The Way Your Eyes Speak, Hidden Under Those Sunglasses In The Ink-seeped Night, Where I Can See The Reflection

The way your eyes speak, hidden under those sunglasses in the ink-seeped night, where I can see the reflection of our nightmares’ neon headlights, where I can see a hanged man, life tugging at his throat, his foggy, unstringed eyes peering at the existential questions left at the gallows’ steps. Astray in the poetry of half-alighted movie theater marquees and of weeping red diner booths paralyzed under the sterilized silence of the blinding white lights interrogating and polishing the checkered floor tile, time stops. With blood-stained eyes and a delirious steering wheel, quarantine my heart and let me sleep.

roadside mirages | © Margaux Emmanuel

bullet eclipse

an asylum for doubt

a saturated drought 

where your eyes spiral down

my arteries

unspoken words amble upon a shard 

of reason

of treason 

inoculation

against melancholia

palpitations

holding hands with dementia

I can now hear 

the moans of hysteria

 © Margaux Emmanuel

You ran away when you were seventeen sleeping weeping in blurry cars and in eerie inns with no address no name trapped in time bordering the highway where you wrote to me poems in Latin stamped from the basement of my mind inspired by a denuded flower whimpering in a glass bottle of Coca-Cola beside a clumsy kitchen sink. You’re a vagabond tragedy a vagabond prodigy dipped in the paint of a raw sorrow quoting Virgil sitting in a bumper car sleepily howling Roman odes at a hollow night sky with swollen knuckles swollen eyes from trying to twist a drain of logic a faucet of amnesia only to find a leak of pain. I see you lying on the thirsty sand your eyes closed your lips apart morose saliva trickling out onto your chin a ripple of water comes to stroke your feet telling you to wake up but you don’t. A broken vinyl scratched from loving too hard.

headache | © Margaux Emmanuel

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

women in love

Your face clouds over

when the picture

of the girl

with the red

octagonal

sunglasses

red cheeks

from having recently cried

leaning

on your car

falls out of your wallet

only to remind you

in the sotto voce

of memory

that she kept your

love letters

in a battered copy

of Women in love.

You wonder

if she kept it

she always said

that it was a mistake

to reread the novels

of your youth

Oh, she was a hesitation

You remember

every rhyme

every bite

of the poems

that she wrote

on your lips

for she always said

that you only know

what you feel

once it’s been written.

She was damnation

You remember

seeing the

ink stains

sprawled on the cover

of her

DH Lawrence

in the hands

of someone else

at that

end of the year

garage sale

he was laughing

chewing

his cheeks

but the book

isn’t funny

maybe he was laughing

at your poems

he was laughing

because he doesn’t love her

and he never will

maybe he was laughing

because you are trapped

in those pages

you still live

every curve

every sharpness

of her letters

and she now lives

in the verse of another

he wasn’t laughing.

© Margaux Emmanuel 

Empty paving stones, tinted by loose white lace bras’ humid shadows hanging on clothesline twine, run through melancholy second hand bookshops speckled with second hand souls, mostly unshaved musicians trying to find somebody else’s life to live. A bike, chips of fern-green paint flaking off its neck, rust engulfing the bent basket at its head, makes its way through timid rays of sunlight. Adorned with a pilling yellow beanie bordering his eyebrows and an upturned leather jacket tickling his cheekbones, he somehow still feels the aching bed slats pressing into his shoulder blades, still feels the tear-coated steering wheel pressing into his arms at the grocery store parking lot.   His hollow, blistered eyes sown into a purple-skinned mysterious past would make teenage girls silently turn around with throbbing hearts in their muddy stan smiths when he biked by. He would continue to snake through the maroon bricks, not noticing, not wanting to notice. He could vaguely make out, collapsed from the lethargy of our times on a coffee shop terrace, youngsters with thick white socks hiding their calves, sipping paper cup unsugared coffee.  And he would wonder how they could be so happy, or whatever it was they were. He would slow down his pace to take a paracetamol from his pocket. He would let it sit in his mouth. He wouldn’t swallow it. It would just sit, patiently. As he would. He wanted to forget the smell of her letters. He wanted to forget his brother who died at war dishonored. He wanted to close his eyelids, sink into the deep furrows of his forehead. He wanted to feel the shotgun’s barrel pressing against his tongue. He wanted to feel a new color scheme. Until then, he would continue to bike, perhaps forever.

second-hand soul | © Margaux Emmanuel