Soul Vore - Tumblr Posts

Hisuian Typhlosion purifies lost spirits with soul vore. It's 100% canon!
Spider and Butterfly (NSFW)
Warning: This work contains: A pred who exists in multiple states simultaneously, implied willing vore, implied fatal, implied digestion, implications of people being eaten in the past, magic and strange rules attached to that magic, some sexual situations. That aren't described in enough detail cause I am bad at it. Implied M/F vore, mentions of past instances of M/? Vore, If you like the Poem: The Spider and the Fly. You will likely see many similarities with this draft, if you have read that one source book for Changeling: The Lost that describes how someone should think of the True Fae as being both their kingdom and the actors within it. You probably know where I got the concept for the Pred existing in multiple states. If you have arachnophobia I'd strongly suggest NOT reading this draft as some of the imagery used may prove triggering. "Can I eat you Ida?" He asks softly, searching her eyes imploringly. "Would you allow me, the pleasure of unleashing my true self upon you? Of swallowing you whole and relishing your futile squirms as my stomach demonstrates just where we both know you belong?" She regards him attentively, considering him without disgust or fear, waiting for him to get to the point. So he continues. "Are you content with this mask I wear to lure prey in? Or could you accept the monster that lurks beneath?" Ida frowns at him thoughtfully and perhaps a little quizzically, it was an often unspoken but well acknowledged fact, that this body and his polite and genial personality were a lure. That at the heart his manor, lay his true self and the manor existed to ferry by trickery and fear those unfortunate souls who found it, towards his parlour door. Ida knew this, she was canny and had survived much longer than many of his "guests", to her this place was almost a true home, the shelter in the storm it appeared to be and Bastion was not a stranger, though he would always be an adversary, he was also something like a friend and when she allowed it something more. He longed to claim her, this mortal, who understood so well the rules of his domain, who understood if she disappeared into his parlour she would never be seen again. His stomach and heart equally ached at the thought of her leaving him, of her crossing outside the threshold of the manor one day and never returning. Of becoming the meal of a different monster when she left to forage for food, stubbornly and wisely unwilling to accept any food he offered her. Beneath the veneer of civility, the monster Bastion actually was, had become frustrated, not because prey might escape him, but because Ida might escape him, might go somewhere he couldn't follow and meet some fate he couldn't know. Hungry and alien as he was,he could think of no other solution, than to eat her himself, but none of his tricks phased her and so he was reduced to begging. She reached up and caressed his face, "Why do you look so saddened?" She asks, he holds the hand against his cheek, this is not his true body, but he treasures the touch all the same. "I do not wish to lose you" He confesses quietly. "I could so easily lose you, I cannot claim you on my own, I've tried so often, to close my jaws around you and drag you bodily into my web" He shakes his head at her suspicious expression, trying to convey that this is not another ploy merely a confession. "You know me too well my love, the longer you stay here, the hungrier I become for you." She crosses her arms "I'm not going to stop warning people to leave Bastion" She tells him her voice firm and resolute. He holds his hands up placatingly and shakes his head emphatically. "No, no, that is not what I meant, it is not that I am not fed, I do not mean to belittle your efforts, in defending other mortals, but many do not heed your warnings, or assume that you are on my side. No, it is not that I am starving for food, it is that I am starving for you, and you alone." He presses his forehead to hers. How he wishes he could touch her like this as his true self. The familiar suspicion in her eyes, is not as harsh as it once was long ago, it is more exasperated, less passionate, she does not trust him not to try and catch her. But she trusts him to not lie about their odd relationship. She trusts him to mean it when he confesses his hunger like a mortal might confess their undying love. He pushes her down firmly but gently holding her beneath him, wishing he could have her like this as he truly is. "Please" he implores "I need you, I want you, I yearn for you. Please, willingly come to me, please do not fear me, let me touch you, let me hold you, let me make love to you and then let me devour you and spit out your bones" He speaks it like poetry, like a lover asking to marry their beloved. Because for him it is. She has to understand that, she must know that, he has to make her see, that for him this is love, for him this is adoration. "Bastion" She says his name with a unique blend of exasperation and warmth. "I love you, it hurts me to see you so forlorn, But, you're asking me to die for you." "No my love" He denies, pressing his lips against the side of her neck. "I'm asking you to succumb to me, in body, in soul, in mind and in heart. Death is part of what I ask,but if you understood, it would not be fear of death alone that motivated your rejection. Even so, I beg of you, come into my jaws, I want you." He trailed spidery kisses along her body, she arched into him and he imagined her doing the same when his teeth were sharp and his mandibles were exposed. The trust, the attraction, the love but directed at the monster who would gobble her up without remorse. His stomach growled, the human one and the one inside his true body, the manor creaked in sympathy, a reflection of its masters longing. She was so beautiful and delicate, a butterfly he could never seem to pin, he longed to wrap her in his silk, to feast on her blood,to hear her call his name in a mix of fear and ecstasy, to have her understand what she'd done to him, have her experience it from the inside, have her understand how deep and twisted his hunger for her was, but also how wonderful, how unique, how special she was to him. She looks up at him and he feels as though she sees him, the real him, not the human host of the manor, nor the walls that surround them, but the spider at the center of this web. An eyebrow is arched at him, the look in her eyes is almost playful. "And? If I did give myself to you, how would you start your meal?" He stares at her surprised by her boldness, though perhaps he shouldn't be, how indeed? His grip on her tightens, he considers it. "At first I think, I'd just want to revel in the fact you were mine. In the fact the parlour door had locked behind you the second you stepped inside, in the fact you were before me, after so long seeing and experiencing you only through proxies." He bends and moves backwards as he speaks, lips gently trailing exposed skin as he travels lower and lower. "I would play with you, try to frighten you, test your resolve now you were before me, whether you became fearful or resolute, I would savour your responses to me, for though we have known each other for so long, I have never truly met you, nor you me." He spreads her legs apart and gently removes the white lace between him and his goal. Her breath catches as he trails kisses along her thighs, teasing and tantalizing with possibility before his tongue descends onto the soft folds of flesh below. She shudders and whines needily as he toys with and tastes her. Insistently and greedily he explores, until finally she finds it too much and comes for him. He pulls away and licks his lips playfully making sure she sees. He thinks about swallowing up the woman in front of him. He's undecided on if he would start at the head or the feet. But he knows either way he would be sure to taste between her legs thoroughly. He tells her so and she rolls her eyes at him, but he can tell she's pleased by the picture he paints, even if she's reluctant to give herself to him in reality. The possibility of convincing her to let him have her thrills him, the thought of having her knock upon the door to his true self willingly. He pictures it, her standing in front of his door, nervous but anticipating, unsure of what the monster beyond is truly like but generous enough to offer herself to him, Jittery like a bride about to meet her groom at the alter. Or a blood sacrifice about to die in an Aztec temple. She pulls him back towards her and touches the tip of his nose chidingly, no doubt able to tell he's thinking something devious about her. He snaps at the finger playfully, she shrieks and pushes on his chest with a pout. He grins and continues to answer her question. "I'd swallow you up, slowly and carefully at first, but soon my need for you would become too much, I'd begin wolfing you down, shoving you in, needily, licking and sucking and swallowing, until every last bit of you was sealed away within me. Only then would I allow myself to feel some modicum of relief, some shred of satisfaction." He nuzzled her affectionately. "Once you were within me, I'd be in awe, the lingering taste of you on my tongue, the way you're beautiful body stretched and filled my stomach to its limits, I'd be amazed at how good you were and how good you were still being. Cherishing the knowledge that after waiting for so long, you were finally mine to savour, mine to love, mine to keep. You'd be afraid, how could you not be? We both know what I am and what I intend. But even so when I speak to you, you'd find yourself calming down, trusting me, accepting that although this was going to kill you, you would find yourself no less in love with me and no less sure of my own love" "Bastion" The look in her eyes is awed by his confession, she is attracted to the danger in him, she always has been, but has she ever truly understood how intertwined his hunger for her is with his affection? He's spoken of it before but perhaps she's never truly comprehended. He continues determined to make her glimpse the world as he does. "When digestion starts, your fear returns, but even as I lose myself in the all encompassing pleasure of my body conquering yours. I still find time to tell you, that you are cherished, that you are loved. Your struggles intensify, you can't help it, my stomach is overwhelming, it's love for you has no limits or boundaries. Though you are so much more to me than a mere meal, in this movement, I am the eater and you are the eaten. I come in time with your death throes and as you succumb to me, I feel your soul relax and surrender willingly, trustingly to mine. Now, we are one, we are complete and there is nothing more to fear." She looks at him with longing of her own, for the first time he can tell that she's actually considering it. Was it truly so simple? Had he just needed to be honest with her? About what his hunger for her actually was? She intertwines her hands with his and draws in a shuddering breath, she looks at him seriously and asks "If I did say yes, would you truly still love me?" Of course he would! it confuses him that she would even need to ask. But then again, he has come to understand the young woman before him, just as she has come to understand him. Ida flirts with death and danger, quite literally in fact. She has willingly made her home in his hunting grounds, despite knowing all too well that is what they are. Is her fear of entering his parlour truly motivated by literal self-preservation? Or is it a more personal kind of loss? He squeezes her hands comfortingly and asks what to him seems a very simple question. "Why would I ever stop?" Tears fall from her eyes and he wipes them for her gently. It takes a little while for her to collect her self but eventually she sucks in a breath and exhales it gathering up the scattered pieces of herself to continue their conversation. "I want to be yours Bastion" She admits quietly, "But!" She holds up a hand before he can say anything. "I-I can't walk up to that door alone. I know you aren't allowed to take me across the threshold like this, but, could you walk me towards it? And the you on the other side of the door, I know you can drag people in if they get close enough, even if you can't actually leave. If you offer me your hand, I'll take it." He feels his heart sore, the true him in the parlour reflexively swallows the drool pooling into his mouth, the manor seems to brighten and calm shadows less long, walls less worn. He embraces her gratefully, She's so beautiful, so wonderful, she does not deserve to meet her end inside his true self's belly. But she's going to and oh how he's going to make her feel his gratitude for it. The him in the parlour, gets to work, fangs ache and chelicerae twitch, as venom is prepared, a venom infused with his endless gratitude towards the young woman who will soon come to him.Shaped by his desire for her, it is something that will ensure she enjoys what is to come as much as he will. He dearly hopes she recognizes his gift for what it is.
When the pred says they’d never harm you but their definition of harm doesn’t consider digesting someone and imprisoning their immortal soul harm.
I really love the idea of a monster pred like a demon or eldritch abomination or dark god that eats souls being confronted by the mortality of a human friend or lover and just going full “no death cannot take you from me I’ll imprison your soul inside me!” Because they sincerely mean it out of love but if you were a bystander who saw an eldritch abomination snarfing down a fatally wounded person you’d be traumatised for life.
That’s not even getting into the awkwardness of if you’re the prey you might not have actually realised the pred could do this or that they would do it to you. There you are just expecting to die like a normal person would in your situation and your friend from your perspective is randomly making a meal out of you. You might think to yourself “is this like how cats eat dead bodies?” Or if your already dead and have said a tearful goodbye with your last breathe tragedy style and then they’ve eaten your corpse or extracted your soul by itself then you had no idea they even ate you and you wake up trapped inside someone else’s mind and body just a passenger along for the ride and your eldritch abomination friend has to awkwardly explain what’s going on and why the rooming situation has drastically changed.
I just really like the idea of a monster with an understandable human motive like grief going about things in a completely inhuman way and because they successfully managed to pass as human or thereabouts up until this point. There’s now a lot of culture shock and existential horror in everyone’s future.
Metamorphosis Ida can’t help but lean into his touch, can’t help the way her heart hammers and responds to even his most blatantly monstrous pronouncements of love.
Bastion is not human, not even truly a person as most would understand it. But his love is utterly sincere, corrupting and hungry just like everything else about him, but sincere.
To Ida, who has never felt such honest devotion, it is terrifying yet enticing and the fact she will surely die if she gives into him. Seems to become less and less important the more time she spends with him.
She knows she is letting him get to her. She is being seduced into being his prey. But the spider has become trapped by its own cleverness. The love is real and it drives the monster to near madness.
Bastion is not human, he does not know how to be human. He knows only how to lure and devour. He knows this and begs her to come to him anyway. Begs her to allow him to have her.
In his own way, he is scared of losing her. Ida knows that from a human perspective Bastion is mad. Perhaps even from the perspective of his species he is equally mad.
For his hunger for her seems to frustrate and sadden him. He is attached, hopelessly so and it makes him all the more desperate to catch her.
His onslaught of her is relentless. The Manor tries its best to remove all semblance of fairness, in its desperation to ferry her to his parlour door. But even at its worst, the Manor is bound to fairness, it can do its best to feel relentless, but to someone who understands its rules and tricks as she does, escape is still a possibility and escape she does again and again. Until one day, the collected mask of her host breaks not with anger or frustration or malice, but with soft pitiful pleas. He begs her to let him have her, confesses his love, does not deny that it is twisted and hungry, monstrous and terrifying.
But begs her to feed herself to him regardless. She doubts she can trust this confession, but Ida is tired and lonely and the spider makes it so hard to remember how to think like a person.
When she finally finds herself in his web, He continues to act act as if he loves her. Sincere and utterly monstrous. She finds she can’t love him any less now that she knows, the thing behind the door is as in love with her as the human mask always claimed.
It should be impossible to recognise, the human mask in the hungry monster before her. But she does, she hears the love and adoration, the dark and deep hunger that can only grow in response to its attachment to her.
Bastion does not understand how to love like a person, the notion that his hunger would soften or fade in the wake of his devotion is incomprehensible.
He cannot be filled or satisfied so easily. At least not by love alone. But when he wraps his jaws around her and swallows her up.
She gets the sense that perhaps, if he finishes digesting her, he might be more human for it.
She has changed him, as he has changed her. He is not something that changes well or easily. She can feel that it pains him to absorb her, he loves her and he loves how it feels, but he’s not used to the souls he devours, staying, he’s not used to receiving love, any more than he is to giving it.
He clutches at his stomach and heart, calling her name in confusion, Unsure how to deal with her staying with him, he does not want to let her go. But does not understand how to sift through her human perspective.
He has no sense of conscience, no sense of restraint, but through her, he does. It’s confusing to him, so confusing to be so heavily influenced by the one he devours. He does not resent her for it, but he is afraid, so afraid, of these strange pangs in his chest of the liquid pouring freely from his eyes.
He does not comprehend guilt or remorse and yet their union lets him experience it. “What have you done to me?!” He pleads with her, but though he can feel her presence she cannot answer him as she is. “Ida please, I don’t understand” He sobs “I feel more satisfied than I have ever felt, so why?” She cannot answer but even if she could, she would not. He will learn now that she is with him. He will learn so many things, he could not before. And Ida is content, knowing he has not rejected her, even as she corrupts him from all he understands, into something new and complex. “You are what you eat” has never been more appropriate or more damning.
He groans in pleasure as he feels her soul beginning to struggle against his. He can taste all the parts of her he admires as though they are spread out across his tongue. As her physical body weakens inside his belly, her soul opens up to him, helpless and trapped on all sides by a stomach made to keep more than flesh.
“Oh Ida, you are every bit as beautiful as I knew you would be” He cooed, hunger and adoration intertwined.
Can she feel how beautiful she is to him? Or does his hunger overshadow that part of him even now? When all walls and secrets between them should be dissolving? He hopes not, he hopes his admiration sears her soul as deeply as his stomach acids sear her flesh. He hopes she drowns in his adoration, that she softens in his gratitude, that she is undone by his regard.
Her soul seems to recoil at the very idea that he feels so strongly. It is not that she does not desire him or recognise him. But rather, that she is afraid, afraid that his love will disappear if he sees any more of her, if he sinks his fangs too deeply into what makes her, Ida. She thinks he will reject her, that he will spit her out. She underestimates the depth of his hunger, the depth of his love. Even after he has licked clean every scrap of her, he is confident, he will never stop wanting more.
She cries out and whines as his stomach tightens, were she anyone else, it might have been simple fear, but here and now he senses that she is overwhelmed by the feelings inside him. She wants to be corrupted and overtaken, to drown in him and succumb to his twisted ravenous affection. She has never felt more loved and that truly scares her. She does not believe she deserves him.
Which is ridiculous, when it is he who does not deserve her. He is a monster, a predator, a hopeless glutton, who is at this very moment digesting the one person he values most in all the world. If she wants him as much as he wants her, who is he to deny her? To reject or abandon her? He is nothing but a simple minded spider, a gaping void of hunger that can never truly be fulfilled. If Ida wants him, all of him, then she has but to ask and he will lavish her in affection until she forgets where his love ends and she begins.
Day 1 of coming up with new ways for characters to say “I’ll eat your soul”
Attempt 1 : “Not even the ghost of you will escape me”
Day 2 Of coming up with more creative ways for Preds to say “I will eat your soul”
Attempt 2: “You will never know an afterlife beyond my stomach”
I like soul vore and soul entrapment where the pred is entirely open about what they intend. Just the entire concept of someone admitting that when they say they want all of you, they really mean ALL of you. Is really great to me. But also the idea of a pred that doesn’t warn the prey they’re going to be stuck within them forever. Or if they do the prey doesn’t believe them or thinks they’re just talking metaphorically only for it to dawn on them once they die that they are literally trapped for eternity. I like that concept as well, just the dawning realisation that not even death is an escape.
I feel like this is a probably a pretty niche concept cause it involves soul vore. But I really like the idea of a pred who ate a loved one and entrapped their soul, eating more people because they don’t want that soul to get bored or lonely. Essentially making a false world inside themselves for their prey.
You know the neat thing about soul vore as a concept? From the perspective of a predator their prey is still there with them, but to observers the predator can seem mad.
The idea of a mutual friend or acquaintance of the predator and prey struggling to understand how the predator who to all appearances had loved the prey could have eaten them.
The predator is just like “Together forever :3” but the observer is having an existential crisis about everything they thought they knew about this person they thought they understood.