The Strangers - Tumblr Posts
There are so many interpretations of walk on by that couldn't be more different. The variance makes it a journey through a sound carpet which always uses the same yarn but has different colours.
It is undisputed that the version of dionne warwick sixty years ago is unrivalled.
mod
Here is a compilation of the colours woven with the same starting yarn.
Dionne Warwick
Any thoughts on a BF5/The Strangers crossover?
I have a scenario that came into my mind
BF5 (The Strangers CrossOver)
WARNING: BLOOD AND VIOLENCE
It was around 12 at night. Everyone was peacefully sleeping. The lights were dimly lit at the hub and all that was bright was Sage, in the middle of the entire base, hibernating. She sensed something unusual. Her eyes twitched as she sensed someone outside the base. It wasn't the bf5. It was someone else.... more like 3 people...
She shot her eyes opened and turned on the alarm. The lights turned on. Sage checked the camaras on the inside of the garage, only to see the rollers bashed open by 3 masked people. Sage felt anger and frustration. Why did they do that?
The whole team appeared, in their uniforms. Their hair was messed up. They all were half asleep. "Intruders at the garage!" Sage exclaimed. When the BF5 heard what she said, they got their full senses. Vert grabbed his double sided sword and they all went up to the garage.
The intruders were searching around, looking for Vert. As they knew he is the owner of the garage. But they didnt know about his friends living here. The BF5 slowly peeked through the corner of a door and saw them, with an axe and a knife. They got terrified. Vert's blood started to boil. His eyes twitched. He wanted to kill all of them....
Sage watched the entire thing. She gasped. She couldn't believe Vert would do such a thing. Sage went up to the garage and knelt beside Vert, hugging him. The whole team ran to him, making sure Vert was okay.
He slowly walked up to them, emotionless. The intruders saw him. They stood there, silently. They also saw the giant sword Vert has. They gripped their axe and knife, ready to attack. But before that, Vert motioned Tezz to electricute all of them, using his glove.
Tezz electricuted them, and they fell down almost unconscious. Vert went up to them and raised his sword, ready to stab them in their heart. Agura went to stop him, but before she could reach him, the whole team heard an ear piercing scream. He did it. Vert killed them. He stabbed them multiple times. Blood dripped out of his sword. The groud was filled with a huge puddle of blood. Vert was breathing heavily. He fell down on his knees, thinking of what he did. He became a murderer. He never regreted these actions. He loved his team and would do anything to protect them. Killing these intruders was the only way to save them.
Vert laughed at the dead bodies. "This is what happens when you mess with The Crimson One!"
This
Is
What
The
Whole
Of October🎃
Looks
Like
For
Me!👻
~OML THIS TOOK SOOOO LONG~ Okay I finally finished these art requests! So sorry they are really late I just really wanted them to look nice. Hope you enjoy
Doll-Face: @starjax42 Rutile Twins: @agile-buffalo Lance: @abjlk Rose Quartz: @money-spot
masks of horror
Identity can be an ambiguous subject in Horror but increasingly, Horror narratives are turning towards the theory of the “Other”. The Other acts as the antagonist, one that the spectator cannot identify with and that the spectator realises in quintessentially different from themselves. The Other often takes on the form of the foreigner in Horror, thus increasing the xenophobia in modern horror and furthermore, exploiting current xenophobic social fears.
The three films above, The Strangers (2008, Bertino), Funny Games US (2007, Haneke) and The Purge (2013, DeMonaco) all feature the “Other”. All three films use this technique as it places the audience as the vulnerable voyeur, enabling the spectator to fully engage in a cathartic experience with the protagonists. If the spectator does not understand the motives of the antagonist we are forced to constantly ask questions and therefore, continue to become engrossed and interpellated into the film.