UaS!Ashas Character Arc

UaS!Asha’s Character Arc

Please keep in mind this all just personal opinion. Despite what I may say I don’t hate the movie Wish. If I hated it I wouldn’t be making this Rewrite/AU in the first place.

Hello everyone and welcome to my TedTalk. I’ve had this ruminating in my brain for a while, and now that I’m back to writing in Asha’s POV I feel like I need to talk about it.

I’ve said before how I don’t like Asha’s personality and character arc in the movie. There’s nothing wrong with the adorkable leading woman trope in Disney films, it’s just that they’ve done it so much throughout the 2010s and 2020s. So sort of as a joke, I thought “Hey, what if we subverted that trope and made Asha a sword-wielding badass?”. (I blame watching The Mask of Zorro around that time.) And so that’s what I did.

As I began my rewrite and started taking Asha’s character more seriously, I realized there was a lot of potential for a really interesting facet of her character arc. One that I haven’t seen too much in Disney films. Not having to bear your burdens alone, which ties into her arc about trusting people. Let’s dive into it.

Canon Asha and Strong Women

I have a few problems with how the writers went about portraying Asha. As I’ve said before, she has little to no character arc in the movie, and she suffers from it.

Now, it is possible to make a protagonist an audience can root for who doesn’t have a character arc. My favorite example is Cinderella. However, there’s a key difference between her and Asha. Cinderella was in an abusive situation, but remained kind and caring to others. It made the audience root for her and want to see her go to the ball. On the other hand, Asha lives a perfectly content life. Her family isn’t struggling to get by or act abusive to her, and the most people would kill to live in her home of Rosas. She can come across as very annoying and selfish, so you root for her less. It also feels like Asha was meant to have a bigger arc, but in the movie she changes her mind about Magnifico and Rosas in the first twenty minutes. It just makes her feel flat and less compelling.

Something that pops up a few times in the Deleted Scenes of Wish is how they wanted to be her own hero and feel like a stronger protagonist. Hence cutting Starboy (R.I.P). And it really frustrates me for two reasons.

1. There are several instances of Asha’s problems being solved for her or things just happening to her

2. Sometimes the strongest thing you can do is ask for help.

I’ll only focus on a couple instances of Asha’s problems being solved for her because this post is long enough. Early in the movie, she has the interview with Magnifico and gets to see the wishes. But it feels unearned. She doesn’t demonstrate any knowledge of magic or qualities that would make her a good fit for the position. She just gives Magnifico a short sob story about her dad and he just lets her see the wishes. If she had shown an unusually high knowledge of magic or a deeper desire to protect the wishes it would have felt more justified. But no, she just bumbles around like an idiot. The second instance in the climax. Asha starts singing “This Wish (Reprise)” before Magnifico stops her. Then Dahlia starts singing, and all the other people in Rosas join in, which starts to break Magnifico’s magic. Asha only sings again during the last verse, which feels really dull and underwhelming. (Which goes for the climax in general). There was nothing stopping her from continuing singing, she was just laying there. Hell, Dahlia gets knocked over once and immediately gets back up to continue. It just doesn’t make sense to me why the person who does the least in taking down the movies villain is the hero, especially after saying you want to make them stronger and more independent.

Going back to Cinderella, a common complaint I hear about her is that she did nothing in the movie and needed the fairy godmother’s help. It boggles my mind, because…how do you expect her to get out of her situation? She has no money and no one to turn to. She’s practically a slave. Without the fairy godmother she would have stayed in an abusive household for the rest of her life. Sometimes in life there’s no other option but to ask for help. It doesn’t make us weaker, quite the opposite in my opinion. This is what the writers of Wish seemed to miss. It’s not an inherently bad thing to have Asha solve all of her problems on her own, but it sort of reinforces this stereotype of “strong women don’t need help from anyone”. Which really sucks, because you can make a good female character who’s strong but still has flaws and needs help. Just look at some of the woman Hayao Miyazaki writes. Someone Disney could learn from in those regards. *cough* Star Wars *cough* Marvel.

There’s quite a bit to fix when it comes to Asha’s arc. It feels at best flat and at worst nonexistent. Which can work, just not for this story. So, how did I go about writing UaS!Asha’s arc? Well first, we need to look at a certain fearless hero and his character arc.

Puss in Boots and Vulnerability

(Who knew the Spanish cat from Shrek would have such a huge influence on my rewrite?)

Okay, now for the stuff I really enjoy. I’ve joked before about how similar UaS!Asha and Puss are, but I think there really is something to be said when it comes to their arcs. A smaller part of Puss’ arc in The Last Wish that I wanted to expand upon in this rewrite is vulnerability. There are a few scenes in particular that highlight what I’m talking about. Spoilers ahead of you haven’t seen The Last Wish.

In the opening song of the film Puss sings about how he’s "Never been touched by a blade". Then in the scene where Kitty shaves him, it's shown as a moment of vulnerability as he's asking for her help, and she uses a blade to cut the beard. While the first encounter with Death is definitely the intention for that line, you can also interpret it as he's never allowed himself to be vulnerable on that level before. It’s a nice scene and from that moment of vulnerability Puss gains something: the gatito blade, which saves him in his final fight against Death.

The next scene is obviously the panic attack scene. This one is a little different, since Puss has no choice in how vulnerable he is in the moment. But it does lead to Puss opening up to Perrito about his fear of death and and how he regrets leaving Kitty at the altering Santa Caloma. Kitty happens to overhear this and reconsiders her view of Puss. It also results this exchange, which I think perfectly encapsulates Asha’s mindset in Upon a Star:

In Puss’ mind, he has to be fearless no matter what. He’s a legendary hero, he can’t afford to be vulnerable.

The last scene I feel is worth going over is the tree scene. In this scene Puss apologizes for leaving Kitty at the alter and admits he was afraid that day. And she forgives him, admitting she didn’t come to the wedding either. Through this moment Puss is able to mend his relationship with Kitty and get that day off his chest.

The main takeaway from these scenes (moreso the panic attack scene the the others) is that it’s okay to be afraid or vulnerable, as long as you can get back up and move forward. This is especially true in the final fight with Death. Puss is still afraid and even falters, but pushes past it. And in the other two scenes, it ultimately helped him to open up. This is what I mainly wanted for Asha’s arc. Speaking of which, let’s take a look at her. She is the main subject of this post.

How Does UaS!Asha Tie In?

I’ll try to spoil as little as I can here. Like I said, my message through Asha’s arc is that you don’t have to bear your burdens alone. Part of why I made her a sword-wielding thief is to emphasis this point.

At first, she seems pretty formidable. She takes down several guards and gets away from the remaining few easily. Later she continues to show her battle prowess and cunning. Until she meets with our antagonists and…well, you can imagine it doesn’t end good. Think back to the first fight with Death in The Last Wish. A couple scenes prior, we see Puss take down several guards and a giant 100x his size easily. So when Death comes in and absolutely wrecks him, even drawing blood, it makes it so much more impactful. It still works without the giant fight, but there’s a lot less weight to it as a result. As well as the scenes I’ve already talked about. That’s the effect I’m trying to achieve with Asha.

It’s also worth noting that she doesn’t mean to call down Earendel. I mean, I don’t think any of the Asha’s meant to, but they were still seeking guidance. In my version of “This Wish” however, Asha is just trying to gain some confidence and makes a wish for good luck. So when there’s suddenly a random glowing kid in front of her insisting on trying to help her, she’s a little frustrated. Because in her eyes, she shouldn’t need help. She’s the Alondra of Rosas! She’s the one who’s supposed to be helping other people. It’s also why she turns away from other people, fearing they’ll think less of her if they realized how vulnerable and insecure she is deep down. Through a new pseudo-sibling relationship with Earendel and a blooming romance with Flazino however, her walls start to finally come down.

Final Thoughts

send help

If you’ve read all the way through to this point, thank you so much! I enjoy talking about how I develop ideas for my creative works a lot. It helps me break down and understand aspects of my work better. The problem at this point in time is spoilers. Like I have a whole backstory for Manuel and Tomás, but talking about it messes up the big reveal later in the main story. Most people will probably have guessed it by then but still.

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I hope you all enjoyed my rambling :) One day I’ll I more of these, I swear.