You Missed The Nine Oclock Train

you missed the nine o’clock train

You wear

silence’s

jacket

and the acne

that creeps down

the shadows

of your neck

scribbles down

your screams

on the back

of a crumpled napkin

that you always keep

in your back left

pocket.

You are soaked in

faltering voices

yet you are

the flower

growing

in the washed-out

asylum of humanity

and I am in

desperate need

of your fragrance.

I thought

that I had caught

a glimpse of you

arms crossed

wondering down

the hallway

of unsaid nostalgia

perhaps chewing some skin

off your lower lip

perhaps a tear

or two

polishing the floor

under your feet.

But you always come

twenty minutes late

to the suburbs

of my emotions

so you saw me

and kept walking.

A new chapter

but

the ink

from

the last one

always

bleeds

through.  

© Margaux Emmanuel

The way your eyes speak, hidden under those sunglasses in the ink-seeped night, where I can see the reflection of our nightmares’ neon headlights, where I can see a hanged man, life tugging at his throat, his foggy, unstringed eyes peering at the existential questions left at the gallows’ steps. Astray in the poetry of half-alighted movie theater marquees and of weeping red diner booths paralyzed under the sterilized silence of the blinding white lights interrogating and polishing the checkered floor tile, time stops. With blood-stained eyes and a delirious steering wheel, quarantine my heart and let me sleep.

roadside mirages | © Margaux Emmanuel

In the remainder of the tepid alcohol languishing in the flask of your eyes, we drink to the lost silhouette of love, burn our photographs wedged into the yellowed corners of our thoughts. We settle for cemented happiness, contemplating life through its glass corridors where mold is hidden, where I can feel the cracks of our suffering, where I can sense our hands dismembering our own poetry. When empty phrases harrow insomnia, I tape blossoms, breaths of life, to the pages of our unfinished chapters. But the trees’ barks where our initials dangle, imprisoned by a blistering heart, are peeling. I have just realized that flowers wither.

to slip on drunken petals 

© Margaux Emmanuel

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

What do you think?”, he asked in that raspy voice of his, an unlit cigarette between his teeth, the “-k” firmly pressed against his palate in an assertive manner, while unscrewing a burnt-out lightbulb. She was sitting on the windowsill, only wearing his dark blue Lacoste polo shirt, unbuttoned. Her back was towards him but she could feel his every move, she knew that he would have that slight habitual scowl resting on his face and that he would mutter “shit” under his breath any second now, realizing that the lightbulb didn’t fit. “Shit”, he whispered. There it goes. “About that book of yours?”, she finally answered. She could sense his head’s nod, he was too busy to notice that she wasn’t facing him. She slowly brought her naked legs, covered in a thin layer of goosebumps from the chilly morning air, back into the apartment. He was standing on the old chair, the straw seat deforming from his weight, a dozen lightbulbs at the chair’s feet, slightly rolling back and forth, back and forth, from the uneven floorboards. His head was a harvest of untamed blond curls that he had never quite grown out, tickling the back of his shirt’s collar. He had those green-blue marshland eyes that would remind her of those times when she used to swim in the dark green creeks with the small-town kids. But then, suddenly, you had to quickly jump out to run after the ice-cream truck’s music, the water dripping off your wet body, tracing your steps on the concrete pavements. You would never quite see the truck, you could only hear it; you had to trust the melody. He hadn’t known her back then.   “What do you want me to think about it?”, she inquired with a slightly flirtatious grin after a long, reflective pause.  He let out a small laugh, still fiddling with the lightbulbs. “I… want you to think that it captures the beauty of your touch”, he said in an almost mocking manner, his eyebrows rising as he pronounced those words.  “That doesn’t really mean anything does it?”, she replied with a perplexed smile. “It doesn’t. You need to understand that you aren’t a muse; all of the sentences of my book are already written in the crevices of your skin.“ He was silent after that. "Well, you could do better then.

water sizzling on the concrete | © Margaux Emmanuel 

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel