
Slob with a blog. Vicariously join me on my movie viewing adventures! Visit my blog here: http://jinglebonesmovietime.blogspot.com
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SHOCKTOBER! Day 2: HOUSE (Dir: Steve Miner, 1985).

SHOCKTOBER! Day 2: HOUSE (Dir: Steve Miner, 1985).
From Sean S Cunningham, producer/director of Friday the 13th (1980) and Steve Miner, director of Friday the 13th Part II (1981) comes House, a shocker of a markedly lighter tone than the slasher movies for which either was known.
Promoted as a comedy horror, House stars William Katt as horror author Roger Cobb (presumably modeled after Stephen King) a Vietnam vet who is mourning the recent suicide of a beloved aunt and the mysterious disappearance of his young son. Both events are somehow connected to the creepy house which his aunt has left to Cobb in her will. Retreating to his aunt's abode to write a biographical novel based upon his wartime experiences, he is haunted by all manner of apparitions, included that of comrade Big Ben (Richard Moll) who died in Vietnam. Naturally folks think Cobb is crazy. Enlisting the help of amiable neighbour Harold (George Wendt), Cobb battles to overcome both inner-demons and the curse of the house of horrors.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.

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SHOCKTOBER Day 4: THE BLACK SCORPION (Dir: Edward Ludwig, 1957).
Swapping atomic ants for subterranean scorpions and the Los Angeles sewers for the caverns of the Mexico desert, The Black Scorpion shamelessly hitches a ride on the coattails of monster movie masterpiece Them! (Gordon Douglas, 1954).
An undistinguished B-movie cast of little charisma cannot help but be overshadowed by the giant scorpions rampaging the southern portion of North America. The second hand plot finds the enormous arachnids chowing down on the San Lorenzo locals. Luckily some US scientists are on hand to make sure the pesky critters do not hop the border. Yup, the plot really is as lazy as my description of it.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.


Off he went with a trumpety-trump, trump, trump trump!

ALL THE MONEY IN THE WORLD (Dir: Ridley Scott, 2017).
Based on events which shocked the world back in 1973, All the Money in the World relates the story of Pablo Getty (Charlie Plummer), 16 year old grandson of billionaire oil baron J Paul Getty (Christopher Plummer) who was kidnapped and ransomed for $17,000,000. Pablo’s mother and estranged daughter-in-law of Getty, Gail (Michelle Williams) cannot pay the fee and appeals to Getty Snr. Though a pittance to a man of his standing, Getty refuses to put up the money; instead hiring ex-Fed Fletcher Chance (Mark Wahlberg) to investigate the abduction.
Best known for big budget sci fi and widescreen epics such as Blade Runner (R Scott, 1982) and Gladiator (R Scott, 2000), Ridley Scott may seem an odd choice to direct the true story of a kidnapping. But Scott proves his versatility in an impressively mounted, sometimes morbidly gripping thriller.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.

ESCAPE IN THE FOG (Dir: Oscar Boetticher Jr, 1945)
The evocatively titled Escape in the Fog is a B-movie thriller from Columbia Pictures; directed by Budd Boetticher, billed here, as on all his early movies, as Oscar Boetticher Jr.
Wartime nurse Eileen Carr (Nina Foch) has a nightmare about the attempted murder of friendly neighbourhood G-Man Barry Malcolm (William Wright). The premonition proves prophetic and on this preposterous premise is hung a convoluted plot involving smuggled documents, kidnapping and Nazi bad guys.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.


SANTA AND THE ICE CREAM BUNNY (Dir: R Winer & B Mahon, 1972).
If you are looking for alternative Christmas viewing it doesn’t get much more alternative than this, frankly weird, no-budget effort from indie production company R & S Films, Inc.
Santa (Jay Clark) touches down in sunny Florida and gets his sleigh stuck in the sand. Using his powers of telepathy(!), Ol’ Saint Nick summons the help of some local kids including, for reasons unexplained, Mark Twain’s literary Tom and Huck. The kids employe an assortment of animals, gorilla included, to shift the sleigh to no avail, until the appearance of the titular rabbit who, despite co-star billing, doesn’t appear until the final moments of the movie. When he does finally make an entrance he is inexplicably driving a fire truck, not an ice cream van as you might expect.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.
