After The Song Of Achilles By Madeline Miller (warning: Violence)

after “The Song of Achilles” by Madeline Miller (warning: violence)

Heliotropic soul who smells of spring.

Sunshine hair with gold-leafed summer irises,

Bright, shining from alabaster flesh.

Chiseled hands over carved wood,

Sinew-plucked strings.

They would never draw blood.

Winter is a minimalist,

Warmed by our roseate love,

Thawed anew.

https://goodlawproject.org/crowdfunder/nhs-cyp-guidance/?fbclid=PAZXh0bgNhZW0CMTEAAaadkVMoRUHpcFptnjlifnc1xJ0i7YGVi78tfv2vEXVaVIQDPTEp1-ozNcY_aem_AfqNP9xEERFn6GRCZCIP7B2RriLi8ZN7pVAFzmNwdvqIXW0nmc1mTe5Hq0UV3xC6VPWdYe1x64wHk7O6-HPOhIdf

Please share, tag someone who could bring this to a lot of people, and post to other platforms. Not originally mine, idk who is the source of the screenshots.

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In thick white text on black background-> NHS ENGLAND ARE PLANNING A HONEYPOT WHERE THEY SEND ALL KIDS ON GIDS WAITLIST TO CAHMS TO HAVE THEM BE ASKED IF THEY ARE TAKING BLOCKERS/HRT VIA PRIVATE OR DIY ROUTES

Text is broken and in the middle is an excerpt from a leaked nhs document-> a) For medication sourced directly (e.g via the internet), explain the increased risks of harm due to the unregulated nature of these medicines/products. These may include the use of counterfeit chemicals, unsafe/unknown ancilliary ingredients or variability of potency etc. More information can be found here (link to nhs website). // b) Do not initiate or continue prescribing puberty surpressing hormones or gender affirming hormones. The General Medical Council's guidance to medical professionals on 'bridging prescriptions (a course of endocrine intervention managed by a healthcare professional outside of the specialised gender service while an individual is waiting to be seen) does not apply to care offered to young people under 18 years of age. // c) If the child/young person or their carer disregards your advice and you consider that this puts the child/young person at increased risk, then a safeguarding referral might also be appropriate in line with standard safeguarding approaches. Discuss with your line manager and your organization's safeguarding team.

Thick white text on black background continues-> ANY WHO SAYS YES AND DO NOT DESIST FROM DOING SO WILL BE THREATENED WITH SAFEGUARDING REFERRAL (TAKEN INTO STATE CARE)

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In black text on white background, from the news article linked above-> It seems to us - and to those inside the NHS who have leaked the document to us - that what purports to be an "assessment" in fact an exercise in bringing very significant pressure to bear on trans youth and their families to cease private treatment, backed up with a threat of a safeguarding referral to social services if they do not. // We are concerned about what appears to be a misleading exercise in gathering data on which trans youth are obtaining private treatment from abroad, for the purposes of seeking to cause or compel them to stop treatment.

In the same thick white text on black background as previous image-> So an internal NHS document has been leaked basically asking trans kids on excruciatingly ling waiting lists to come to a 'mental health assessment' where the NHS will harvest their personal information & threaten their families with a social services referral if they're found to be on private blockers/hormones & refuse to come off them. // This country is for dogs i swear.

Israelis being extremely normal people because they are mad the Irish peace corps won't leave Southern Lebanon

Druid Heights: Northern California Legacy

Go north of San Francisco, through the woods of Marin, up the southern side of Mount Tam, and you may find what remains of Druid Heights. This is the name of the bohemian community that settled there in 1954, led by poet Elsa Gidlow. Gidlow was best known for On a Grey Thread, thought to be the first book of openly lesbian love poetry published in North America. Initially envisioned as a secluded retreat, Druid Heights quickly attracted other trailblazers: Beats like Allen Ginsburg, queer radicals, women’s liberation activists who came to socialize or get away from socializing. For many, it was a place to party and listen to music: The Rolling Stones, Neil Young, and the Eagles all played there. A few made it their home, like philosopher Alan Watts who moved there in 1971, had a library built, and died soon after. The countercultural figures who visited this fabled five acres remain in popular memory. The buildings they stayed in have had a more precarious history.

These were designed by Roger Somers, a carpenter-turned-architect who with his white beard and maharishi clothing looked somewhat like a druid himself. A Somers house is wooden and seemingly inspired by Indonesian batak houses, Japanese stone gardens, Frank Lloyd Wright’s Usonian fancies, and The Hobbit. They made perfect sense, but probably only if you were on any number of drugs at any number of parties that made the retreat infamous.

The party lasted long after Druid Heights’ heyday—lasted probably until 2001, when Somers died in his hot tub on site. It was definitely over by 2006 after the National Parks Service, which had used eminent domain to seize the land in 1977, evicted all residents who did not have permanent leases. Since then, the forest has slowly reclaimed its territory, and only the occupied buildings are in sound condition.

The Parks Service has shown little interest in maintaining what is left. In 2017, a campaign was launched to save the Heights, to little effect; and the few remaining residents are in their 80s. Is this a fitting end? Watts once wrote: "What makes this world a beautiful experience is the impermanence and mutability of all things.“ Druid Heights was based on spontaneity, anarchism, improvisation—a preservation society is the opposite of this. In a culture of constant growth and productivity, one in which we expect all things to remain available at all times, to let the Heights decay into the past is perhaps the most countercultural action to take. But the Heights also represents an authenticity rare in a radically changed Bay Area that has allowed its cultural heritage to vanish or corporatize; perhaps then the most subversive act is to save it, and to save it for the same reasons we want to save the redwoods that surround it: because it is unique, because it is there, because places like it can’t grow just anywhere and might never come again.

Elsa Gidlow in her shoji room.

Gidlow and Watts in the gardens of Druid Heights.

Gidlow in her bedroom surrounded by her books.

Do you think the Older mv was partly inspired by the work of artist Andrea Kowch?

(It was probably pointed out at the time, but I saw the painting above on Twitter this morning and it leapt out at me.)