Mgm British Studios - Tumblr Posts
THE MAN IN THE SKY aka DECISION AGAINST TIME (Dir: Charles Crichton, 1957).
In 1955 the Ealing Studios were sold to the BBC for use as a production facility. Production of Ealing Films was moved to the MGM British Studios at Borehamwood and a distribution deal with MGM was secured. The deal was short lived; only 6 films were released through MGM and Ealing’s days as a production company were numbered.
The first movie to be released under the new deal was The Man in the Sky, retitled Decision Again Time for US audiences.
Ealing regular Jack Hawkins stars as a test pilot who must make a difficult, life threatening decision when the engine of his aircraft fails. Elizabeth Sellars co-stars as his wife who believes her husband puts himself at unnecessary risk.
Hawkins does well in one of his many stoic action hero roles and is ably supported by a fine supporting cast including Brit acting legends Lionel Jeffries, Donald Pleasence and Megs Jenkins. Charles Crichton, better known for helming comedy classics Hue and Cry (1947) and The Lavender Hill Mob (1951), proves adept at combining highflying thrills with the earthbound familial trails in what might have been an uneasy mix of domestic drama and disaster movie.
The suspense is held to the final reel in this fairly tense and absorbing drama which, while perhaps not quite top drawer Ealing, is still a quality product with much to recommend it. Aircraft connoisseurs will enjoy the location footage shot at Pendeford Airfield and the Bristol Freighter plane which Hawkins pilots.
Check out my blog jinglebonesmovietime.blogspot.com for more reviews of vintage Ealing Studios classics!
Movie number 58: The Long Arm aka The Third Key (Charles Frend, 1956).
The final movie shot at Ealing Studios before production shifted to the MGM British Studios. The Long Arm, retitled The Third Key in the US, stars Jack Hawkins as phlegmatic detective superintendent Tom Halliday, busy pursuing a safecracker while neglecting his family.
Charles Frend directs in a somewhat low-key documentary style which recalls earlier Ealing police drama The Blue Lamp (Basil Dearden, 1950). The attempted realistic portrayal of unglamorous, often mundane police work results in a movie which is less a thriller and more a police procedural drama.
Hawkins is as dependable as ever in the lead and the film benefits from its use of real life locations, in particular an exciting climax at the Royal Festival Hall.
While not quite as satisfying a movie as the classic The Blue Lamp, The Long Arm is still a neat little drama; notable for both its place in British film history and its considerable entertainment value.