Murder Most Foul - Tumblr Posts

MURDER MOST FOUL (Dir: George Pollock, 1964).
MGM’s third outing for Agatha Christie’s amateur sleuth Miss Marple, with the incomparable Margaret Rutherford in the title role.
Investigating the murder of a blackmailer, Miss Marple bluffs her way into theatrical troupe the Cosgood Players, with whom the victim has a previous association. The old girl knows she is on the right track as more troupe members are disposed of. Anyone of the players has possible motive for murder, and Miss Marple is soon in danger herself as the killer gets wind of her snooping.
As with the previous series entry Murder at the Gallop, this movie is based upon a novel featuring Christie’s Belgian detective Hercule Poirot, in this instance her 1952 novel Mrs McGinty’s Dead. As before, Poirot is elbowed out the picture to make way for Miss Marple.
Once again Rutherford attacks the role of Miss Marple with relish! While nothing like the literary incarnation, she injects the role with such goodnatured bluster that its impossible not to love her interpretation. A strong supporting cast of Brit acting legends adds to the fun. Returning from previous adventures are Charles Tingwell as the long suffering Inspector Craddock and Rutherford's real life husband Stringer Davis as Miss Marple's chaste love interest Mr Stringer.
As with other titles in the series, Murder Most Foul is not necessarily one for Christie purists. Great liberties are taken with the original, not just the recasting of the lead character. However, the movie is a lot of fun. Director George Pollock skillfully judges the overt comic tone with the more serious business of murder. There are genuine thrills to be found as the mystery unfolds to a neatly suspenseful, not too obvious climax.
In truth, Murder Most Foul differs little from the two previous outings. But happily, what worked before works again and the formula still feels surprisingly fresh. Unfortunately Miss Marple doesn't delight us with her twist again, or any other fad dances for that matter. But as compensation she does perform a priceless rendition of Robert W Service's poem The Shooting of Dan McGrew, which alone makes the movie worth a watch!
A longer, more in-depth review of MURDER MOST FOUL is available on my blog JINGLE BONES MOVIE TIME! Link below.


MURDER AHOY (Dir: George Pollock, 1964).
The fourth and final entry in MGM’s Miss Marple series.
Here the amateur sleuth boards the retired battleship HMS Battledore, now used by charity Trust for the rehabilitation of juvenile delinquents, in order to investigate the death of one of the charity's trustees. It is anything but plain sailing as more crew members are bumped off and Miss Marple's own life is at risk as she uncovers embezzlement and theft on board.
The only title in the series not directly based on an Agatha Christie novel; the opening credits bear the legend “original screenplay by David Pursall and Jack Seddon based on their interpretation of Agatha Christie’s Miss Marple”. The wording here is key as, with a markedly more comic tone, this is definitely Pursall and Sneddon’s interpretation rather than Christie’s. However, having previously adapted three Christie novels, the writers prove more than adept at recreating a murder mystery with twists and turns worthy of the author.
Wary that the franchise was in need of a refresh, the decision to set much of the movie on board the HMS Battledore gives it a slightly different flavour from other series entries. With Miss M spending much of the film aboard ship she relies heavier than usual on her land based contact and constant companion Mr Stringer (Stringer Davis). It’s nice for Davis to have a bit more to do and this different dynamic also serves to shake up the formula somewhat.
Again, Rutherford is wonderful as Miss Marple; nothing like the character in the books, but an excellent comic creation in its own right. As always, a cast of familiar vintage British stars offer sturdy support, most notably Lionel Jeffries whose terrific comic performance as ship's Captain Sydney De Courcy Rhumstone almost steals the movie from Rutherford.
Like its predecessors Murder Ahoy is all very silly, yet also highly entertaining. Purists may disagree, but this naval nonsense is hard lnot to warm to and concludes the series in ship shape fashion.
To read a longer, more in-depth review of MURDER AHOY visit my blog JINGLE BONES MOVIE TIME! Link below.






Part Three of the Kendratello AU comic
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There may be one more part, or I’ll give an update on Donnie’s emotional state in simpler sketches.
Like I’ve said, I still have ideas for this AU, but we’ve now seen Kendra’s fate. There’s no way she’s surviving in the middle of the desert with no supplies. So that ends this plot thread, and we’ll be back to hopping around a bit, just based on what I feel like lol!


Murder Most Fowl: Round #1
I recently thought of this series. I’m sure it’s been done before (I didn’t check; plausible deniability), but, here’s my approach to roasters murdering people different ways. Murder is fowl, and so are they ;]