The Name Of Someone I No Longer Know

the name of someone i no longer know

Jake Seresin x F!Reader

Word Count: 1,406 words

Summary: it's stick season what can i say? also maybe this is whump-tober coded who knows

Content Warning:  alcohol use/abuse, maybe alcoholism, dui mention, police interaction, drunk jake, a little aggression, heartbreak and all around sad

Author Note: what the summary said

Jake had loved California for the reasons that it never seemed to rain. It was flooded with lots of sunshine, beaches and bars. Good music, good friends, good girls and bad decisions to be made.

Until he was sent back to the thick of it - sent to Annapolis to be shipped off for some form of deployment, only to be delayed due to concerns for the ship. Instead of sending him back to California, they'd kept him in Maryland.

Maryland was his personal Hell on Earth.

Flooded with memories of the cooler months, pumpkin patches filled with your laugh, dive bars he'd lost himself in like corn mazes he'd held onto you in. This place haunted him. Especially when it rained and God, did it rain in this damned state.

Another Friday of work slips away from him, until he's at the old bar whose name had been a weapon in the fallout. Jake sits peeling labels of a local beer - they were out of Bud. The jukebox plays a song he doesn't recognize and a couple laughs in the corner of the bar top.

That corner had housed the two of you all those years ago. Conversations about drunken college nights, holidays spent with friends instead of family while deployed, promises made that he'd broken only months later.

His collection of beer bottle caps is turning into a small mountain in front of him. Until the bartender is tapping the wood in front of him. "Last one, pal."

Green eyes groggily flip up to meet his, brows furrowing. "Huh?"

"You've had enough for the night, man." The bartender slides his receipt toward him, the pen alongside it rolling off and onto the floor. The blonde sits up with annoyance.

"I'm fine, first off," Jake slides from the barstool to retrieve the pen off the floor - only to crack his head on the underside of the bar when he stands up, "fuck!"

The man from the corner comes to his side, "Are you alright? That looked like it hurt." When the stranger grabs his arm, Jake rights himself and shoves him back into a barstool.

"Don't touch me." He spits. The stranger holds up his hands to show he's backing off.

"You need a ride." The bartender is pulling his phone from his pocket, Jake shakes his head.

"No, no I'm-" a hiccup breaks his train of thought. The sum of the bill catches his eye and he groans, dropping his initials onto the paper.

"I'll just order you an Uber, where you going?"

"I said no, I can drive." The barkeep nearly gives Jake the stink eye now. As the blonde fumbles his way to the front door, he nearly eats it at the front stoop. He manages to find his way to his truck - a rental no less - he pauses at the sight of an old Jeep Liberty.

The last time he was in Annapolis, he'd bought a cheap one exactly like it off of Facebook Marketplace. He'd needed a way to get around, and considering how often he bounced around, there was no need to buy anything worthwhile.

That same Jeep that you'd refused to get into the passenger seat of one night. You were leaving a friend's Thanksgiving. He'd had too much to drink. You begged him to let you drive, seeing that you were sober - he wouldn't have any of it.

He'd left you in the driveway of your friend's place along the water, snow and all. Annapolis police had him in their custody not even twenty minutes later. Jake had friends in the navy ranks in Maryland, that had helped him avoid a dishonorable discharge at the time - he no longer had those friends.

He also no longer had you.

Jake makes sure his rental is locked before he starts down the road in the direction of the naval base.

His steps are uneasy, a bit sporadic as he walks aimlessly in one direction. A film reel serves as his entertainment for his walk back. Scenes from two years of love, a whole six months of downward spiral toward heartbreak. Total, gut-wrenching and life wrecking heartache. Self-inflicted he now realizes.

The breakup was sharp. His things were packed up. Put into the Liberty. You'd taken your key back, deleted your number from his phone and told him to forget you even lived on the same continent. He'd promised you'd never hear from him.

Jake looks up after a cold round drop plops onto his head. Followed by another. His feet stop walking as he stares up at the rain beginning to fall, the street lamps serving as a backdrop as the downpour begins. He stands there. Watching the rain. His head drops to meet the river running under him, the bridge he stands on giving a viewing point as the speed picks up.

A car slows to a stop just behind him. The headlights make him squint, slowly moving a hand up to block the LEDs that blind him.

"It's a bit wet out here, don't you think?" A voice calls from the side of the vehicle, the door shutting in tandem to another on the symmetrical side of the car.

"Rain'll do that." He snidely retorts, leaning into the jersey barrier along the bridge.

"You think you might wanna find a dry place to settle in? It's getting late, afterall." A second voice consoles him, and Jake realizes why the lights are so damn bright. He'd recognize the striping of the Anapolis police anywhere.

"Ah, I'm-" Another hiccup, "I'm trying to." An older male comes in the rain, graying facial hair, a well trimmed beard as he approaches.

"You look a little lost there, boy."

If only this damn officer knew the half of it.

Neither of them mention his slow reaction times. Or reveal that they'd received a tip from a rather concerned bartender. Instead, they carefully guide him to the backseat of the cruiser. No handcuffs are involved, no harsh words spoken, not a single arrest made.

That doesn't stop Jake from reciting your name, your address and phone number.

Anapolis' police station is dated. The linoleum is scuffed and worn - a creamier brown than he remembers.

"You.. wanna call somebody to come get you, son?"

"I've got- I'll just call her. She'll come." When he pulls his phone from his pocket it's either too cold, too wet, or too dead - or some combination of the three.

The officer with the mustache that matched that of an old friend's hands him two dollars in change, pointing him in the direction of the payphones.

Nine digits. He's got them memorized, though he swore he would forget them.

One ring. Two rings. Four.

Finally- "Hello?"

Your name leaves his lips like a prayer.

The end tone sounds like a gunshot.

Another pair of quarters.

Dial tone. Ring three. Ring four. Voicemail.

Two dollars gone.

"Alright, kid, lets get you sat down for a minute." Jake firms up like an oak tree when the officer grabs his shoulder.

"Hold on, just- I need a charger. Something- she'll call. You've got more change? Just a quarter-" He turns to a nearby woman, desperately leaning toward her, his balance wavering enough that the cop comes to his shoulder again to keep him upright.

"Have you had much to drink tonight, son?"

"I- Didn't- she's gonna call." He mumbles as the officer slowly guides him to a seat. Green eyes look up at the older man and then to the tinted window at the end of the corridor.

"Hate to tell you this... but I don't think she will."

Jake shoots up again, almost falling on his ass.

"She will- I- let me call her again- just one more time-"

The officer resists Jake and his sluggish effort to move back to the phones, finally gripping onto the pilot.

"Sit. I'm gonna get you some water and we-"

"Fuck that. Sir. I just need to get her on the phone- she's not far she-" His words begin on a carousel. Coming back again and again, repeating in the same pattern.

The plastic cup of water in his hands grows warm as he sits in the station. Two officers talk among themselves as they keep an eye on him, mentioning your name. Your address.

The phone number you refuse to use if he is on the other end of the line.

And he waits.

Sixth Sense // Mickey Garcia

Summary: A freak accident occurs at the Hard Deck and Fanboy is faced with the challenge of being left to care for you, his not so official girlfriend.

Warnings: Mickey Garcia x F!reader. Hurt/Comfort. Gas explosion resulting in hearing and vision loss.

Word Count: 1.7k

Author Note: Day Three of Whumptober. Prompt I chose: Sensory Deprivation. Thank you to @ailesswhumptober for the prompt list.

Whumptober Masterlist | Main Masterlist

“Holy shit, what the hell was that?” It all happened so fast, so fast in fact that the explosion that ricocheted through the Hard Deck didn’t register a sound until a few seconds after the fact. 

Patrons laid strewn across the bar, ducking for cover under tables and bars. Glass from the windows had sliced unsuspecting patrons as it blew apart from the force of the blast. Food and beverages littered the floor, thrown in the panic of the moment as all inside ducked. 

“Everybody okay?” Jake Seresin stayed shielding Natasha Trace with his entire body. “Is anyone hurt?” His arms pinned her down against the hardwood floor at either side of her head. Seconds ago—they’d been arguing over a long standing disagreement over who could tie more Cherry stems with just their tongue in three minutes. Now, Phoenix had never been this close to a man she could hardly stand. 

“Yeah—we’re good!” Rooster replied as he looked around, he’d been knocked on his ass by the bast. Coyote was right beside him, as was Payback. The three of them had been indulging in a game of darts to see who could knock Hangman down a peg or two on the leaderboard. “Bob? Fanboy? You guys okay?” 

“I think we’re alright?” Bob groaned as he pushed himself up off the ground—peanuts were crushed all over the ground around him. Mickey sat back on his knees scanning the Hard Deck. He couldn’t see you. There was a small cut on the side of Mickey's face but other than an artificial flesh wound, he was relatively unscathed from the unsuspecting blast that had pummeled through the Hard Deck. 

“Anyone seen Y/n?” Fanboys eyes continued to scour the entire expanse of the Hard Deck as he rose to his feet and dusted himself off. “Yo, guys—anyone see Miss Barkeep?” 

“She was heading out back to help the gas guy change out the—“ Bob didn’t even need to finish his sentence before he’d connected the dots. “Oh god, Y/n.”

A gas explosion. 

Mickey took a few seconds to register where his best friend's mind had gone, but then he realised. In those few seconds where Fanboy couldn’t breathe he knew he couldn’t live without you before he had a chance to really have you. 

Sure, the two of you were friendly. Probably more than most friends would be. Sure, you sometimes spent the night in Mickey's bed after he’d stay back and help you shut the Hard Deck up. Sure, he spent lazy Sunday mornings with you in the kitchen making breakfast and drinking coffee more often than not. And sure, the two of you enjoyed each other’s company, blatantly flirted beyond belief and made sure to always text each other when you got home, finished work, and stole secret kisses here and there when it was just the two of you. But. You weren’t official. 

And that may have been Mickey Garcia's biggest mistake. 

“Y/n!?” There you were. “Oh my god!” Lying unconscious on the ground a few meters away from where the gas bottles were kept behind the Hard Deck. Penny kept a tight ship—they were locked behind a wire cage that made sure patrons couldn’t fuck around. Something must have gone wrong during the change over, because the gas man wasn’t too far away from you. 

“Hey—hey!?” Mickey was by your side in an instant, the second his eyes caught your body lying there—thrown away and discarded like you weren’t the most important person to him, he was by your side. “Amor? Can you hear me?” 

Rooster had already called for paramedics to attend the scene while Hangman and Phoenix had begun to do whatever they could with their advanced first aid training—using the Hard Decks first aid kit to fix small cuts and abrasions on patrons from lying shards of glass. 

“Y/n?” You had a pulse, Mickey knew that much. But you weren’t waking up. “Please—come on Amor, you gotta wake up for me.” 

“This guys dead—“ Payback calls out. Mickey's mind fills with worst case scenarios the longer you were down for. “He’s got no pulse and the back of his head’s cracked.” He’s an ex paramedic, he knows. “I'm gonna start chest compressions, see if I can bring him back, how’s the kid?” 

You weren’t just shy of Fanboys age, he was the youngest in the group after all. Top of his class, intellectually gifted enough to graduate highschool three years earlier than most ever would. But to Paybacks forty one? You were still a child, in his mind anyway. 

“She’s breathing.” Is all he says before your stirrings. “Hold on! I think she’s waking up!” There’s nothing but a ringing in your ear. A sharp high pitched buzzing that’s incessant and ear piercing. You groan at the sound as you try to blink away the clouded vision that’s plaguing your eyes. But nothing can get rid of the thick fog like blur. “Y/n—it’s me, you’re okay, I’ve got you—“  But you can’t make out who it is. You can’t hear anything but that annoying ringing that won’t go away. Your head hurts, holy shit what the hell happened? 

“I—“ You stutter out. “I can’t see.” It sends Mickey's heart racing inside his chest, even more so than it already was. “I—I can’t see—“ You can't even hear yourself talking so you just assume you’re talking far too quiet. But in reality you're screaming, screaming so loud you’re straining your neck. “I CAN'T HEAR!” 

“Hey—I’ve got you.” Mickey doesn’t know what else to do besides try and calm you while medics make their way around the Hard Deck. “I love you, yeah?” Payback hears Mickey say it before you ever do and his heart breaks. You don’t deserve this. Neither does Fanboy. “You’re gonna be alright Amor, I’m right here.” 

But all you do is cry. You can’t hear a single thing being spoken or see a single thing in front of you. All there is before you are shadows of light and darkness. Mickey's hands squeeze yours and you feel it. His signet ring—the one his Abuela brought him many moons ago. But you know in the darkness and uncertainty that it’s Mickey at your side. 

“If she’s lost senses, Mick, it's gonna be a head trauma of some sort.” Payback keeps going with his chest compressions. “Is there any sign of blood?” You squeeze Mickey's hand a little harder as he goes to pull away to check. You squeeze so hard that he can’t let go, you’re far too afraid of being left alone in the dark. “Fanboy?”

“I—I dunno, probably! She probably hit her head on the ground!” Mickey manages to wiggle free just one of his hands so he can push your hair out of your face. “Shhh—I’m right here.” He tries to soothe you once again, but your cries are just too heartbreaking. “Amor, I am right here with you—I’ve got you.” 

“Please don’t let me die here alone.” Was all you mumbled out. You didn’t know what Mickey was saying or if he was saying anything at all. The ringing was all too deafening. But when you begged him to stay, to not leave your side. Mickey's heart shattered into a million different pieces. “Please don’t leave me.” 

“I’m not going anywhere, I’m right here.” He traced your face with his fingers, just letting you know he was there with you. Your grip on his hand began to falter as you slipped into unconsciousness again, just trying to find some shelter from the ringing. “I’m right here with you.” 

***~***~***~***~***~***~***~***~***~

“Without the surgery your daughter might regain her vision but it’s only a slim chance Mrs Y/l/n—“ Doctor Perry spoke to the woman on the other end of your phone. Mickey had called her on your behalf from the other side of the country, she was already packing her things for the flight she’d booked to be by your side. “I’d say it’s barely twenty percent.” 

“What about with the surgery?” Mickey asked as his eyes looked over you. You looked too peaceful to be in this situation. You knew he was there just by his touch alone. He made sure you knew it was him by his ring as he ran his thumb across your palm. “What’s the odds of her getting her vision back with the surgery?” 

“Almost one hundred percent—if the surgery were to go well. If it doesn’t then she runs the risk of being permanently incapacitated for the rest of her life.” Doctor Perry was a little too blunt for Mickey's liking, but he appreciated the direct route. “She’ll regain her hearing, hopefully, her ear drums were significantly damaged in the blast but they should recover.” 

“Do the surgery.” Your mother barked on the other side of the phone. “My daughter can’t be deaf and blind—what type of future would she have then? What kind of quality of life would she have?” Mickey couldn’t take his eyes off you as you slept. It was better this way, to keep you sedated. That way you couldn’t panic. But he thought about it while the doctor droned on to your mother about the surgery, that no matter the outcome you’d have a life with him. He’d take care of you—learn how to adapt, help you with anything you ever needed. Do anything you ever needed him to do. 

A freak accident that took away two of your six senses shouldn’t be the reason your life ends. You were still alive and oh how Mickey Garcia was grateful to whatever God was on duty that day. 

“Mrs Y/ln?” Mickey interrupted as he turned the phone back his way. Your mother silenced herself mid sentence to listen to what Mickey had to say. “I know we haven’t formally met before but I just want you to know that I’ve been head over heels in love with your daughter since she served me for the first time.” He explained all the while his eyes never left your perfect face. A face he really wouldn’t mind waking up to every day. “And I know there’s a hell of a lot of uncertainty about what may come, but I just want you to know that her quality of life doesn’t diminish if her sight can’t be restored or her hearing doesn’t improve.” Mickey could feel the tears streaming down his cheeks as he squeezed your hand, and as much as he wished none of this ever happened, he knew he couldn’t leave you know. Not ever. 

“I’ve got her ma’am—“ 

***~***~***~***~***~***~***~***~***~***~***~***

Whumptober Tags 🏷️ @xoxabs88xox @oldermenaremyreligion @slut-f0r-u @emma-is-cool @armydrcamers @topguncortez @topgun-imagines @kmc1989 @els-marvelvsp @blindedbythelightt

forever by my side

mingyu still honors the love signified by his ring, even after all this time.

๑彡 kim mingyu x gender neutral!reader

๑彡 divorced!au/ex-husband!au, post-break up!au — fluff(?), angst(?)

๑彡 paragraph format — 0.8K words

masterlist

[gif’s full credit belongs solely to its owner]

๑彡 title is taken from zack tabudlo’s by my side (ft. tiara andini).

๑彡 thank you sm for the overwhelming love for my future in your eyes! please accept this as a thank you gift :]

๑彡 this is connected to that fic, a prequel of sorts, but can also be read as a standalone. (i highly recommend reading that, too, though.)

Kim Mingyu is a man of confidence.

He exudes confidence, regardless of what he does. It’s a natural part of his aura — something that he can never control at will.

It comes in handy for his line of work, which often requires him to socialize and impress others. Occasionally, though, it also needs him to give presentations in front of large crowds.

As his audience continues to stare at him, with a mix of glossed eyes and awestruck expressions, Mingyu begins to appreciate his inborn confidence a little bit more.

He’s an extrovert. He does well with crowds. He’s comfortable striking up conversations with complete strangers. He’s talkative and spontaneous and outgoing, amongst other things.

And with his confidence, Mingyu can command a room with ease.

Yet, still, it doesn’t necessarily mean he enjoys public speaking — especially if the crowd he’s addressing is full of college students who are currently everywhere, just not in the classroom.

He can hardly blame them. He has been in their shoes before. He knows what it feels like to listen to professors and guest lecturers drag on when he rather spend his time elsewhere.

"Well then, if you guys thought of more questions later," he began his wrap-up speech, "feel free to email me. Thank you—"

A flurry of moment on his right caught his attention, effectively halting his speech. However, the cause of it is gone by the second he turns.

The only evidence he has that he didn’t hallucinate the entire thing is the murmuring that suddenly engulfs the room. And the small folded piece of paper on his right that seems to appear out of the blue.

Mingyu reaches for the paper and looks around the room. He immediately notices the students’ renewed interest in him. Or perhaps — most likely — they are just interested in how he responses to the note.

He looks down as he opens the paper.

Mister, do you have a significant other?

He chuckles soundlessly. Not because of how off-topic it is from the presentation he just gave, but because it is apparently enough to bring you forth in his mind.

After all, you are his other half. Someone he met and fell in love with within the walls of your college campus. Someone he put great effort to deserve the heart of.

The only one he could see sharing a future with. The only one he went down on one knee for and waited for at the end of the aisle.

The only one he loves with his soul. The only one he respects and cherishes to an unfathomable extent.

Mingyu gives a shy smile to the sea of students before raising his hand, palm facing inward. He lets the gold band around his ring finger shine under the spotlights aimed at him.

Their collective disappointment is loud.

Mingyu finds their reaction amusing. He has watched countless people react to his marital status over the years. Those who appear dismayed, he notes, often try their best to hide it, albeit unsuccessfully. As a matter of fact, this is the first time anyone has ever showed disdain so openly — a whole group, too, no less.

He can’t stop the soundless chuckle that escaped. He has always been proud of his marriage. He boasts about it — and you — every chance that he gets. It’s something that always brings a smile to his face. Something that he never gets tired of.

Even after the divorce.

The end of your marriage had been a mutual decision. You both agreed that it was the best action to take, before anything escalated to something unbecoming. And, at the time, it was the best decision to take.

The end of your marriage didn’t signify the end of his love for you, though. That’s why, even years after the court made your divorce official, his wedding ring stayed on his finger.

Mingyu may have failed to keep you by his side, but he absolutely has no plans to rid himself of the only physical reminder of your marriage.

Mingyu may have lost his rights to claim you as his spouse; but at least in front of strangers, he can still pretend that the gold around his finger is more than a remembrance.

"How are you going to find a replacement for your wedding ring if you keep letting people think you’re still married?" Minghao wonders when he meets up with him after his presentation.

Ironically enough, his longtime friend personifies the reality that his façade only works with strangers. Those who don’t know what happened. Nor can read him like an open book. Nor notice the hint of sadness in his eyes.

Mingyu simply shrugs at that, "Bold of you to assume I want a replacement in the first place."

(After all, his wedding ring isn’t just a conversational piece. It’s also his lifeline . . . something he can’t bear to lose, especially when he already lost you.)

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

j.yunho {espresso for two?}

cafe love m.list || k.hongjoong || p.seonghwa || j.yunho || k.yeosang || c.san || s.mingi || j.wooyoung || c.jongho

Jeong Yunho.

Just the name sent a fresh wave of nausea crashing over you. Two weeks. Two measly weeks since he'd so casually declared, "We need some space," his voice as smooth and forgettable as the lukewarm latte he always ordered.

Space? What for?

It wasn't supposed to end this way. You and Yunho have been together for three years, a whirlwind romance that blossomed during your college days. He is your everything: the man who is charming, funny, with a smile that could melt glaciers. Spent hours lost in conversation, future plans whispered over steaming mugs of chamomile tea at your apartment after a long day of class or even workloads, the very one you now toiled in, perpetually surrounded by the bittersweet aroma of love and heartbreak.

The cracks started appearing subtly. Late-night texts unanswered, cancelled dates for "work emergencies," a growing distance that chilled you to the bone. You tried, you did— clinging to the remnants of what you both had, showering him with affection that felt increasingly one-sided. Then came the bombshell – a text, impersonal and cold, informing you of his "need for space."

Your world had tilted on its axis. The vibrant cafe, once a haven of shared laughter and stolen glances, now felt suffocating. Your co-workers, bless their oblivious souls, tried their best. Your senior head took notice of your distant and pale face–offering you to take a quick break which you deny saying that you just haven’t retouched yet after the morning rush, Wooyoung the ever-optimistic barista, bombarded you with motivational quotes. And Seonghwa, the stoic manager, offered gruff words of support (his way of showing he cared). But nothing could mend the gaping hole in your chest.

A particularly demanding customer snapped you out of your reverie. Her shrill voice, laced with entitlement, taking a deep breath, you plastered on a customer service smile, channelling your internal turmoil into forced cheer. Maybe, just maybe, a day spent slinging coffee and feigning happiness would numb the ache a little.

But as you steamed milk softly, the bell above the cafe door chimed, a jarring note in the morning lull. Your gaze flicked up, drawn by a sudden prickle of unease. There, by the counter, stood Jeong Yunho. His usual carefree demeanour was replaced by a shadowed weariness. Your breath hitched, a thousand unspoken words churning in your stomach.

He hadn't changed much. The same tousled hair, the same charming smile – a smile that now felt like a stranger's. He scanned the menu, a flicker of surprise crossing his features when your eyes met. Silence stretched between us, thick and suffocating.

"I—," he finally said, his voice strained. "Hi …"

Your heart pounded a frantic rhythm against my ribs. A million questions bubbled up, but professionalism reigned supreme. You plastered on a neutral smile, "Did you find anything you like, sir?" You managed, your voice surprisingly steady. Adam's apple bob before a small slick smirk creeps on the corner of his lips, “Yeah … you.”You rose an eyebrow, finally showing your emotions that went from ‘Fuck! my ex is here!’ to ‘Let me punch him, the audacity!’. He saw your reaction, his eyes darted on the menu before crawling his throat, “J-Just espresso ..” “Take out or dine in?” “Dine .. in”

You look down to punch his order, “Do you want to add anything, sir?” He shakes his head but his lips move again, stuttering, “M-Make it two .. please.”

You breathe sharply before giving him the receipt after he pays for the two espresso, telling him to sit for a while. He nodded before mumbling a ‘thank you’. As you pulled the shot, stolen glances confirmed the changes you sensed. Dark circles marred Yunho's eyes, etching lines of fatigue onto his previously youthful face. The weight of the world seemed to press down on his broad shoulders. A pang of sympathy warred with the anger still simmering within you.Just why? Where did it all go wrong?

When your barista announces Yunho’s name, you watch in the corner of your eye as he places himself on the window side of the cafe with the two espresso in his hand. As you punch the order of the customer in front of you, a tap on the shoulder interrupts your work, you look over to see Seonghwa with an anticipated look over his usual stoic look, “Yes manager-nim?”He breathes sharply, eyes flicking towards somewhere before looking back at you, “You can take a break … someone needs to see you and let them explain themself.”

You immediately knew who he was talking about. You know Yunho never goes unprepared and certainly, he comes with a fixed mindset.

You sigh, removing your apron as Seonghwa rubs your back soothingly before he places the apron on him to take care of your position. You look at the side to see your senior head, giving you an encouraging smile along with the others cheering on you. You felt grateful as they have been supportive of your relationship with Yunho for a short while of announcing about your boyfriend with minimal information about him yet they never ask you questions about it until you do so.You approached his table, sat down opposite of him. He had an awkward look on his face, “Yunho please get to the point, rush hour will be an hour—”

“I’m sorry.” Those simple words were so easy to say yet the words he wanted to say were stuck in his throat. The air hung heavy with unspoken words. Yunho's apology, though sincere, seemed like the tip of a much larger iceberg. The man across the table fidgeted, hesitant to dismiss an apology so abruptly. The tension crackled between them, amplified by the approaching rush hour Yunho himself had mentioned.

"My excuse won’t do justice to the pain you went through and my sorry can not heal all those pain .The pain you feel is a constant reminder of my failings. I have doubted myself so much that I have neglected you and become selfish for my own emotions and at the end, I have regret all of those things, I have regret ever hurting you, rejecting your small offerings or even your love— I am sorry.” Yunho spoke with sincerity in every word he said, his hands were clinging on the cup of his espresso—controlling himself to not take your hands—while his eyes were glued to you the whole time.

You were slightly taken back, his words were piercing through your head. Your heart soars to the extent that, maybe just maybe, he did regret what he had done. You have known Yunho for as long as you both were before in the stage of dating, you have seen him grow to be a man and you have seen how he came to learn from who he was and what he is today.

Yet there goes the mind from letting you decide from your emotions. Your thoughts run through the painful days you have cried, doubted or even questioned your worth— you were also afraid to go on your days without thinking of your looks that had you wearing a mask to cover yourself— you were a complete and shattered person inside your apartment. The battle between your head and your heart, it is hard to listen.

Yunho, being the observant he is, took notice of your shaking eyes and contemplated heart. He knows what’s going through your head, every thought and he cannot blame you. Even he would be in a complicated mess if your ex suddenly came into your life after months of disappearing after a text so shitty.

“You do not have to talk or anything, I just came by to explain and maybe … have a closure before I go.” Your eyes that were fixed on the table slowly, trails towards his glassy eyes.

“Cl-Closure? Yunho what–” Why does he need closure? You were confused, your heart was expecting something more from what he had mentioned even though your mind had concluded that he will ask for a second chance but this? A closure? That is something you weren least expecting!

Yunho’s head nodded, a small smile on his lips, “Yeah– I have .. thought about it that you deserve an apology… “ He looks around the small cafe, eyes twinkling in admiration before his eyes settle back to you. The softness never left and it made your heart hurt, “I may have not talked to you for weeks but I have come across you a few times and I have seen you grow day by day. You slowly regain back that smile, your contagious laugh and your glow. You deserve so much more than the pain I cause you.” Both of your eyes were turning glossy, his nose was clogging making his voice slightly muffled yet no tears were evident.

Finally, he lets go of the cup and reaches for your hand which you let him hold on to. He squeezes them like he used to, “And you deserve those, you deserve a better chapter … without me.”

There, the water in your eyes had finally streamed down your cheeks when he gave you the smile that you have adored. A smile that reassures you that things will be okay, eventually. You’re gonna be okay and that he will be there to support you.

“Yu-Yunho …” Yunho shakes his head, giving your hand a final squeeze before letting them go. You jerk slightly, wanting to hold him again, “I’m off to New York with my mom. Seoul will always hold a piece of my heart, but New York has pushed me in ways I never imagined. I've grown here, found a strength and independence I never knew I had. As much as it pains me, returning feels like something I have wanted. Our paths have diverged, and forcing them together wouldn't be fair to either of us.”

Yunho reaches over, wiping a stray tear, you shamelessly lean into his touch. Yunho’s breath hitches, itching to hold you back in his arms but he has to do it, he has made up his mind that things have reason to happen, “Maybe someday, our paths will realign. Until then, I'll cherish the memories we made.” He stood up, giving you the other cup of espresso while the other tight in his hand.

He looks at you one last time before leaving the cafe. As the door chime hits close, your body shakes as silent sobs echo the, now deserted cafe. The tears blinded yet love never does it, it wounded you to make you wake up in reality that things were over and the questions of him leaving you were answered.

You look at the cup of espresso in front of you, and more tears fall on your cheeks as you read the letters, ‘Espresso for two?’ the inscription seemed to scream, each word a fresh tear on your heart.

You traced the lettering with a trembling finger, the memory flooding back. It was his idea, a silly spur-of-the-moment purchase during a weekend, he had to pull you out from your shift and drag you out to have the rest of the day with him. You'd laughed, teasing him about his overenthusiasm for a simple coffee cup. "What if you never have someone to share it with?" you'd joke, never truly believing it.

He'd squeezed your hand, his eyes crinkling at the corners. "Then it'll be a reminder of me sharing this espresso with you so i could espresso my love for you," he'd promised, his voice laced with a confidence you envied now. You laugh at his joke, making him chuckle as your enthusiastic laugh echoes down the street.

A sob escaped your lips, the sound harsh in the sudden silence of the cafe— despite your co-workers glancing at you once in a while to check up on you. The espresso remained untouched, a cold, bitter echo of a love that had turned as quickly as burnt milk. But even through the fog of grief, a flicker of defiance sparked. Wiping your tears, you straightened your spine. Maybe it wasn't meant for two today, but that didn't mean it couldn't be filled someday.

You finish the cup in a go, eyebrow furrowed. You have made up your mind a little to late, but there are things were meant on a perfect time.

You look outside by the cafe windows, "I'll share the espresso with you again."

part 2? another ending? idk 😭😅

Not a lot, just forever.

bf!rafayel x poet!reader. im so so obsessed with this man. he is very gorgeous to me <3 wc: 2,4k+ warnings: smut, then fluff

Making love with Rafayel was always passionate. As an artist, your body was his muse. Your moans were his inspiration, and he would never be satisfied until he uncovered a new part of you, a piece of you he could memorialize in his paintings. 

He loved to watch you writhe against his tongue, your legs trembling around his head, squeezing him for your release, begging for all of him. 

“A lover’s perspective,” he mumbled against your stomach once you were done shaking, pressing a kiss there after you found your first release. “I think will be the name of my next painting.” 

His wet tongue trailed up your chest as he shifted on top of you, mouth briefly latching onto your breast. 

“Are you going to paint me nude again?” you asked, glancing up at him with desperation in your eyes as he gripped the flesh of your inner thighs, spreading them farther apart to align himself at your entrance. One thumb gently coaxed your clit into the beginning of another orgasm. “Would Thomas let you get away with that?” His tip bullying into you alone caused you to whimper. “Y-your exhibit is coming-”

Rafayel pouted at you teasingly, watching as you struggled against his tip. His hand reached behind your neck, moving you into a more comfortable position before he pushed himself fully into you, a harsh exhale escaping his lips at the feeling of your desperate and welcoming pussy. 

“Not nude, my love,” he grunted, slowly pulling himself out before entering you again, desperate for you to take all his length, for you to feel all of him. “That’s for our eyes only.” 

You gasped as his cock slowly stretched you out, bottoming out from how wet and welcoming your pussy was. He never failed to please you or have his way with you when he complimented you like that. He knew your mind and your body like the back of his hand. Looping your arms around his neck and pulling him down on top of you, you were fierce in your yearning for more, needing him to envelop you completely. 

Your hands demanded contact, your lips pleading with him for another kiss. He obliged, and it was laced with love and admiration, pulling you deeper into the abyss, into a promise. 

“Ah! Rafayel~” you whimpered, your nails dancing around his broad shoulders, hooking into his flesh as he thrust into you, pounding over and over again, his moans spilling incoherently from his lips. 

His whispers filled your ears; the way he felt on top of you was intoxicating, and you were addicted. 

“Look at you, so needy for me,” he taunted, his pace slowing to exactly how you liked it, one finger rubbing circles around your clit. “Can anyone else make you feel this way?” 

“N-no!” you cried out, back arching against the bed as he worked you to your climax. “Only you can, Rafayel, only you honey.” 

“I love you like this,” he panted, face contorting in complete and utter pleasure. “I love you, Y/N, shit, ahh-” 

He could feel your walls constricting around him, desperately wanting to milk him of everything he had. You were about to find the release you so desperately craved. 

And it came fast, hard, almost violent; you cried out louder than before, trembling against him as you squirted, his cock still slowly sliding in and out of you. The sight of you so drunk on his cock caused his breath to hitch. 

Tears were slipping from your eyes at how vivifying it was. It was perfect, Rafayel was perfect. 

“Fuck baby, I'm so close,” he strained breathlessly between each stroke. 

“Need you to fill me up,” you whined when he pulled his head away from the crook of your neck, sloppily sucking roughly to mark his territory. Staring into his eyes, he saw yours filled with desire and infatuation. That look was all it would take, but your words, your begging, was what pushed him further into ecstasy. 

“Please, Rafayel, I love you so much,” you whispered into his ear, nibbling on his lobe and etching a frustrated whimper from his lips. You knew that was his favorite spot and would gladly do it again for your reward. 

“Gonna, p-put a baby in you for that-” he managed to choke out before finding his release, still fucking you to elongate his high, shoving himself as deep as he could inside you. 

He collapsed on you, forcing a laugh from your throat. “You big baby,” you sighed, letting him bury his face between your breasts so you could play with his hair. Relishing in it, Rafayel paused briefly before showering you with a million kisses. 

Your giggles filled his entire house, and he promised himself he would never let that joy disappear. You were his love, his soulmate, and he would do anything for you, be anything for you. 

He cherished you, and you cherished him. 

You were an artist in your own right, a well-known poet. Whenever you were around Rafayel, words came easy. You often found inspiration through him, illustrating a god amongst mortals, a king among men who provided you anything you could ever ask for. A man who made your heart sing and your legs shake. 

The two of you were so in love, so obsessed with one another, that it had become painstakingly apparent over the last year—so much so that neither of you could keep it a secret any longer. 

Rafayel had known he wanted to marry you since meeting you. It didn’t matter that you both were still young or well-known in your respective fields. His love for you was eternal, and it would be everlasting. What had stumped him for months, though, was how to go about it. It had to be grand, as you deserved nothing less than the best. 

You deserved the entire world, and he wanted to be the one to give it to you. Whatever you wanted, he would grant as long as you were by his side, in his bed, in his life. 

When it came time for Rafayel’s newest exhibit, his heart was racing. He could hardly focus or breathe as he watched you admire the paintings that filled the halls. Cameras were flashing in the distance, but most of the crowd kept a distance from the two of you. Thomas was in on the proposal and was ensuring it all went swimmingly. All you had to do was say yes.  

The press was having a field day. A handful of your poems were also on display, guiding the audience further into their gossiping, opinion columns, and internet threads speculating if you were the woman in his paintings and if he was the man of your poems. 

Has the famous painter Rafayel finally found a girlfriend? His newest exhibit is sparking proposal rumors!

Staring at the painting inspired by that night, you simpered at the title. My Goddess Divine.  

You were sprawled across his bed on your stomach, a blanket covering your lower half, with your back exposed, hair messy but a faint smile on your face. Every time Rafayel painted you, your heart fluttered, and you fell deeper in love with him. 

At first, you weren’t keen on him making you his muse. But as an artist, you also understood why. And there was never a time that he didn’t make you look magnificent. 

He told you every single day, so much so that you now believed it, especially when you gazed at a reflection of you through his eyes. My Goddess Divine. 

“This one is my favorite,” Rafayel said quietly from beside you. “I think about this morning often.” 

“Which one was it?” 

“The first time you slept over,” he chuckled, trying to release some tension. “The morning after we first…” He scratched the back of his neck, dipping down to whisper under his breath. “Had sex.” 

There were only two more paintings left before he would get down on one knee. Of course, you would say yes. You had too. But there was still that sliver of uncertainty that was threatening to overcome the rest. “You were so mad when I took a picture of you.” 

You giggled, reflecting on that morning and how happy you’d been. Rafayel had always been so kind to you, so gentle with you. There was never a doubt in your mind that he didn’t love you. Blushing, you stepped forward to examine the background. 

“Ah, yes!” you chuckled. Past the drapes and painted sunlight, you noticed his furniture was in different places than it was now. He specifically reorganized his bedroom to make room for you and your things. “My poem bookshelf is there now.” 

The painting was far more scandalous than his previous pieces and entirely focused on you. Rafayel depicted you as a greek-goddess, lounging in his bed with seductive eyes. You were the centerpiece. The love and care he embedded into every stroke was astonishing, it was mesmorizing. All you could think about was how beautiful it was. Smirking to himself, Rafayel guided you to the next one with a gentle yet protective hand on the small of your back. 

“It feels like my birthday.” You smiled as you read the title of the next painting. Everything and more. 

The beach stretched to the horizon, and you were knee-deep in the tidepool, one hand holding onto your lopsided sunhat, while the other held up a pink starfish, presumably yelling at him to come join you. 

You were always at your happiest by the ocean. And Rafayel always seemed to have secretive spots to bring you to. This was also one of the first times you two camped on the shoreline, a secluded enough area that granted him the opportunity to make love to you all night once the sun disappeared behind the horizon.

Each painting evoked a different emotion, and this was the one where you were happiest. 

After all, the way he depicted you brought tears to people's eyes. Every illustration made it seem like you were the brightest star in his universe. 

How he saw you was how every woman wished to be seen. 

To be seen was to be loved. And Rafayel only ever saw you. In all your glory, a woman who deserved to be memorialized for eternity. 

“Why is there no title for this one?” you asked while contemplating, glancing down at the pamphlet and then back up to the last painting.

My other half

An ode to angels 

Reality and dreams  

Righteous entanglement 

Your promise

My goddess divine

Everything and more. 

?

 It was your hand, with Rafayel’s beside it. On your finger was a diamond ring, and on his was a gold band. 

It was all coming together as your eyes scanned the capital letters. You realized that this was the first exhibit Rafayel had held where every single painting was about you, about the memories the two of you shared in secret. Why didn’t you pay more attention to the titles? Was this happenstance, or was it actually happening? You were a poet, after all. You knew Rafayel better than anyone, and the thought of him proposing to you like this never crossed your mind. It was so complex, so thought out, months of his time and effort poured into this exhibit. 

Rafayel did not answer, and your heart skipped a beat when you heard him clear his throat. The entire hall fell silent; only hushed whispers could be heard. 

“Oh my God-” you turned around, dropping the pamphlet to cover your mouth when you viewed him on one knee, brandishing the most stunning wedding ring you’d ever seen. It was perfect. He was perfect. This was perfect. 

The tears came on for you so quickly that some audience members chuckled in the distance. 

“My beautiful Y/N,” Rafayel started, his voice wavering slightly. His eyes sparkled as he gazed up at you, smiling as he glimpsed the pure shock joy, and relief in your expression. You often cried when you were so incandescently happy, and that was enough of a confidence boost for Rafayel to continue. “From the moment I met you, I knew I wanted to marry you.You are the most important person in my life, the center of my universe. I can’t imagine spending another day apart from you where you don’t call me your husband. I love you more than anything and I promise to do so until I take my last breath.” He inhaled sharply, his lip quivering. “Whatever you want, I will give you. I will remind you of my love every single day.”

You locked eyes with Rafayel as he finished his proposal. What you saw gazing back at you was pure admiration. His soul bared to you, promises of a blissful future and a lifetime full of love. He was crying, too, trying his best to keep it together for the sake of his pride. 

Talking your hand, Rafayel kissed it. “I’m not asking for a lot, Y/N. Just forever.” 

“Yes.” You nodded furiously, blinking back the waterfall that threatened to escape. “Forever.”

Taking a deep breath, Rafayel relaxed, his heart feeling as if it would burst from the nerves but also the delecation you provided him—forever. For the rest of his life, he would have you as his one and only. 

Following Rafayel’s movements as he slipped the ring on your finger, you held out your hand and gazed at it. Then, you turned to the crowd and pointed. Once it was secure, you turned back to Rafayel, who was still on one knee, and threw yourself into his arms, causing him to lay on his back with you on top of him. 

You didn’t care that others were watching, you sobbed into the crook of his neck. I love you. I love you so much. You repeated over and over again inbetween the tears of joy. 

And when the the sound of cheers, sniffles, and flashing cameras filled your ears, you pulled back slightly from Rafayel. All you needed was one more look at him like this, and this memory would be permanently burned into your memory. The love of your life, the greatest love you could ever ask for. 

Your soulmate. 

Smiling at him, you leaned in for one more kiss before he started to help you off the floor, smoothing out your hair and fixing your dress before he bothered to touch his own. He didn’t care. All he wanted was for you to feel confident, for you to feel like the only woman in the world. 

“You are so dramatic,” he teased, laughing despite the tears in his eyes. “Knocking me to the floor when I was already so vulnerable~”

“Hey, no take backs.” You kissed his cheek before the both of you turned to the crowd. “You’re stuck with me now.”