@the-wip-project Day 31 (I Finally Understood The Question!! Yay! I Was Waiting To Read Other Replies

@the-wip-project Day 31 (I finally understood the question!! Yay! I was waiting to read other replies to see what I didn't get - pardon my English)

So now I can answer: 🔞

What’s a pet peeve you have, that you focus on to do differently in your own stories?

In intimate, or even downright smutty moments, I literally skip depiction of "bedroom eyes", or other "liking lips for entrance", or "liking lips in anticipation". That kind of stuff makes me C R I N G E like nothing else does. It's porn, but it's poor, cheap porn to me and I can't stand to see my favorite characters shown in that light. They deserve better smut!

I don't pretend the smut scenes I write are the best, but as much as I can, I don't objectify my characters, nor do I use what I call unnecessary details that just make the whole thing a mood-killer.

@the-wip-project Day 30

Did your main characters change as you wrote them? Was that the plan or did they surprise you?

Oddly enough maybe, my wip's mains have changed little from I had planned over a year ago (yes, it's been ongoing for that long and it's getting near the 200k mark slowly but surely). The plot is all about growing and changing from experiences, meetings, explorations of one's past. So change has always been on the agenda, as far as the main characters are concerned. Some are meant to change more than others.

I can't say the same thing about my secondary characters though. There are quite a few secondary characters who play a crucial role in the plot, and although they will be affected by the main characters' own evolution, writing them gradually took a turn I didn't expect.

Let's talk about the main character's sister, for instance. She was supposed to be the one responsible for her brother's downfall, and my intention was to make it cruel. But as I wrote her over the months (and year), building up a strong and determined personality for her, along with a fragile soft side and carefree dreams, I really took a liking to her. I've grown to admire her resilience, her way to put up with tough circumstances (war, refugee camp, flight on deserted roads, deprivation of food) and keep a determined front, yet still nurturing dreams that a teen her age should totally be having. She's been doing everything in her limited power to afford a life as balanced and satisfying as the situation could allow. She's such a great character!

She's still flawed, as all my characters are. And her young age and broken heart are going to crush her for a moment, an irreversible moment, after which everything will be lost. It will no longer be her direct responsibility, contrary to what I had planned; she'll just confide in the wrong person. That moment of unexpected treason will trigger a series of fateful events that will smash everything to pieces.

@the-wip-project Day 28

Do you have an expression that you probably use too much in your writing?

I sometimes feel like my whole writing is nothing but an endless stream of the same expressions, the same syntax and the same words. Generally, this is the moment when my ever-so-caring self preserving reflex tells me that I need to read other works and other worlds to learn new sentences, new structures, new expressions. There was a time when I'd even note them down on a notebook (I should totally get back to that, come to think of it).

That reflex is actually more traitorous than I think (even after a couple of years - I'll never learn, right) because reading other works unfailingly stirs me to the edge of that self-deprecation chasm, where I stand for some time wondering if I should write at all. Come on, there are some many GOOD works out there (understand: far better)

I know this is a common feeling that many writers go through. Any tips? I'm really curious about how others deal with that?

Some trans science fiction and fantasy books. You can find my earlier recs for f/f science fiction and fantasy here and my new recs for bi and pan books here. And ace book recs are here. Oh, and queer SFF by people of color.

Also I somehow totally blanked on this while making the powerpoint, but Charlie Jane Anders’ stuff should be in the last slide. Her two books are CITY IN THE MIDDLE OF THE NIGHT and ALL THE BIRDS IN THE SKY. I’ll link to some of her short stories below the cut.

The queer SFF database’s tag for trans books is here. There’s more than I included in the rec post, so go knock yourself out!

I included the author identities because I figured people would want to know if the book was own voices. Disclaimer that gender is a weird nebulous thing and life isn’t easy or straightforward, so depending on when you’re reading this post (I’m writing 8/2/19), some of the authors I listed as cis might have had gender realizations. I literally saw this on Twitter this morning with one of the “more trans SFF” books, so figured it was worth saying. 

Below the text cut you’ll find the titles and authors, links to my queer SFF database (which includes links to trans reviewers and content warnings), and some of my favorite SFF short stories by trans people.

Keep reading

In a Muffled Hong Kong, Bookstores Offer Freedom of Thought

Some independent shops flout the new limits on free expression. Others try to come to terms with them. For readers, they offer a sense of connection in a changed city.

By Tiffany May

HONG KONG — When Hong Kong public libraries pulled books about dissent from circulation last month, Pong Yat Ming made an offer to his customers: They could read some of the same books, free, at his store.

Mr. Pong, 47, founded the shop, Book Punch, in 2020, after Beijing imposed a national security law in response to the antigovernment protests that rocked Hong Kong in 2019. The law broadly defined acts of subversion and secession against China, making much political speech potentially illegal, and it threatened severe punishment, including life imprisonment, for offenders.

Mr. Pong said he had opened Book Punch precisely because he did not want the city to fall silent under the pressure, and because he felt it was important to build a more empathetic, tightknit community as the law cast its shadow over Hong Kong.

“The social movement has changed the way people read and the value they place on books,” he said. “I want to bring out that kind of energy, that desire for change through reading.” He added, “Books are powerful, like forceful punches responding to the social environment.”

The venture is a potential minefield.

READ MORE

@the-wip-project Days 16 to 19 (Gosh, I'm so so late 😥)

Do you have prophecies and superstitions as part of the worldbuilding in your WIP? Could you add some?

In WIP2, the A/B/O fic, there's this trope about the bond mates create when they claim each other (which is one of my favourite parts of the ABO universe to be honest) that I decided to use as a prerequisite superstition from the point of view of one of the secondary characters; a secondary character who'll only appear at the beginning and vanish shortly after, but whose impact on the protagonist will be powerful enough to ingrain this belief quite deep.

Only to be debunked later by the other main character 😊

Think about an interview question for your main character/s and then write down what they don’t say. What secrets do they keep? What do they lie about?

Right, so I've decided to present this as an interview between my protagonist and his psyche:

Protagonist: Alphas are a plague. They suck, stink and can go to Hell. I don't need one in my life. I can totally live without them. I'm independent and strong and in love with myself. Who needs alphas anyway?

Superego: Right, I understand where you come from. Your reaction is logical and the emotional charge of your thoughts is legitimate. I'm sure though that, when you calm down, you'll be able to see things in a more composed and lucid way, and consider your words as a bit extreme.

Ego: SHUT UP! I.GOT. HURT! NOT THEM, I! So yeah, alphas are the scum of the earth. Just watch me live my life like I don't care, and learn!

Id: lol.

What ideas came to you recently from daydreaming?

Too many. Like....

I've trying to figure out how a toddler speaks in English and how adults would react. I've also been thinking about future scenes, which should normally happen a few chapters later, and I'm always debating with myself whether I should write them down while they're vivid in my mind or focus on where I'm at, now. I've also made some research on Hawaii for my other wip, so my head is also full of palm trees, paradise beaches, luxuriant vegetation in the volcanic outback (very pleasant part of the daydreaming here) and the serious talk that must take place in such an idyllic environment (pretty ironic)

How do you decide which WIP to work on?

I've been asking myself this question since I started the second wip *scratches head* (my writing involves as much daydreaming as head-scratching, I'm realizing) and I've come to the idea to write a bit of both at the same time. And it's quite satisfying, since I have the feeling of overlooking neither, even if I don't produce a lot. Besides, as they're very different, one really allows me to take a step back from the other and take the time to consider what I've just written (if it makes sense, what I forgot, didn't phrase accurately etc...).