sadpandaus - I don't know what to do with my life
I don't know what to do with my life

I not a bot. Literally just a chronic werido and lurker :,(I don't really know how to communicate with people I really wish I did.Fandoms: Team Fortess 2, Rise of the TMNT, Don't Hug Me I'm Scared, and various life skills.

364 posts

Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking

Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later

Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking
Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking
Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking
Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking
Today In Niche Genres Of Joke That I Can Never Get Enough Of And Will Probably Still Be Secretly Thinking
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More Posts from Sadpandaus

1 year ago
Text: How I draw fat people, by a fat person.
Text: BEFORE I SAY ANYTHING! Fat people have many shapes and sizes, all of these tips can exist in different variations and ratios of fat distribution. This is not a comprehensive guide of how to draw fat people, These are just things I like to keep in mind. Study references of real people and pay attention to how fat behaves. Also find more anatomy-based studies of fat! This is more of a cartoon slash illustration based study. I recommend Morpho: Fat and Folds.
Text: Fat distribution rough approximation. Cheeks, Chin, neck, chest, underarms, waist, hips, thighs, calves, crotch, butt, scapula, hips. Mostly bone, Mostly fat.
Text: Fat sags from bones / muscle.
Text: Back rolls: Shoulders, waist top, body bend, waist bottom, hips. Stomach fold ends at hip dip. Torso, Waist, Hip, Thigh.
Text: Fold at bottom of skull. Body rolls act kind of like thick fabric when twisted.
Text: Fat hangs from arms. Armpit fold connects to chest fold.
Text: Neck fold. Double chin. Neck starts closer to front of the chin. Armpit fold.
Text: Some people have ab folds. Tapers into middle. Some people have rib folds.
Text: Cheeks! Cheek bulges at top. Corner of mouth pushes cheek up. Skin stretches.

hey these are some tips for some of the little details in drawing fat folks that some people might not know!

everyone has fat on their bodies so its a worthwhile skill to have, but most art tutorials leave it out. heres some other good tips from artists!!

the strawberry patch
strawberrylind.tumblr.com
as requested- my zine about fat and plus size body types from instagram!đź’– happy drawing everyone!
fat bodies tutorial!
artxreferences.tumblr.com
ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on
hometownrockstar
hometownrockstar.tumblr.com
some notes on drawing fat bodies in a stylized or cartoony art style! i tried to explain and illustrate things i keep in mind while drawing
how to draw fat faces and necks better
Tumblr
something i notice a lot with artists trying to draw fat people is that even if they get the bodies decent they often draw the heads and nec

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1 year ago

i think a LOT of you with chronic conditions should learn this one magical phrase to get your hospital doctor to shit his entire pants, which is leaving the room and saying "im going to go discuss your behavior with the ethics committee, i think you might need a reminder of what your job is"


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1 year ago
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.
Testing Out The New Tumblr Photoset Feature.

Testing out the new tumblr photoset feature. 


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1 year ago

When I took my literary criticism theory class in undergrad the professor told us that in modern literary criticism “The author isn’t dead but they are a ghost breathing down your neck”

Basically, the old way of thinking was that the point of literary criticism was to find the true original intentions of the author. Then death of the author was introduced and literary criticism swung hard the other way, saying that what the author thinks and the context they were in doesn’t matter.

Nowadays, it’s somewhere in between. Yes the author had intentions and yes the work had context. But the work also has context right now and a history of people reading it and interpreting it and sometimes an author puts meaning in something that they didn’t realize they were.

I can’t sit down and interview Jane Austin about every little decision she made in Pride and Prejudice but I can look at what we know about her life and the era and place she lived in. I can also ignore all that and look at what the book means right now to modern people. I can compare Austin to writers in her own time as well as writers now. I can speculate on what I think was on purpose and what wasn’t.

A lot of people go on about death of the author like that’s the only correct way to interpret fiction when modern lit crit moved past it years ago. Reading critically is a conversation between the author, the reader, and the various contexts surrounding both of them. Nothing exists in a vacuum but at the same time nobody can anticipate every interpretation their work might present with.

The question of analysis and separating art from artist isn’t a simple cut and dry issue. It never has been and it never will be.


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1 year ago

hrrrggghhhh......philosophy of art......praxis.........the idea that a certain level of complexity or a certain kind of technical skill is what qualifies something as art is bullshit.............so you have to think that way about your own art too you have to be consistent.........you have to choose how you refer to your art thoughtfully to reflect this or it will never sink into your brain..............save me jacob geller video essay "Who's Afraid of Modern Art" ............

Hrrrggghhhh......philosophy Of Art......praxis.........the Idea That A Certain Level Of Complexity Or

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