I'd Need A Closer Look At This Score To See How It Would Adapt To Piano Performance. My Best Is It Would

I'd need a closer look at this score to see how it would adapt to piano performance. My best is it would adapt very well. Perhaps for 4 (or 6) hands.

How to Find New Repertoire (20/21c)

How do piano players discover new repertoire to read and possibly perform? I mean, of course in this case, players who are interested in "new" music of the 20th and 21st centuries. It is true there are pieces even by such as Debussy or Krenek which are not well known. And then there are the living composers of today who count as "stars" and write piano music, e.g. Adams and Glass. But what of unknowns? Or virtual unknowns? How do you find them, read them, decide?

I love donkeys so much that I'm always going to redistribute no matter what the context. In this case, let's just say that this guy would be a great vocalist over my jazz stylings. Let's just say that.

grapevinetwine:

Thisisamazing

This is a graffito I can get behind. In front of, too. And is that a dilapidated piano on the ground below? An upright left too long beneath the raw elements? Or is it just a bench? I don't know.

Always-On

Always-on technology isn't just about telephones. This has implications for music too, obviously: both consumption and creation. What if the next piano is, essentially, your body?

Amos Goes Bray: http://amosbray.posterous.com/the-always-on-telephone

That is a piano all right. Saw duty not just in that N.D. church, I'll wager, but along other routes less civil but more civilized as well. Some forensic examination of the wood would be instructive. I'll bet there's blood (and much else) on there. Spat a tat tat. The cat in the hat. Play it like that.

yama-bato:

Brooks Jensen

Waldorf, 2008 This piano is from an old church in North Dakota. Now a remnant of an age long gone, the music may be silent but the ornate workwork is still a beauty to behold.