus, look aâ thisâŠâ Soap picks out one in particular, almost gloating, âGot a grenade launcher!â
You leave the tower with him, a clear pep in his step with his new toy in hand.
âMore vehicles incoming from the front!â Rudy discerns.
When an opportunity presents itself like that, how could Soap resist?
He launches grenades at the vehicles, while you and the others continue to gun down Shadows and their vehicles.
âSuppressive fire, friendlies cominâ up the ropes! Once theyâre up, weâre pulling out!â Gaz explains.
Everyone proceeds as usual, though not without exercising caution.
[Move, move, quicklyâwhile the coast is clear!] âÂĄVamos! Levanten, raipdoâmientras la costa estĂĄ despejada!â Alejandro shouts.
Once the rest of the Vaqueros have made it onto the wall, Rudy tells him, âWeâre good to go, Coronel.â
âLetâs get the fuck out of here, hermanos.â
You couldnât agree more.
âDown the wallâWe are leaving!â Price yells, more than ready to leave soon after showing up.
Still receiving enemy fire, you glide along the metal flooring, dodging bullets as you head for the rope. You climb down faster than youâve ever done before and soon hit the ground on the other side and outside of the prison.
Alejandro joins you and the others down the rope, leaving Soap and Captain Price as the only ones left up there.
âSergeant, get on those ropes. Weâre going,â Ghost demands.
John virtually slides down the rope with ease, and the captain is last to arrive.
Price points to two different vehicles, citing, âThose two are ours,â before moving toward them with his team in tow.
âCheck,â Alejando acknowledges.
âRodolfoâyou take the truck we came with,â Soap proposes.
âRoger that.â
[Cowboys, on me! Rudy, meet us at the house] âÂĄVaqueros, siga me! Rudy, los vamos a la rancho,â Alejandro dictates.
âAsi, sera, Coronel, bueno suerte.â [Will do, Colonel. Good luck.]
âCaptain, follow me,â Alejandro implores him, swaying his head at Price to get the point across.
âCopy. Gaz, drive!â
Price tosses the keys, and the sergeant catches them with ease.
âOn itâGhost, Soap, this is us!â Gaz hollers as he runs to the driverâs seat of the vehicle in front of them.
Price opens both back doors. âLoad in.â
You sneak a glimpse at John, wondering if you were purposefully being left out, and this would be where you part ways.
As if sensing your apprehension, Price finally addresses you.
âYouâre coming with us.â
Thereâs no sense in arguing with that, and you climb into the vehicle with them.
Ghost seats himself on the left side, with Soap sitting across from him, so you take the spot next to him. Price shuts the doors behind him and moves to the very front of the back of the van.
âHit it, Gaz.â
No sooner does the vehicle begin to move, with Gaz following Alejandro as instructed.
âShephard burned usâ is the first thing Ghost brings up.
Soap further explains, âHe sent Graves and his Shadows to kill us and round up Los Vaqueros,â scrunching his nose in disgust with every word.
âWe know why,â Price says.
âLaswell did a bit of digging,â Gaz tells them.
âWhat did she find?â Ghost asks.
âThe truthâŠâ Price trails off, unabashedly eyeing you warily.
You gulp, wondering what Laswell uncovered and how long it would take to reach the destination Alejandro seems so keen on.

Masterlist
Taglist; @cumbermovels @tobbotobbs @cptg00s3 @copiasratscheese @maskedmenenjoyer @marsontherocks @cerberusking @kanaminamine @kaoyamamegami @mikahrh @ghostsgh0st @luc4luc4 @spiritzofthedead @nikaloosgarden
a/n: the taglist has grown sm since the previous part đïžđïž as always, all you have to do is ask and you too can be part of the list
i wasn't sure how many parts were going to be in this series even before i started writing it, but i can confidently say that the next part will be the last one/the finale. after that, i don't have anymore fics planned for the rest of that year, but ofc that's always subject to change
also wanted to repeat all my thanks to everyone who's sent lovely asks, comments, and whatnot in reblogs. idk what it was but i feel like the previous part in particular received a lot of attention fairly quickly, so it was very nice to read and respond to what you guys had to say :) i hope this one was just as enjoyable as the others, stay tuned for more!