Asoiaf Fashion - Tumblr Posts

this started out as my experimenting with different fashion inspirations for the Vale using Sansa Alayne. The first sketch is inspired by ca. 9th century Frankish fashion, because that’s what I used to headcannon for the Vale. I still really like the aesthetic side of it, but with the Vale’s heavy focus on chivalry and knightly ideals, I wanted to try out a more “classic” medieval look. Basically, the first thing I would have thought of as a child if you had asked me about medieval fashion. Which brings me to sketch two, which is said “classic” medieval look and inspired by 13th century European fashion. The third features a dress from an illustration by Tom Tierney I found and should be around 1200 to 1350, not really sure though. And the fourth sketch is inspired by a 12th century hair style featuring a basic kirtle.

While I was working on this however it went from “let’s see which fashion inspiration fits the Vale” to more of a “I wanna draw Sansa in pretty clothes”. So here’s a bonus Sansa in early 16th century German fashion and classic Tully colours.

I know that Naerys' style can be summed up as "Less is More", but I think it was a good symbolism of how she was forced to live a life that not only was not for her but she never wanted it, I think she was always adequate to be a septa, the birth was a danger for her, besides that her husband was an abusive monster and it does not seem that he has done much as queen but it was impossible to influence the politics of the seven kingdoms much if your husband is Aegon the unworthy, but I feel that would show how Viserys was so disconnected from his own children that he didn't really know them, he married his fragile daughter to the son that he knew was a womanizer and that he mistreated her already at that time and allowed his other much more noble son join in an order that requires celibacy and relinquish his right of succession rather than force Aegon the Unworthy to do such a thing and make Aemon his heir; and he might also want to make Naerys happy by giving her something that he considers beautiful based on the tastes of other women close to him (Rhaenyra, Rhaena and Daenaera) but not his own daughter. Anyway your interpretation is beautiful, it's a quite suitable silent luxury dress for Naerys.

Hello I know this question is very silly but come on do you think Naerys was allowed to choose her wedding dress which is possibly simple and white or Viserys decided to be a shitty father again and not let her or decide what to wear in the worst day of her life, and made her wear something extravagant like purple dress with gold embroidery, pearls and Myr lace or something, accompanied by a crown and jewels to demonstrate the power of the iron throne and because she didn't want her daughter to show off like a septa?

Hey this is not a silly question at all! Honestly I’ve seen some pretty neat interpretations of Naerys’ outfits in general, but I have to admit I do find interpretations of her wedding gown to be pretty interesting! While it would be nice if she at least got a say in what she’d wear for one of the worst days of her life, I’m pretty inclined to believe that she unfortunately got no say because… Well, it’s one of the worst days of her life, she didn’t exactly have anything to look forward to. Though I doubt Viserys comissioned a dress with the express purpose of making his daughter miserable, I think it was more something along the lines of him… Just not knowing her all that well.

In my own previous art piece I definitely tried to push that interpretation a little bit. Overall, the dress is decently simple- a white satin gown with a cream coloured underdress- they’re simple, pretty light colours that I’m sure Naerys dressed in a lot during her childhood. But the rest of her gown is where it derails from what was likely her personal style: There’s gold lining everywhere, heavily embroidered with grandiose symbols of the seven and dragons and topped with pearls and light yellow silk- it’s Naerys yeah, but in the most superficial way one could imagine her. Not saying that those things are bad! But I don’t think dressing to that level of extravagance is really what Naerys herself would like going off her canon descriptions.

In any case that is just my interpretation of things! As always feel free to form your own opinion, and none of this is really canon to the books!

Princess Rhaenyra Targaryen.

Diamonds, pearls and rubies. Gold and velvets.

For this one I was inspired by Italian Renaissance.

The fashions are less severe and the lines rounded.

Scoop necklines adorned with jewels, lavish pieces of jewelry in house colors.

Tall headpieces adorned with embroidery and precious stones. Hairnets to adorn, not contain the hair, which is kept loose most of the time.

Still some of the Black's and Green's fashions mix with each other when it comes to sleeves and capes.

Commission post

Fashion of the Great Houses of Westeros: House Arryn of the Eyrie

bbygirl didnt deserve anything that happened to her trulyyy

anyways sansa in her traditional winterfell outfit (at least what girls her age would wear) and then her kings landing outfit, all cersei and first season of got inspired!

her traditional clothes are heavily inspired by inuit as well as nenet traditional clothing as well as my own artistic interpretation

A Song of Ice and Fashion- House Baratheon

Details

So the Baratheons have heavier fabrics since having lightweight fabrics would be very impractical with the stormy weather at Storms End, it’s hard to tell but the dresses are supposed to be ankle length as opposed to full length or dragging since the ground would be quite wet. I based the sillohette of the dresses of of traditional Turkish, Greek, and Hungarian dresses. They have heavily embroidered trims and employ use of gold and brass clasps and decorations. And obviously so. many. deer.

Fashion of the Great Houses of Westeros: House Tully of Riverrun

Princess Rhaenyra & Princess Helaena

it's been a year since i've posted theon art... anyways, some theon latecomer for the dash!

saera targaryen lys outfits (not historically accurate)

“[Would he] become the Lord of Winterfell? It seemed an easy choice when he thought of it in those terms . . . though if Ygritte had still been alive, it might have been even easier.” - Jon XII ASOS

Part 1 in any crown design series, art by: @nataa.draws on twit

For about a year, I have been thinking about creating a series of artworks with my designs of crowns that either canonically existed in the ASOIAF universe but went without description (Ceryse’s crown, Jaehaera’s crown, Naerys’s crown, etc.) or crowns that could have existed but didn’t due to deaths of the ladies involved or a break in betrothal (the Ygritte one above and a Sansa QOT7K crown, which is what I’m hoping to do after this one). The only problem is, I’m awful at drawing! The design I can get down to the smallest detail and envision it in my head, but it simply doesn’t translate to paper. And because this is a series rather than one piece, it was a bit difficult to find an artist that both drew jewelry like I envisioned and also could make a commitment for an ongoing project. Luckily, I did end up finding Nata, which I was SO happy about because she was somehow able to commit exactly what I was envisioning on paper, and for that I’m so grateful. She is a lovely and talented woman.

I do want to talk about the designs a little bit, because I have been working on it for so long and absolutely in love with it, but I do want to make one thing clear first. This is not necessarily ship art, and the crowns I work with Nata in the future most certainly will not be. The relationship between Jon and Ygritte is problematic at best, and the other Queens I have mentioned above have even more abusive relationships with their husbands/betrothed (with the exception of Jaehaera and Aegon III, whose relationship was practically nonexistent and the problematic elements came from the situation and not from either of them individually). The focus of this series is on jewelry and designs that reflect the culture the person is from and their personality, rather than their relationship to their husbands. So I hope even if Ygritte and Jon are your NOTP and/or if you absolutely despise Ygritte, I hope you can still appreciate the art and cultural influences. The art was originally just supposed to include the crown and therefore be up for interpretation of it was Ygritte or Val’s, but I got carried away with the dress design I had thought of and because it was green which goes beautifully with red hair, I went ahead and asked for Nataa to draw Ygritte.

Now that I’ve gotten that out of the way, I can talk about the design, which I’m sooooo excited about. The main idea was the merging of Freefolk and Northern culture, but I still did want to remain relatively true to the 15th to 16th century English time period that ASOIAF is roughly centered around. I understand the idea that Ygritte would never be caught dead in such a thing, but you must understand!!!! Jon designed it for her himself when preparing to ask for her hand. So she grumbled and griped, but was secretly chuffed, so she wears it. From the beginning, the main element that I think Ygritte needed if expected to wear a dress is that she needs lots of furs lining it. Not only because of the cold, but also as a symbol of where she came from the make her feel more comfortable in her skin. The puffs are meant to be general fashion at the time, something more common in the Vale or the Reach, but I imagine that could be more of a Sansa influence on the North. The emeralds’ only purpose is to contrast and compliment Ygritte’s hair and to show the wealth of the dynasty. There are two different weirwood embroideries implemented in the dress design: the one on the top that is by the wolf, which of course represents the Stark dynasty that she has now married into, and the bigger weirwood at the base of the dress which has mammoths walking underneath it. Mammoths are one of the symbols of the Freefolk, and weirwoods are very sacred to both the Northern people and the Freefolk, and their shared religion following the Old Gods. I imagine that when Jon was designing this dress for Ygritte, he was more attentive and involved than men in this universe usually were, and his ultimate goal was her comfort and for her to feel included in her new position instead of feeling like a commodity for Jon and the North.

As for the crown, which was the reason for the commission in the first place, I wanted it to follow the same general design as the King of the North crown. I know there’s lots of different ideas of different crowns Jon could adopt as King of the North instead of somehow either regaining possession of or replicating his brother’s crown, but there were way too many options and it made my head spin, so we’re doing this. So the structure of the crown is the same, but the main difference is that instead of being made of metal, this crown is made of weirwood. Of course, weirwood is very special to both cultures, but I figured that metal wouldn’t impressive Ygritte or her culture as much as weirwood would. Therefore, the texture is very different. There are emeralds around it to compensate the lack of metal and extra agency, and to give the crown more of a feminine look as well as to compliment Ygritte’s hair. The tops of each bar are meant to look white and as if capped by snow. This is meant to symbolize the Beyond the Wall influence and I was also thinking about the Crown of Winter when creating this part of the design. The Crown of Winter was given up by Torrhen Stark when yielding to Aegon the Conqueror. We aren’t given a description of it, but I have always imagined it having those snow caps and generally being mostly white. I’ve thought of Jon bringing back the design of the Crown of Winter, but because we have so little to go off of, I chose for there just to be a small influence included instead of going off nothing and trying to create something from scratch. Lastly, there’s the three engraving in the middle. The two mammoths are meant to show who Ygritte is, where she’s come from. She is a member of the Freefolk, and becoming a Northern Lady is not meant to erase that or get her hide that part of her (not that she’d ever agree to that anyway), but it is a part of her and a part of the future of the North merging together. There’s a wolf in the middle as well, because she’s married in to that family and she is a representation of the Starks. But her and Jon and their resulting family is part Stark, part Freefolk, and both of those cultures are meant to be displayed and remembered. The next generation is a merger of the Freefolk and their ideals, and the the traditions of the North.

Okay, that is all, thank you so much if you read all of this! I loved working on this so much and I want to thank Nata again, because she did an amazing job. I hope this is enjoyable to someone else like it’s enjoyable to me. I think the idea of Ygritte as Queen of the North is hilarious, although probably bad for the health of Northern Lords. I can’t even imagine what unhinged things she would do, or how violent archery practice could become. The only thing I can say in her favor is that I think she would get along great with Rickon and be a good (well depends on what you think a good upbringing is, manners would lack, but I think he would be happy) mother figure to him. They would be the worst duo to terrorize Winterfell. I also like to think that Theon and her, although she would not like him, could build up some sort of beneficial relationship between them and she could help him regain his strength and his love of archery, because that is something they share. Anyway, I’ll see you soonish with my next commission ^_^

Many fans often envision The Conquerors in a Byzantine fashion, and it's quite fitting. The Byzantine Empire, also known as the Eastern Roman Empire, persisted as the continuation of the Roman Empire, surviving the challenges that led to the fall of the Western Roman Empire in the 5th century AD. Similarly, The Conquerors, the Targaryen family, survived the Doom of Valyria, making them the heirs and continuation of the Valyrian Freehold.

SO, If we picture ancient Valyrians donning attire akin to 1st-century Romans, like stolla dresses and palla cloaks for women and togas for men, it logically follows that The Conquerors, as inheritors of the empire, would don Byzantine clothing in their portrayal.

NOW! although the 6th-century Byzantine imperial costume boasts simplicity in silhouette, draping, and cut, it is truly elevated by its lavish bejeweled and embellished details.

Take, for instance, Empress Theodora's state costume: a white stola adorned with intricate gold and jewel embellishments at the hem, a purple paludamentum heavily embroidered with a luxurious gold border, and a prominently jeweled collar crowning the cloak—an iconic symbol of Byzantine fashion. Completing her regal ensemble is a headdress with cascading ropes of pearls. Meanwhile, her ladies in waiting don similar attire, albeit with fewer embellishments.

All in all, Byzantine fashion is all about garments embroidered with gold and adorned with pearls and jewels.

And it is this extravagant opulence I wanna see The Conquerors in - Aegon adorned in a blood-red paludamentum pinned gracefully on his right shoulder, while Visenya and Rhaenys don heavily bejeweled collars and intricate hairstyles.

However, it doesn't have to be overly historically accurate. I believe that as long as certain 'iconic' Byzantine fashion elements are incorporated, the silhouette can be altered. Take, for example, the 19th-century depictions of Empress Theodora:

While most of them lack accuracy (with Jean-Joseph Benjamin-Constant's version being the closest to historical credibility), they successfully capture the essence of luxury, gold, and opulence.

Conclusion: I think if I were to draw The Conqueror sisters, I wouldn't necessarily adhere strictly to the historically accurate shapeless, modest silhouette. However, I would definitely strive to convey the essence of luxury and ornamentation in my depiction.

Melisandre and Selyse at the night fires

(Image Description in ALT text)

im obsesed with costume designing willas tyrell and oberyn martell. i'd give oberyn a red/bruised purple/black dupatta with snake and subtle dragon motifs (fire and blood and all that). otherwise, dripping in rubies (i know it's a bolton thing, but i'm obsessed with the bleeding spear). and willas just has to match margaery tyrell's first wedding dress, thorns and all.

hi! so I heard that you're an expert on costuming, particularly in asoiaf and I was wondering if you knew of any multiple sources to go to for some costumes or fashion that the characters of asoiaf would wear. Like a certain Tumblr, tv show, Pinterest board, movie idk lol any ideas?

Hi! Personally I interpret ASOIAF in terms of early medieval fashion (post-Roman), but that’s likely because I’m much more fluent in classical history than medieval. In reality there are many, many different ways to imagine ASOIAF. Many of the womens’ descriptions sound more early renaissance—GRRM’s extensive use of lace, for instance. I’ve even seen compelling arguments for ASOIAF mirroring Elizabethan styles (Game of Thrones did this with Braavos).  

Keep in mind that while GRRM claims to strive for “historical accuracy,” there’s really no baseline of accuracy for a fantasy series, at least not with the way GRRM describes clothing. It’s all over the place. Which is fine! He’s not a fashion historian. As such, I’ll include a wide range of references in trying to answer your question. I hope it helps get you started, and that you are inspired to keep exploring!

Fashion

This is modern runway—in other words, aesthetic inspiration. Costume designers do reference fashion during research.

@agameofclothes

@a-song-of-style

@asongoficeandfirefashion

@gameofclothes-blog

@everythingasoiaf

@gotinspiredfashion | polyvore

Research

I threw together some ideas for the different regions/cultures in ASOIAF. Again, you’ll come across things that aren’t faithful to…whatever medieval period GRRM references, but this is the nature of fantasy (and preliminary research). I tried accounting for class differences as well as fashions blending into different regions; i.e.: the Stormlands sharing a border with Dorne, or the Reach and the Westerlands. Again, design is subjective, so simply use these ideas as a jumping off point. 

Beyond the Wall

North

Iron Islands

Riverlands

Vale

Westerlands

Crownlands/King’s Landing

Reach

Stormlands

Stony Dornish

Salty Dornish/Rhoynish

Sandy Dornish

Free Cities/Valyria

Slaver’s Bay/Ghiscar

Qarth

Lhazar/Eastern Essos

Shadowlands

Meta: Clothing in ASOIAF

Time Period

Terminology

Clothing Index 1 | 2

Regional Styles

Smallclothes

Armour 1 | 2 | 3

Livery

Cloaks

Wedding Fashion

Myrish Lace

Tokars (note: one user equates the tokar to an “elitist” toga; this is redundant, as the toga evolved into an incredibly patrician garment)

Sleeves/Pockets | Purses

Gloves

Hair: Dye | Shaving 

The westerlands: Jewelry | Cloth of Gold | Cersei

The north: Sansa | Arya

The stormlands: Estermont

Dorne

Textile Discussion

GoT Costumes 

Wiki

Textiles

Embroidery

Smallclothes

Hair 1 | 2

Margaery

Sansa 1 | 2 | 3

Daenerys 1 | 2

Cersei

Books vs show

Further analysis

Relevant Resources

These are focused on the middle ages, but there is something to be gained by studying the patterns of classical civilisations as well. I recommend What People Wore When for a visual study on the history of fashion.

General medieval research

Some fantasy/sci-fi textile modification

Costumes from some medieval films (take the accuracy ratings with a grain of salt, some are quite off)

Medieval Jewelry

Medieval Costume and Fashion

Textile Research

Extant Medieval Clothing

Medieval Patterns 

If you’re looking for more historical research, I recommend Claire Hummel’s excellent historical fashion masterpost.

Hope that helps!

❛ 𝖗𝖍𝖆𝖊𝖓𝖞𝖗𝖆 𝖆𝖑𝖜𝖆𝖞𝖘 𝖉𝖗𝖊𝖘𝖘𝖊𝖉 𝖗𝖎𝖈𝖍𝖑𝖞, 𝖋𝖆𝖛𝖔𝖗𝖎𝖓𝖌 𝖕𝖚𝖗𝖕𝖑𝖊 𝖆𝖓𝖉 𝖒𝖆𝖗𝖔𝖔𝖓 𝖛𝖊𝖑𝖛𝖊𝖙𝖘 𝖆𝖓𝖉 𝖌𝖔𝖑𝖉𝖊𝖓 𝖒𝖞𝖗𝖎𝖘𝖍 𝖑𝖆𝖈𝖊 𝖎𝖓 𝖎𝖓𝖙𝖗𝖎𝖈𝖆𝖙𝖊 𝖕𝖆𝖙𝖙𝖊𝖗𝖓𝖘. 𝖍𝖊𝖗 𝖇𝖔𝖉𝖎𝖈𝖊 𝖔𝖋𝖙𝖊𝖓 𝖌𝖑𝖎𝖙𝖙𝖊𝖗𝖊𝖉 𝖜𝖎𝖙𝖍 𝖕𝖊𝖆𝖗𝖑𝖘 𝖆𝖓𝖉 𝖉𝖎𝖆𝖒𝖔𝖓𝖉𝖘, 𝖆𝖓𝖉 𝖙𝖍𝖊𝖗𝖊 𝖜𝖊𝖗𝖊 𝖆𝖑𝖜𝖆𝖞𝖘 𝖗𝖎𝖓𝖌𝖘 𝖔𝖓 𝖍𝖊𝖗 𝖋𝖎𝖓𝖌𝖊𝖗𝖘. 𝖜𝖍𝖊𝖓𝖊𝖛𝖊𝖗 𝖘𝖍𝖊 𝖜𝖆𝖘 𝖆𝖓𝖝𝖎𝖔𝖚𝖘, 𝖘𝖍𝖊 𝖜𝖔𝖚𝖑𝖉 𝖙𝖚𝖗𝖓 𝖙𝖍𝖊𝖒 𝖈𝖔𝖒𝖕𝖚𝖑𝖘𝖎𝖛𝖊𝖑𝖞 𝖆𝖗𝖔𝖚𝖓𝖉 𝖍𝖊𝖗 𝖋𝖎𝖓𝖌𝖊𝖗𝖘. 𝖉𝖚𝖗𝖎𝖓𝖌 𝖙𝖍𝖊 𝖉𝖆𝖓𝖈𝖊 𝖔𝖋 𝖙𝖍𝖊 𝖉𝖗𝖆𝖌𝖔𝖓𝖘, 𝖘𝖍𝖊 𝖜𝖔𝖗𝖊 𝖙𝖍𝖊 𝖈𝖗𝖔𝖜𝖓 𝖔𝖋 𝖍𝖊𝖗 𝖋𝖆𝖙𝖍𝖊𝖗, 𝖛𝖎𝖘𝖊𝖗𝖞𝖘 𝖎, 𝖜𝖍𝖎𝖈𝖍 𝖍𝖆𝖉 𝖋𝖎𝖗𝖘𝖙 𝖇𝖊𝖊𝖓 𝖜𝖔𝖗𝖓 𝖇𝖞 𝖐𝖎𝖓𝖌 𝖏𝖆𝖊𝖍𝖆𝖊𝖗𝖞𝖘 𝖎 𝖙𝖆𝖗𝖌𝖆𝖗𝖞𝖊𝖓. ❜

DRAGONSTONE, 130 AC.

* ᶜʰᵃʳᵃᶜᵗᵉʳ ᵈᵉˢᶦᵍⁿ ⁿᵒᵗᵉˢ.

wdym by saying ' if george included rhaenyra's costumes description in the book that doesn't mean you can turn her into a historically inaccurate mix of rococo and any medieval court wearer!! '

i can and i will.

* ᶜʰᵃʳᵃᶜᵗᵉʳ ᵈᵉˢᶦᵍⁿ ᶠᶦⁿᵃˡ. 𓆰♨𓆪

this is me praying that i'm creative

btw if you guys wanna see my designs of other characters just go to submissions!!

❛ 𝖙𝖍𝖊 𝖉𝖆𝖞 𝖘𝖍𝖊 𝖜𝖊𝖉 𝖗𝖔𝖇𝖊𝖗𝖙 𝖇𝖆𝖗𝖆𝖙𝖍𝖊𝖔𝖓, 𝖙𝖍𝖔𝖚𝖘𝖆𝖓𝖉𝖘 𝖍𝖆𝖉 𝖙𝖚𝖗𝖓𝖊𝖉 𝖔𝖚𝖙 𝖙𝖔 𝖈𝖍𝖊𝖊𝖗 𝖋𝖔𝖗 𝖙𝖍𝖊𝖒. 𝖆𝖑𝖑 𝖙𝖍𝖊 𝖜𝖔𝖒𝖊𝖓 𝖜𝖔𝖗𝖊 𝖙𝖍𝖊𝖎𝖗 𝖇𝖊𝖘𝖙, 𝖆𝖓𝖉 𝖍𝖆𝖑𝖋 𝖙𝖍𝖊 𝖒𝖊𝖓 𝖍𝖆𝖉 𝖈𝖍𝖎𝖑𝖉𝖗𝖊𝖓 𝖔𝖓 𝖙𝖍𝖊𝖎𝖗 𝖘𝖍𝖔𝖚𝖑𝖉𝖊𝖗𝖘. 𝖜𝖍𝖊𝖓 𝖘𝖍𝖊 𝖍𝖆𝖉 𝖊𝖒𝖊𝖗𝖌𝖊𝖉 𝖋𝖗𝖔𝖒 𝖎𝖓𝖘𝖎𝖉𝖊 𝖙𝖍𝖊 𝖘𝖊𝖕𝖙, 𝖍𝖆𝖓𝖉 𝖎𝖓 𝖍𝖆𝖓𝖉 𝖜𝖎𝖙𝖍 𝖙𝖍𝖊 𝖞𝖔𝖚𝖓𝖌 𝖐𝖎𝖓𝖌, 𝖙𝖍𝖊 𝖈𝖗𝖔𝖜𝖉 𝖘𝖊𝖓𝖙 𝖚𝖕 𝖆 𝖗𝖔𝖆𝖗 𝖘𝖔 𝖑𝖔𝖚𝖉 𝖎𝖙 𝖈𝖔𝖚𝖑𝖉 𝖇𝖊 𝖍𝖊𝖆𝖗𝖉 𝖎𝖓 𝖑𝖆𝖓𝖓𝖎𝖘𝖕𝖔𝖗𝖙. ❜

KING'S LANDING, 284 AC.

* ᵃ ˢᵗᵃᵍ ᵏᶦⁿᵍ ᵃⁿᵈ ᵗʰᵉ ᵠᵘᵉᵉⁿ ᵒᶠ ˡᶦᵒⁿˢ. 𓄂 + 𓄃 .〃

robert and cersei both have a god complex, and i refuse to believe that their wedding was normal, so here they are, with lion + stag pelts instead of the normal wedding gowns.

❛ 𝖔𝖍, 𝖆𝖞𝖊. 𝖘𝖎𝖝-𝖆𝖓𝖉-𝖙𝖊𝖓 𝖋𝖔𝖗 𝖍𝖎𝖒, 𝖆𝖓𝖉 𝖙𝖍𝖗𝖊𝖊 𝖋𝖔𝖗 𝖞𝖔𝖚. ❜

❛ 𝖆𝖙 𝖉𝖗𝖎𝖋𝖙𝖒𝖆𝖗𝖐 𝖎𝖓 𝟏𝟑𝟓 𝖆𝖈, 𝖎𝖙 𝖍𝖆𝖙𝖈𝖍𝖊𝖉 𝖆 𝖇𝖑𝖎𝖓𝖉 𝖆𝖓𝖉 𝖜𝖎𝖓𝖌𝖑𝖊𝖘𝖘 𝖜𝖞𝖗𝖒, 𝖜𝖍𝖎𝖙𝖊 𝖆𝖘 𝖆 𝖒𝖆𝖌𝖌𝖔𝖙. 𝖆𝖋𝖙𝖊𝖗 𝖙𝖍𝖊 𝖒𝖔𝖓𝖘𝖙𝖊𝖗 𝖙𝖔𝖗𝖊 𝖆 𝖇𝖑𝖔𝖔𝖉𝖞 𝖈𝖍𝖚𝖓𝖐 𝖋𝖗𝖔𝖒 𝖞𝖔𝖚𝖓𝖌 𝖑𝖆𝖊𝖓𝖆'𝖘 𝖆𝖗𝖒, 𝖆𝖑𝖞𝖓 𝖔𝖆𝖐𝖊𝖓𝖋𝖎𝖘𝖙 𝖍𝖆𝖈𝖐𝖊𝖉 𝖎𝖙 𝖙𝖔 𝖕𝖎𝖊𝖈𝖊𝖘. ❜

DRIFTMARK, 135 AC.

* ᵃʳᵗ ʳᵉᵠˢ ᵒᵖᵉⁿ. 𓊝.〃

baela showing the little one the dragon tapestries to make her calm down

𝒊 𝒌𝒏𝒐𝒘 𝒚𝒐𝒖, 𝒊 𝒘𝒂𝒍𝒌𝒆𝒅 𝒘𝒊𝒕𝒉 𝒚𝒐𝒖 𝒐𝒏𝒄𝒆 𝒖𝒑𝒐𝒏 𝒂 𝒅𝒓𝒆𝒂𝒎.

❛ 𝖒𝖞 𝖘𝖜𝖔𝖗𝖉, 𝖒𝖞 𝖑𝖎𝖋𝖊, 𝖒𝖞 𝖍𝖔𝖓𝖔𝖗, 𝖆𝖑𝖑 𝖇𝖊𝖑𝖔𝖓𝖌 𝖙𝖔 𝖍𝖊𝖗... 𝖆𝖓𝖉 𝖙𝖔 𝖞𝖔𝖚, 𝖒𝖞 𝖍𝖊𝖆𝖗𝖙'𝖘 𝖉𝖊𝖑𝖎𝖌𝖍𝖙. ❜

DORNE&UNKNOWN AREA, 300 AC.

* ᵃʳᵗ ʳᵉᵠˢ ᵒᵖᵉⁿ. ☼ + 𓄃 .〃

the dornish plot would've been better if they all survived and myrcella baratheon would become the queen of the seven kingdoms with arys oakheart as commander of the queensguard and arianne as her hand + ruling princess of dorne (with trystane somewhere in the background as prince consort)

𝒕𝒉𝒆 𝒒𝒖𝒆𝒆𝒏𝒎𝒂𝒌𝒆𝒓 & 𝒕𝒉𝒆 𝒓𝒊𝒈𝒉𝒕𝒇𝒖𝒍 𝒉𝒆𝒊𝒓. ☼ + 𓄃 .〃

❛ 𝖎𝖋 𝖎 𝖑𝖔𝖔𝖐 𝖇𝖆𝖈𝖐, 𝖎 𝖆𝖒 𝖑𝖔𝖘𝖙. ❜

MEEREEN, AROUND 300AC.

* ᵃʳᵗ ʳᵉᵠˢ ᵒᵖᵉⁿ & ᶠᵘⁿᵈʳᵃᶦˢᵉʳ ʳᵉᵠˢ ᵒᵖᵉⁿ. 𓆰♨𓆪

will be edited frequently. daenerys stormborn quick digital sketch to bring attention to the people in palestine.

ALL EYES ON PALESTINE.

people in need:

@d-imtthal @salman-1987 @mohammedswierh2 @huda-yousef @mahmoud0qassas @siraj2024 @amanyayyad74 @khaled-mother @ahmed-ziad @bilal-salah0 @mahmoud-sharif2 @familyetaf1234567

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