In Which I Describe Why There Will Suddenly Be A Lot More Posts And Why All Of Them Will Seem So Similar.

In which I describe why there will suddenly be a lot more posts and why all of them will seem so similar.

For some reason, New Friend Rob was under the impression that I know what I'm doing and wanted to watch me sculpt today, so I subjected him to the ritual: Jurassic Park III in the background, running commentary under my breath, and eventually some kind of recognizable shape out of polymer clay. He made a couple of cute little figures (pictures forthcoming) and kindly refrained from commenting on my lobster.

Oh, and credit where credit's due: it was totally his idea to use dish soap to make it look like the water is boiling. My friends are so clever.

Super Sculpey, ~90 min.

There were three things John Watson loved in this world: a good pipe, Sherlock Holmes, and their bull-pup Gladstone.

Super Sculpey, ~30 min.

Hooray, we're in the studio! I spent the better part of my Sunday listening to the Beatles and coating a headless, eight-year-old boy in Vaseline. See?

Because of all the time I spent unpacking the 8,000 boxes of puppet-making supplies we ordered from Burman, I didn't get as much done today as I would have liked. But I did make the first half of the boy body mold (this week I'll finish the mold and hopefully pour some latex before the weekend), and that's a start.

Here he is after a layer of hydrocal:

And after the first half of the mold is complete:

The west side of the studio, just for kicks:

Woo! Lots done yesterday. I made the very last of the puppets (Monster #2, above) and started the epic trim/patch/paint process for the remaining eight puppets. I took the night off tonight to see my friend Colin who was visiting from out of town, but rest assured that I have no plans to see the sunlight tomorrow at all.

Tumblr, meet Mina. Or, what will eventually become Mina. Maybe.

I've been sculpting, sketching, plotting, and measuring, and today I made what will probably become the body shape for Mina (the main character) and probably some of her female classmates, too. She's headless because we're animating the faces by making a series of different heads which we'll pop on and off between shots. She's got a little baby fat to help make her look young, and slightly exaggerated hands so we can slip armature wire in there to animate her fingers once she's cast in latex. Here's the back view:

I actually sculpted her muscles first, and when she looked too old, I draped a layer of skin and fat over the top to make her less defined. Keep in mind that she's, uh, not going to be naked in the film; she'll be dressed in real fabric, so her body is just to give the fabric the right drape.

(Oh, and here's some explanation if you have no idea what all this is about.) More to follow!