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squid game is an purposeful critique on the consequences of capitalism and explores the desperate measures those living under it will take. to say that it was simply "their choice" to return is... deliberately missing the point :/

IN THIS ESSAY I WILL—

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😏💗🤕

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Wordgirl is unironically better than Miraculous. It's 1000x funnier, actually sticks to its logic, has an adorable enemies to lovers slow burn ship and the emotional beats hit much harder. Wordgirl/Becky is much more relatable than Ladybug/Marinette. Scoops is much less pushy than Alya and while it's still true that no one recognizes Becky even though they totally should, it's not shoved into our faces with people making it their mission to unmask her every episode. Plus, it makes it more emotional and easier to buy the few times her identity is revealed.

I love both shows but I find it easier to watch Wordgirl and find it more enjoyable.

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cannot stop thinking about how good the fabrication of consent in squid game was… like yeah, the participants consent! over and over, from agreeing to the slapping game to ringing up the number of their own accord to meeting at the location to signing a separate sheet once more upon arrival… they can even disband the game if the majority decrees it. but this is all performative. because of course they’ll agree - of course they’ll come back.

the second episode is even all about addressing this ‘consent’, and that potential audience superiority: “so why don’t they just leave???? if they can??? why did they even do all this to start with?? it’s so extreme, to do all that just for money, i would never”

because, the show says, look at what they’re returning to. look at the life that’s offered as their alternative. debt up to their ears, money-brokers beating them up, poverty at its worst. do you see? do you see how yeah, joining that game is optional, but it’s optional in the sense of choosing to be stabbed or shot: theres consent, but not actual desire. that theres agreement, but under exploitation. there’s a reason only poor people are chosen to compete and it’s so obvious but i fucking love how the show handles it and addresses any audience superiority anyway

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> I love you… > Once I can smile again from the bottom of my heart, I’ll come visit…

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Azula was not power hungry

A common misconception about Azula is that she was power hungry. But she wasn’t. Everything she did, she did for her father and for the Fire Nation. When she conquered Ba Sing Se, she said, “The Fire Nation has conquered Ba Sing Se” not “I have conquered Ba Sing Se.” She categorized it as a group effort. She definitely thought that she’d make a better Fire Lord than Zuko, but she didn’t actually want to be Fire Lord. If she did, she wouldn’t have brought Zuko home as a hero instead of as a prisoner. Azula seemed perfectly okay with Zuko being the new heir to the throne. All Azula desperately wanted was her father’s approval and affection, and she also was terrified of ending up like Zuko (the disfavored child of Ozai).

She also did what she genuinely thought was best for the Fire Nation. Azula did like to be in control in most situations but she wasn’t after a greater power, like being Fire Lord. She only wanted the throne at the very end because it was all she had left. She no longer had her father, friends, mother, or even Zuko. Azula was terribly unhappy when Ozai gave her the Fire Lord title instead of allowing her to come with him to destroy the Earth Kingdom. As messed up as it is, destroying the Earth Kingdom was Azula’s idea of father-daughter bonding time. At her core, what Azula craved the most was real unconditional love, not power.