[Eroica Musical Rant] Dorian Red Gloria, Earl Of Gloria, Codename: Eroica

[Eroica Musical Rant] Dorian Red Gloria, Earl of Gloria, Codename: Eroica

(Series masterlist)

Somehow I am the least mad at what they did to him ...

Dorian Red Gloria, the Earl of Gloria, otherwise known as Eroica the Phantom Thief, is one of the most vibrant characters ever written in manga, and my personal favorite. A respected English aristocrat, a revered art thief, Dorian’s aspiration is to live a life full of – capital R – Romantic splendor, defined by thrill, desires and adventures, bordering on hedonism.

Agile, dynamic and fun, Dorian steals not for money but for said vision, as he thinks stealing art is the most Romantic profession – to the displeasure of his long-suffering accountant and countless museum curators around the world. Extremely intelligent, spontaneous, and armed with complete fearlessness, he outsmarts and baffles even the most cold-blooded, hard-boiled, thoroughly-trained international superspies. Other than those attributes, Dorian’s power is derived from being a people person. He has a charisma and wit that can persuade, trick, or provoke anybody.

With my love for this character, I went into this musical expecting to be severely disappointed. I thought at best he would be a gay stereotype, and at worst, boring. But to my surprise, Dorian in this musical is actually fairly decently played. Most of his scenes and lines are kept, and the actor himself does bring some life into the role. He sings, he dances, he delivers the sass required. And I think the decision to have him sing enka in the tank scene is still in-character.

Direction

My only criticism would be that, compared to the original manga, Dorian is not depicted and portrayed with nearly enough power. First of all, the actor is frequently seen very relaxed, and unfortunately, it translates to slight slouches in his posture. But more importantly, due to various factors like staging, writing and productions, some scenes, while kept, were changed massively.

Let’s take this scene where Dorian supplies Klaus with a key piece of information. The chapter leading up to this scene in the manga starts out with Dorian throwing a gala for his fellow crime lords, and Klaus being tasked with maintaining security for a peace conference between the USA and the USSR taking place nearby. Upon hearing that there is a gathering of some of the most powerful underground figures in that proximity, Klaus intrudes on Dorian’s soiree to warn them not to do anything that might disrupt the conference. Dorian reassures his alerted guests, and informs Klaus that they have no such intention.

It is then that a KGB and a CIA agent rush in to tell Klaus that they received a lead that could hint at a neo-Nazi plot aiming to bomb the conference. An argument soon breaks out amongst the uninvited guests and Dorian promptly kicks them all out. Afterwards, Dorian’s close friend Volvonte offhandedly muses that he remembers something about a neo-Nazi of some sort having borrowed money from his organization some time not so long ago – a piece of information crucial to Klaus’s investigation is now, accidentally, in Dorian’s hands. But the party resumes, and it is only later, once everything is done and cleared, that Dorian thinks to call Klaus before going to bed. He is in bed, phoning Klaus like it was a booty-call. He flirts, Klaus tries to hang up, Dorian supplies the piece of information, then flirts some more and ends the call with a big, fat, sloppy kiss over the telephone. So what is significant about this set-up?

For one, Dorian has no obligation to tell Klaus this information that would not only save a peace conference, but many lives, including Klaus’s. The casual manner with which he treats this key piece of information is also important. He doesn’t urge Volvonte to tell him more, he doesn’t rush to tell Klaus, and he doesn’t communicate with Klaus in the manner of subordination, taking the time for pleasantry and flirtation. A casual bedtime conversation for Dorian, in this case, is a matter of life and death for Klaus. Dorian holds the power.

In the stage show, while the context is the same, details are removed, while other unnecessary ones are added. Due to the rushed pace that the show is written with, Dorian’s feelings for Klaus in this arc is intensified, giving him a motivation to tell Klaus the vital piece of information, as he is now deeply worried about Klaus. This level of care at this point in the story is not seen in the manga. Because of this newly-slotted motivation, his nonchalance is diminished, resulting in a serious exchange where it appears as though Dorian also has stakes in the matter, almost like he is working for Klaus. And because he is not in bed, his “advice” to Klaus comes off less as banter and more like sincere advice, and it presents him as naggy, as opposed to flirtatious and funny. That kiss is also waaaayyy too timid.

Costume

When it comes to costume, Dorian in this musical still exceeds everyone else by a mile. I was concerned when promotional materials only show him in one outfit, but thankfully, they had others made as well. Most of them look glamorous enough to look like they could maybe be part of Dorian’s wardrobe (and he might have worn a few of them while extremely intoxicated because this is the 70s).

However, that is not to say they were perfect. Knowing that this is a small production with limited budget, I will look past the fact that even Dorian’s costumes look pretty cheap in terms of material and tailoring. Especially if you compare them to the Takarazuka Revue’s adaptation of Eroica’s spin-off, El Halcon. But what will always be a sore thumb in my eyes is his rubber-looking rubber-sole jagged platform boots.

Why couldn’t we have given him well-fitted heel leather boots? Manga Dorian is on heels even while scaling walls. And heels would certainly look better when he dances. My problem with the ill-fitted rubber sole boots is that they throw the outfit’s proportion and silhouette totally off balance, shortening his legs, the opposite of what you want for a 1970s look. Considering the actor himself is tall enough to pull off a 1970s shōjo manga type look with loooong legs, these boots definitely did him quite dirty.

Speaking of which, Dorian’s inspiration is Robert Plant. Therefore, I definitely would have loved to see the outfits taking more inspiration from the decade, the rock scene, and Robert Plant himself. Manga Dorian’s fashion is a showcase of Aoike’s love for rock’n’roll, European classic arts, and fantastical shōjo manga aesthetics.

It expresses Dorian’s character as someone who romanticizes the fictionalized past and at the same time, poses as a contradiction to convention and norm.

The outfits given to Dorian in this production don’t exactly hold such punch, some of them seem repetitive, while others pale in comparison to his manga counterpart. And that is without mentioning that godawful wig that's somehow both too flat and too frizzy (in a nylon way).

Overall, Dorian in this production worked and I am not mad about him. I would say that most of the criticisms I have for Dorian is the result of staging, writing, and costuming, and none for the casting itself. I do think Nakayama Yuki did, honestly, a good job.

Another picture of the BAT-family!!! Bruce will make them all fit under his wings if it’s the last thing he does.

Near okay boomered him to defeat

I love Near and Light's dynamic because like why does the most notorious serial killer in the world have beef with an iPad kid.

Death Note is stylistically modern but if it were ever to be told like a classic epic musical I want Light Yagami to be introduced like Frollo in Hunchback of Notre Dame.

Like fr

"Judge Claude Frollo longed to purge the world of vice and sin

And he saw corruption everywhere except WITHIN"

Then when Ryuk's about to unalive him

"And for one time in his life of power and control

Frollo felt a twinge of fear for his immortal soul"

That's Light Yagami in 4 short lines.

My dream job is where I can just gorogoro around like this

The floor is his whore

Christ, he's so listless. I want Ryuk to phase his entire arm through the floor and up his arse, it's like the only way to get him off of it at this point, he's bound to it like a lover

Forfeit my collection of stuffed animals and cool looking cards

Near had to switch safe houses in a hurry and leave behind all of his toys! Will you help gather some new ones for him?

(Reblog with a picture of a toy to put it into the box, and if it's cute, I might just draw chibi Near playing with it! ♥)