Jessica Jones - Tumblr Posts

7 years ago

Trish’s conflicting viewpoints on Simpson and Jessica

Jessica and Simpson near the end of the series are working toward a common goal, killing Kilgrave. It’s Trish’s reaction to them and their goal that shows us what type of people they are and their differing viewpoint on the job they “have” to do. For Jessica this job is essential and the whole reason Kilgrave is doing any of it is to get to Jessica. For Simpson It’s because he wants to be the knight in shining armor, the hero.

When Simpson tells Trish that Kilgrave isn’t someone you can capture and that he must be removed Trish responds by saying that he can’t be the one who decides that, that he is being judge, jury, and executioner. There are other people that need him alive like Hope. To her his crusade isn’t in alignment with her moral code because he isn’t seeing the entire picture, like the casualties of Kilgrave’s antics, he has laser focus on killing kilgrave no matter the sacrifices. This was perfectly displayed when he told Trish about his marines saving the barbies. They all burned, but the barbies were saved. He doesn’t really register the losses that come about due to his quest. When his war buddies get killed he is initially upset, but immediately brushes it off and agrees to be a test subject for the super soldier pills so he can go back to his quest as soon as possible. He even tries to remove Jessica so she can’t hinder his mission any more. He also places blame of everything, but himself when things go wrong or he does something deemed wrong by Trish. To him the ends justify the means. By the end he can’t even tell that he’s doing something immoral to achieve his goal.

When Jessica comes to the conclusion she has to kill Kilgrave it it under worse circumstances. Hope has just died in her arms and any illusion she had that she could stop him without becoming what Kilgrave made her, a murderer. Trish supports Jessica’s conclusion and does everything she can to support her. This is because Jessica understands the casualties that Kilgrave has cause and realized that there is no other way. When Jessica Kills Kilgrave he has become so powerful he cannot be contained. Throughout the season Jessica constantly puts the blame on herself for everything kilgrave does. She constantly tries to put just herself in harms way to reduce the casualties. The ends don’t justify the means. Jessica knows this and Trish knows this. Jessica believes the deaths that Kilgrave caused should have been avoided and due to her he has only grown more powerful and that is what eventually drives her to permanently stop him, not the illusions of heroism that drive Simpson. 


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7 years ago

The Apple Doesn’t Fall Far from the Tree...or Does It? (Jessica Jones season 2)

Anyone who has watched season 2 of Jessica Jones knows the importance of mothers and daughters holds. Throughout the season Jessica struggles with comparing herself to her mother whereas Trish believes she is nothing like her mother. Ironically the opposite is true for each of them.

The comparison between Trish and her mother never really dawned on me until the scene where Trish wakes up in the morgue and is mad at Jessica for stopping the experiment on her and she ends up saying that Jessica is a disappointment, she has all this power and does nothing with it. This sentence mirrors something Dorothy says once before in the show. Looking back the two seasons have been building to this revelation. The first season does it incredibly subtly, but looking back after the revelations of this season it is obvious. 

At the beginning of this season Trish is on a ratings high talking about the street level heroes within the city.  She talks about Jessica on her show against Jessica’s wishes, though she didn’t say her name she said she grew up with a superhero which makes it obvious who she is talking about. She coerces Jessica in every way she can to take on the case for IGH and discover what happened to her. She does this under the guise that it will give Jessica closure, but in reality she wants jessica to find the truth so she can go public with it and rise in the ratings. This is similar to the methods her mother uses in season 1. Her mother does Trish a favor and immediately tries to “casually” bring up something Trish can do for her. 

Trish throughout both seasons tries to live vicariously through Jessica because Jessica has powers and the ability to fight the “bad guys”. Trish isn’t complacent with what she is doing to help people and wishes she could engage in a more radical, hands on form of justice. Dorothy was living through Trish throughout Trish’s entire childhood. Putting her in the limelight and getting her public recognition through any means necessary even at the expense of Trish’s mental and physical health. Trish may not realize it, but she is doing the same thing to Jessica. Trish pushes Jessica towards danger in both seasons and Jessica suffers incredible trauma in both. 

Also Trish only says she is proud of Jessica when Jessica is doing what Trish believes is right this is briefly shown is season 1 when Trish tells Jessica she is exactly the hero she wanted her to be when Jessica decides to go through with a self-sacrificial way to stop Kilgrave. Throughout season 1 Trish rarely tries to talk Jessica out of anything when Jessica is trying to stop Kilgrave the only time she really tries to nudge jessica into making a different decision is when Jessica tries to run from Kilgrave instead of face him. She also has no qualms with killing the antagonist of each respective season, which goes along with her the ends justify the means mindset. Dorothy has the same mindset in her thinking towards her relationship with Trish. As long as Trish gains and maintains fame and popularity Dorothy believes she is a good person and mother because no matter the means she obtained her desired end goal.

Jessica on the other had has been proven to be a polar opposite to her mother in just about every way. Jessica’s mother is a sociopathic serial killer who blames everyone else for her actions and views the past, before the car accident, in an extremely negative light. Jessica on the other hand blames herself for all the bad things that happen to the people around her even if she couldn’t stop it.  She blames herself that her mother is after Trish, she blames herself for Reuben’s death, she blames herself for the car accident, etc. Jessica also feels extreme guilt for every life she takes and in every situation the choices were limited. Reva-Kilgrave made her kill Reva. Kilgrave-no jail would have been able to hold him and he would not stop until he had Jessica. Dale- granted she was in his apartment, but he was beating her and wouldn’t stop so she lashed out without thinking of her strength. Dale’s death was the only one that was avoidable, but it was entirely out of self defence and accidental. Jessica is literally blinded by nostalgia and views her childhood and herself before the accident through rose tinted glasses. Jessica believes she is a bad person. She views herself in a negative light, but she always ends up doing what is right. She gets lost along the way and is conflicted about her choices, but she comes out the other side making the right choice even in lose lose situations. 

Jessica believes that no matter the ends if the means were horrible or inhumane it doesn’t make you a good person. Her mother believes the exact opposite, if the ends were as desired the means don’t matter. This is shown through their conflicting viewpoints on Karl. Karl was experimenting illegally on humans with inhumane methods on people who couldn’t say no due to their varying circumstances, but his experiment were in gene splicing which could lead to curing genetic diseases and disorders in people after birth and heal people who look to be lost causes. Jessica believes he isn’t a good person and should go away for what he has done. Her mother believes that Karl is a good person even before they enter a relationship and wants him to be free.

This shows the duality within characters related or not that have inadvertent similarities and staggering differences.


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6 years ago

Trish and Jessica-AKA Unstoppable Force Meets Immovable Object

The main theme of Jessica Jones season 3 is at what point is someone beyond redemption and do we have the right to decide. This is at the core of Jessica and Trish’s conflict in season 3. Trish believes that she is “the world’s moral compass” and sees the world in black and white. There is a clear good and bad but she places herself above her perceived morality. Since she believes that she is above her perceived morality it gives her the right to choose who is beyond redemption and who isn’t. Meanwhile Jessica is harder on herself about her morality. She believes the worst in herself and thus tries to keep herself in check. She knows she isn’t above making morally questionable decisions given the right motivation and thus believes that she can’t be the one to decide if someone is too far gone because she is subject to error and letting her emotions drive her. This is what eventually leads to their respective endgames within the Jessica Jones narrative.

Trish has shown seeds of this from the very beginning. She wasn’t able to carry through with it herself because she didn’t have superpowers, but once she got superpowers she started down the slippery slope that all the marvel netflix heroes have had to deal with throughout their respective shows. The thing that finally pushed her down was her mother’s death. With her mother’s death Trish had trouble reconciling the possible and slowly evolving redemption of their relationship with the reality of the abuse she suffered at her mother’s hand. This caused her to view the negative effects of the results of her mother’s abuse through the same lense as the positive characteristics she developed because of her mother’s influence. She took the positive tenacity and applied the lessons her mother taught her about undermining and forcing change with her abilities to the proportional extremes that Dorothy did at times. She wasn’t able to see the downward spiral into being the “bad guy” because her entire perspective on herself and her abilities had been warped in this way. The seeds had always been there through her pushing/encouraging Jessica into her final decision with Kilgrave to her intense desperation to get powers and finally become a vigilante hero to her killing Jessica’s mother. She had been slipping down this slope for a long time it only took a final push to make her fall all the way down. Trish has always had an ends justify the means mentality. In her final desperate attempt to continue the lie she tells herself, that she is still in the right, she does the unthinkable and tries to kill Jessica. This was due to her desperation to deny that she had become the very thing she hates the most and that her assessment of Jessica not having what it takes was wrong because sometimes it takes more strength to let someone like Salinger live than it does to kill him. She had been the victim for so long that when she finally got the power she craved she became the oppressor.

Jessica on the other hand has been gradually growing into a more conventional hero throughout the show’s run and has learned from her abusers and managed to break the cycle of abuse instead of perpetuate it. Her story has had the exact opposite trajectory of Trish’s. Jessica fears herself and her failures. She fears that all the death that she has experienced will be for nothing and that pushes her forward. There are multiple times throughout the show that she has tried to run only to end up facing her problems in the end. The fear that she isn’t good enough is ever present and is what ends up making her more heroic. As with Trish the death of her mother plays a big role in her growth towards her end position, but instead of pushing her to extremes it causes her to reign in her darker nature and try to live up to the moniker she so fears. Whereas Trish lies to herself about her superiority Jessica lies to herself about her inferiority. Believing that her powers don’t really make her more worthy to be a hero but instead less because of the way she obtained them. She keeps saying that she doesn’t want to be a hero and yet keeps participating in heroic acts which betrays her conflicting inner desires and outer portrayal/actions. She finally sheds the fear that she can never be a hero and stops denying her desire to be one which sees her finally become a hero in the more traditional sense.

Trish and Jessica were clearly set up to be on opposite paths of villain and hero respectively. Their opposing beliefs and actions throughout the three seasons of the show lead to an emotionally charged conflict between two people who clearly care about each other, but believe so strongly in their ideals that conflict was inevitable. The difference between the two was how far they were willing to go within the conflict. The realization to Trish that her beliefs had brought her to the point where she would attempt to kill Jessica, the person she cares the most about, is what broke her and made her rethink her beliefs. Jessica came out of the conflict “victorious” because she wouldn’t sacrifice her morality to accomplish her end goals proving Trish wrong. Unstoppable force meets immovable object, except with this clash of the two their is a winner. The unstoppable force, Trish, falls to the immovable object, Jessica. The dichotomy of these two characters makes them one of the most interesting friends turned enemies in the superhero television medium.


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my parents are having a dead serious fight in the family star trek-themed groupchat exclusively using jessica jones gifs. w h a t.


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9 years ago
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.
Jessica Jones Is Really Done With Humanity.

Jessica Jones is really done with humanity.


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5 years ago

I dont understand how anyone has hope for what Disney is going to do with Young Avengers, my reasons are simple in the MCU Cap and Iron man are gone/dead and jessica Jones isnt really connected to the avengers so that whole thing at the start of YA isn't going to happen, yes you can have their stand ins but it wont be as epic when we See Wiccan and Hulking hear Steve Roger's say Gay rights, which leads to another thing CIVIL WAR HAS ALREADY BEEN DONE! They fucked up so many things in this timeline so now we wont get to see YA just trapped in the middle of this nonsense, we wont get to see Iron mans true colors (he fucking shoots wiccan and no it wasnt lethal but he shoots a kid and that's who Tony is I have always hated Iron man if you couldn't tell and I hate how the MCU has made his F**kry forgivable and messiah like) We wont get to see them really interact with the runaways in the middle of civil war either. I'm not gonna get into my Rant of how Civil. War should have been it's own phase way further back in the timeline instead of dispute in airport parking lot.

Now onto my final point, yes Marvel did right by black panther, Hell were actually getting Bisexual and lesbian QUEENS! But do not tell me you Disney fans have forgotten how not just Disney but all of Hollywood Queerbaits. We will be lucky and I mean lucky if we actually get a MLM not stereotypical relationship between Wiccan and Hulking because Gay male characters in Hollywood especially "Twinks and Hunks" like Wiccan and Hulkling are (YOU CANT TELL ME OTHERWISE WICCAN IS A TWINK in my opinion atleast you can think different) Look at the jungle cruise movie were getting this year about how that straight ass actor is playing a camp queer character for laughs, that is Disney. They wont be disenfranchised they will be whitewashed probably and be caricatures of what I grew up reading and loving. Also WLW doesnt get great rep either so watch out Valkyrie, fight for your queen. So I hope you all have enjoyed my rant it has no good punctuation and I cant wait to pirate the new Disney plus Young Avengers wwwwho will be white people and have Wiccan and Hulkling stand four feet apart cause they're Gay

I Dont Understand How Anyone Has Hope For What Disney Is Going To Do With Young Avengers, My Reasons

I can’t believe I’m seeing so many people in twitter excited over Disney+, why cant you promote piracy like us normal people


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3 years ago

turra + jessica jones

q loco

era yo la q te alejaba

y ahora tu voz

es costumbre

quisimos ir lento

y se nos dio al revés

hay una historia

un poco cliché

de dos pibas

una con miedos

y la otra con ansiedad

todavía hay una peli q nos falta ver

no c si es romance o tragedia

la tendremos q ser


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1 year ago

The thing about Jessica Jones is that she is cheesy, and written like a classic noir detective, and talks and sometimes acts like a “strong” female character written by men that think strength in a woman is being able to talk fast, be unempathetic, and have misplaced confidence. She says things like “My only weakness is that occasionally I give a damn” but it works so WELL because it’s completely intentional. 

She walks, talks, and moves through the world in this way because she has the power to. She can walk around confidently, she can talk shit, she can be rude to anyone around her, especially men, and have no reason to fear because she KNOWS she’s stronger than all of them. She never has to truly fear for her safety because of the power she’s been afforded.

Which is why the second she thinks Kilgrave is back she completely falls apart. She’s hyperventilating and crying, she’s running away she’s visibly terrified, because Kilgrave is the only person who’s had power over her, who can hurt her, and she has no protection against. And that’s why that shift works SO well!

Because Jessica is overly confident in every situation, until she has to confront Kilgrave, and we realize it’s not over confidence, it’s that she knows she could protect herself from anyone else. She talks fast and doesn’t let herself be interrupted because she has the power to do so, she never has to worry about a man (or anyone) feeling disrespected and reacting violently. She is mean and hard and often doesn’t treat people well, but that’s a real flaw she has to contend with. If she had treated Malcolm and the support group with more kindness, maybe they wouldn’t have turned on her. This is also important because she genuinely doesn’t see herself as a hero, or TRY to be kind. She tries to do the right thing, but kindness isn’t something she strives for. 

Jessica Jones is such a well written and layered character and she’s so so fascinating and I wish people talked about her more


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1 year ago

For some reason I've seen a lot of people disliking the way Jessica Jones season 1 ends. The vibe I've seen is that it wasn't epic enough, it was underwhelming, and that it was too simple and fast and Killgrave would be too smart to fall for it. etc etc.

I think these takes miss the point though. This is the only way he could have gone out, BECAUSE it wasn't an attempt to outsmart him at all.

The whole point is that Killgrave wasn't an epic villain, he was a weird misogynistic little control freak that was obsessed with owning Jessica because he couldn't stand that she was her own person.

The whole season is a game of cat and mouse between them, and you can see just how smart both of them are - they are both equally powerful and intelligent, BUT killgrave literally didn’t need to be doing this at all! He could have left ANY time, he didn’t have to send Hope after her, he could have left before the house, or after he escaped, or after the nightclub, literally WHENEVER

His obsession with controlling Jessica was always his downfall

She was the executioner, but in the end he brought it all on himself

He didn’t get an epic ending because it’s not ABOUT him and because he didn’t need one. It was never about outsmarting or overpowering him, it was about his incessant need for control and Jessica making a decision.

And it works SO WELL not just because it makes good commentary, but also because it mirrors exactly how Killgrave tried to get her to bend to his will; both of them aimed for each other’s emotional weak point - but killgrave failed because he doesn’t actually know or understand Jessica at all, just the version of her he made up in his head and made her play act like a little doll for him

He thinks her weakness is a hero complex, because the first time they meet she’s saving Malcolm from some muggers and killgrave asks her if it felt good to beat up those men, she says yes, and when he asks why she says

“Because I helped someone”

And he’s such an inherently selfish person that to him that translates to a hero complex - He can’t imagine a person who just wants to save people, not to bolster their self worth or to in some way help theme selves. He’s spent his entire life only doing things because he wanted to, because it brought HIM satisfaction, that the idea that someone might willingly do Anything that’s not to make them feel better doesn’t even cross his mind.

And that’s why at the house he shows her the (curated) videos of his childhood, why he “respects” her wishes about not hurting the nosy neighbor, why he goes and saves that family with her, and is genuinely helpful. His tactic to get her to stay with him is to show her how his powers can be used for good, show her he’s also a person who can experience pain and love and joy, and then make her ‘realize’ if she stays with him she could make him a hero and good person. Because he thinks she will sacrifice herself for him and for society if he presents it as a way to atone and heal her guilt.

But Jessica refuses. She betrays him and takes her own route while knowing if she had given up all her autonomy she could have made him a good person and saved countless lives. (I don’t think this was ever actually achievable but she believed it was so the point stands)

Jessica jones has a lot of problems, but a hero complex isn’t one of them.

But Jessica jones DOES know his weakness, his real weakness, her. Controlling the only person who could defy him. And yes it is an obvious and see through plan - Killgrave even calls it out! But then in order to prove she’s faking what does he do? He assaults Trish - and when she continues following his orders he FULLY believes it and completely lets down his guard.

Why? It’s such an obvious trick! He’s supposed to be clever!!!! Well it worked so well because he clearly WANTED to believe it so bad (self admittedly), he was drunk on his own power, he wanted to believe his own strength and he wanted to own Jessica again. But also because again

He thinks Jessica has a hero complex

Her allowing this to happen to her friend ? Jessica jones would never do this! He knows her so well! She just Can’t Help but Help people! If she was faking her helplessness this would have broken her out of it! (Also there’s the whole level of the jealousy he has of Trish and the love Jessica and Trish share but that’s for another post)

And so he dies, small, unable to speak, not being told he’s loved, with a simple snapped neck from a cheap, unplanned ploy, that was thought up on the spot. Just as he deserved.


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1 year ago

Jessica Jones and Bucky Barnes would probably get along pretty well. They're both stoic, sarcastic, smart-asses, and have been experimented on. They both have a past with being mind controlled by terrible people, being forced to do awful things, and feeling tremundous amounts of guilt over things they had no choice over.

They even both had a blonde best friend who helped them through their shit but eventually left them one way or another (Steve left bucky by going back in time to be with Peggy. Trish killed Jessica's mom).

They probably have even more in common but I can't be bothered to find the rest.


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10 years ago
Commission For Mysteriesofme ~

Commission for  mysteriesofme ~

Commission information here!


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9 years ago

Everyone hates Kilgrave, but do you know who's an even bigger asshole? Simpson.


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9 years ago

Claire: You know... I have a friend like you two...

Me: OH MY GOOOOOOOOOOOD HA HA I KNOW WHO IT IS ITS MY BABY DAREDEVIL OH MY GOD OH MY GOD OH MY GOD


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8 years ago

IF 👏 I 👏 DONT 👏 SEE 👏 A 👏 SCENE 👏 IN 👏 THE 👏 DEFENDERS 👏 WHERE 👏 MATT 👏 JESSICA 👏 LUKE 👏 AND 👏 DANNY 👏 EAT 👏 BURGERS 👏 ON 👏 A 👏 ROOFTOP 👏 SOMEONE 👏 WILL 👏 GET 👏 HURT 👏


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2 years ago

That's something I like

Wrapping Up The Last Three Hundred And Sixty-five Days With A Round Up Of All The 'x Reader' Fanfiction

wrapping up the last three hundred and sixty-five days with a round up of all the 'x reader' fanfiction I have published in 2022. thank you all for all your requests, feedback, reblogs and support over the last twelve months, especially during the 10k month of fic! sharing this love for these characters with you all is such a mental refresh for me, and hopefully I can publish even more fics in 2023. and I hope that you'll love all the new fics as much as you've loved these ones :)

happy new year!

full content warnings and content can be found on each individual post, and each fic is labelled for length. follow me on bartonstark to find all my fic in one place, or check out my ao3. smut/sexual content: *** personal favourites: ///

BRUCE BANNER:

afterwards (drabble) *** aftercare with bruce.

bend, don't break (oneshot) *** /// the take a reprieve during a party, and take a new step in your relationship.

fear and loving in iowa (oneshot) when you’re injured in johannesburg, bruce blames himself.

fireworks (oneshot) thanks to the frigid air at the top of the tower, you share a tender moment.

first times (drabble) *** having sex with bruce for the first time.

p.s. (ficlet) an unfinished note leaves you confused during your college graduation.

restoration (oneshot) after johannesburg, you have nightmares. bruce provides you with comfort.

BUCKY BARNES:

bedside manner (oneshot) sam calls you to say bucky has been hurt on a mission,and you panic.

early hours (oneshot) *** after a mission, all bucky wants to do is crawl into bed with you.

morning grind (drabble) *** morning sex with bucky.

shards of glass (oneshot) *** /// you share a past, and now bucky's tracked you down to find closure.

CLINT BARTON:

after hours (oneshot) *** clint stops by your office after work to distract you the best way he can.

body heat (oneshot) *** /// the there's-only-one-bed trope in the back of an suv during a blizzard.

bound (drabble) *** clint is really into bondage and you're happy to spoil him.

coffee break (ficlet) there's an avenger bleeding in the bathroom of the cafe where you work.

crossroads (oneshot) clint receives an offer that could change his life & you encourage him to take it.

a delicate hand (oneshot) /// clint attempts to pull you out of a funk by helping you get ready for the event.

green light (oneshot) *** /// you surprise clint with a new toy, and he is very eager to try it out.

hey, you (ficlet) *** /// you receive a note from a certain avenger in the middle of a crowded bar.

in the stacks (ficlet) *** you steal a moment of intimacy in the back of a bookshop together.

respite (oneshot) when you’re hurt on a mission, clint has to convince you to take a breather.

think of me (oneshot) *** /// when you're dragged out for a night, clint has an idea of what to do in the club.

three a.m. (oneshot) /// a knock on your window comes from a certain injury-prone avenger.

we could play pretend (oneshot) you bond over all the little things you miss about being in a relationship.

welcome home (drabble) *** you welcome clint home after he's been away on a mission.

JESSICA JONES:

reprieve (oneshot) she has to drag you out of a dingy bar in the middle of the night.

snooze button (drabble) jessica isn't exactly a morning person.

MARC SPECTOR:

fast lane (drabble) *** /// marc gives you a preview in the car of what to expect when you get home.

NATASHA ROMANOFF:

follow my lead (oneshot) natasha offers to teach you how to slow dance.

PETER QUILL:

raincheck (oneshot) /// convincing quill to go to bed isn’t exactly an easy feat.

SAM WILSON:

miss me? (oneshot) you're finally reunited with sam in the middle of the battle of earth.

soul food (oneshot) /// when you’re sick, he ditches his responsibilities just to make you feel better.

STEVE ROGERS:

lost time (oneshot) *** late for your date, steve walks in on you working off your frustrations.

TONY STARK:

afterglow (drabble) *** after care with tony.

as you're told (oneshot) *** /// tony calls you to his office with a new game in mind…

between the sheets (oneshot) *** you've decided to try for a baby, and tony can't wait to get started.

come back to me (oneshot) after tony almost dies, you’re left lost and furious at what just happened.

count (oneshot) *** /// tony is nothing if not a giver. but… he is also a bit of an asshole.

echo (oneshot) /// you’re struggling to forget the past, so you try to bring part of it back to you.

idiot (drabble) *** just an soft, sexy moment between the two of you.

insatiable (drabble) *** the real question is, which one of you is the bigger tease?

mood lighting (ficlet) *** tony spoils you by candlelight.

on your knees (oneshot) *** the idea of having you on your knees is far too tempting for tony to resist.

quick question (oneshot) tony has a question to ask you, battlefield be damned.

red and gold (ficlet) an afternoon in central park lets you appreciate the seasonal color change.

simple pleasures (drabble) *** tony loves nothing more than eating you out.

sober hearts (oneshot) a look at your relationship as it has evolved over the years.

spare key (drabble) *** you give tony a key to your apartment.

subtlety (oneshot) *** impatient, you make use of the ‘emergency stop’ button in the elevator.

warm hands (ficlet) *** the two of you share an intimate interlude out in the snow.

WANDA MAXIMOFF:

hold tight (oneshot) *** /// she loves to spoil you & sometimes that means leaving you a quivering mess.

reflected in you (oneshot) you try on your new uniform, and wanda helps you find your confidence.

spicy sweet (oneshot) *** you plan on surprising wanda, but disaster means a change of plans.

sweetness (oneshot) *** /// wanda loves the way you sound, and doesn’t care who else hears it.

THREESOMES/POLYAMORY:

hands free (oneshot) *** /// you find clint on the phone, and you can’t help but distract him.

player three (drabble) *** /// clint x bucky x you. game night takes a turn when they team up on you to win.

SERIES:

to ashes chapters (full series, this year's chapters in bold) prologue - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - more to come...

tags: @startrekkingaroundasgard @wittyforachange @lovely-dreamer19 @castieltrash1 @wefracturedmotivation @january-echoes @glossyloner @capitalnineteen @youclickedthislink @s0ftness @drakelover78 @queenoftheunderdark @fandoms-pizza-wifi-ym13 @lol-you-thought @sebbystanlover-vk @mikariell95 @csigeoblue @abrunettefangirlnerd @babyblues915 @aar-journey @moistpotatobear @bellamyblakemorley @diesinspanishbcimhispanic @sentimentalalien @agustdowney @akumune @xxboesefrauxx @patheticallysentimental @loki-is-loved @ruderavenclaw @enna-core @hearmyharmony @katsies @youralphawolf72 @whovianayesha @bradfordbantams @alice-the-nerd @ace-fandom-dumbass @kaelyn-lobrutto24 @twsssmlmaa @earth-pig-fish @hallothankmas @meeksmusic83 @fallinginlovewithqueue @justanothermagicalsara @dragon-chica @xxxtwilightaxelxxx @starrynightsforever @baku-writes @sorryurnotbrucebanner


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