What Is Dorian Saying To Klaus? Wrong Answers Only

What is Dorian saying to Klaus? Wrong answers only

Anybody interested in a 1-hour-long video essay dissecting the consequences of Rondo of Love and Death in Elisabeth das Musical?

FACTS. You're so right about 2005. it's the perfect mix between historical and psychological. i love mate and maya so MUCH. *whispers* i also have fanfiction and i am also accepting prompts....

1992 with Uwe and Pia is fantastical and mesmerizing, the overall tone is like a story where Lucheni is the writer, flipping through each pages. 2005 with Maya and Máté is intense, it’s a constant struggle for power over the narrative and other characters, Elisabeth, Death, Lucheni. They seem to be truly living and occasionally intercepting each other’s stories. So full of drama. It’s the most cathartic for me. And Maya might not be THE Elisabeth like Pia, but her passion and fire is unmatched, like how Máté invented a new Death, she invented a new Elisabeth. I even adore the roughness in her voice.

Also drop the fanfic link, friend 👀

Kittyboy Rudolf is free serotonin 💖

Happy Lunar New Year!!!!!

Here's Der Tod in áo tấc (a Vietnamese traditional costume) and catboy(catman?) Rudolf because it's the year of the cat instead of rabbit in Vietnam

Oh my gosh somebody wrote me an essay I’ve never felt more honored 😭

This is definitely my more recent interpretation of the Nopperabou arc too, but you have even more interesting observation and interpretation 💖

I am also thinking of 2 details that could support or extend this interpretation.

1. When Kusuriuri asks “who did you kill” the last time, and Ochou realizes “they’re all me,” there are several visual flashes of Ochou’s body being mangled. Like hung, or piked, or tied and slashed (sorry for the graphic description 😬). This could represent all the different ways Ochou has contemplated suic*de.

2. A psychiatrist once told me that sometimes mental illnesses manifest as a way for a part of you to let you know that something is deeply wrong. It’s something that your body knows and your mind knows but you refuse to acknowledge. So in order to get your attention, it twists itself and exhibits as a mental illness i.e. depression, anxiety, etc. OR inversely, it could be a part of you that’s trying to protect you but is taking everything to the extreme and you become miserable for it.

And I think that’s what happens with Ochou.

Both the traumas that she never addressed and her defense mechanism manifested into the Man in the Fox Mask. Who represents both her repressed fantasy and her repressed issues. Of course, that part of her is trying to protect her, trying to make her happy. The problem is, it doesn’t have an answer other than pretending to be the man of her dream. But when even that doesn’t work out, its only solution is su*cide.

But here’s something interesting. Around the end, Hyper is shown with his magical sword drawn. But after Ochou says to the little confetti “thank you so much, I’ll be okay now,” Hyper’s sword is shown again WITHOUT the magical pew pew firework beam. This has always been intriguing to me. And it reminds me of another thing that psychiatrist said: “sometimes you have to appease that part of you and reassure it that you’re gonna work on your issues, and that you’re gonna be ok. So it can stand back and not make you so miserable anymore. Because it’s trying hard to protect you, it just doesn’t know how to do it right.” And I think Ochou managed to subdue her Mononoke by embracing it and appeasing it.

So personally, I think Ochou did not actually end her own life after all. She has recognized the problem, and she’s leaving them behind to work on herself.

(Oh shit is this too long? I get excited when people write me essays)

@amaryllis14612 Your post about the Man in the Fox Mask made me think more deeply about why I think he is a part of Ochou.

I remember that the Medicine Seller said that Ochou had fallen in love, and when this person is revealed to us, we see that it is the Mononoke. However, at the end of the episode, we find out that the Mononoke is actually Ochou. Taking all these facts into account, we can come to the conclusion that the masked man is a part of Ochou that wanted to be happy and free, but she kept that part of herself inside her heart, so it is represented as someone else. Ochou developed self-love, and this self-love led her to seek freedom, the freedom she found in ending her own life.

At least that's how I like to think about it :))

❝— Feelings and memories. They only exist inside my heart.

— Even if we live at the same time, or have the same visions, what we carry in our hearts will never be the same.

— Your face, your voice, your image, which only exists inside me.

— Who are you?❞

The second act of Nopperabō is presented in this way. I think that's a way of saying how our hearts carry different hurts, and that this also applied to Ochou, who had created such an unthinkably huge will to be free, that she no longer recognized that part of herself, and only within from Ochou's heart, it became a whole another person.

SAY IT LOUDER!!!

In all seriousness, I hope the women involved in the scandal get to remain anonymous and receive the support they require. And I hope that none of the reputation of any production he’s involved in take a dive. Each work is the creativity and effort of many many people. Let’s not trash them because one guy decided to be a dick. In regards to Mononoke, I will look forward to it whether they recast him or not. Sakurai Takahiro may be a huge jerk but he truly has a talent and his voice is indisputably perfect for Kusuriuri - a character I have a very personal attachment to. On the other hand, if they do decide to recast him, I wish the new guy the very best and it will not change my decision.

I will watch the new Mononoke movie with all the excitement and love I feel for this series all these years. Because it’s a series with so much depth both narratively and historically. It holds so much work and wisdom of so many talented people that I refuse to let one person ruin it.

If the Medicine Seller saw how Takahiro Sakurai treats women, he'd feed him to a bakeneko.