It's All About Doors - Tumblr Posts

My Journey to You Ep. 11 visuals: Peering through paper doors

Something I love about historical (-esque) dramas is a director's ability to use architectural framing to represent character emotions and change. Episode 11 gave us some interesting character moments for the two main couples and each happened through paper doors.

This was one of the first episodes where I finally felt Gong Ziyu intentionally stepped into his leadership position as Sword Wielder by not giving in to his natural impulsivity and naivety. He's made aware of Yun Weishan's possible betrayal, and while he's clearly trying to give her an opportunity to explain herself and join him, he's also refreshingly cautious.

Him keeping the door closed is both a political and personal choice. Ziyu can't reasonably let her go without addressing the medical records, but he wants to reassure Weishan that he won't recreate the political cage he believes her to be trapped in. They both desire freedom and the soft life, but she needs to articulate what she's going through so that he can politically maneuver the situation.

Ultimately, she (literally) opens the door to that possibility—and (literally) steps into the light of her true feelings.

Now, returning to our favorite emotionally repressed and overly cocky couple...

(Side Note: I'm obsessed with this pool in the center of Gong Shangjue's chambers and really hope they make more use of it in future episodes. Think! Of! All! The! Metaphors! I'll take a suggestive shot of dipping her hand into those still waters for $400 dollars, Alex. Please, show, give me something to hold me over until the sexy bath scene from the trailer. Anything.)

Do I sense a disturbance in the Force or is Shangguan Qian actually starting to feel something other than blood-thirst? Of course, she's angry at having been bested by Weishan (and probably a bit wary of having to recalibrate her perception of the other assassin), and Lu Yuxiao is doing some lovely acting letting that jumble of emotions play out on her face. And then she turns her gaze to Shangjue. It's in that shot through the open door that we start seeing the stirring of something else. Whether it's guilt, concern, or just a healthy dose of empathy who knows but it's there.

What I appreciate about the architectural framing of the scene's last shot is that it works on multiple levels:

Shangjue's isolation and shame after obliterating his reputation with the clan's elders. This man wants to be the Sword Wielder because he truly believes he would be a more capable leader. Being seen as having to rely on petty tricks is incredibly humbling.

The depth of the shot through multiple doorways—barriers—makes it seem like Qian's master plan for Shangjue is even further from her grasp now that he is less secure in his plans to depose Gong Zuyi.

And yet...she is also seeing him through the door. Usually, the camera films Shangjue to look powerful: he's shot to look tall and untouchable, looking down from his horse or surrounded by regalia. But here, blocked in by these two doors, he's stripped of all of it. I could imagine Qian feels vulnerable seeing the man whom she has envisioned as larger than life since he rescued her years ago tucked away like this, and so I'm super excited to see if and how she attempts to cross this literal and metaphorical threshold to get closer to him to execute her mission.