[Eroica Musical Rant] The Case Of The Missing Caesar Gabriel And The Character Assassination Of Tyrian

[Eroica Musical Rant] The Case of the Missing Caesar Gabriel and the Character Assassination of Tyrian Persimmon

(Series masterlist)

When the Eroica Stage Show Twitter began announcing their casting choices, there was one in particular that shook an entire fandom: Tyrian Persimmon.

Or rather, it wasn’t so much about who played him, and more about the fact that he is played. Although Tyrian is the protagonist of El Halcon and Nanatsu no Umi, Nanatsu no Sora, by the time of Eroica, Tyrian is long dead and almost entirely forgotten, save for a very flattering portrait.

And that’s all Tyrian ever is in Eroica: a gorgeous painting, a MacGuffin. He, as a character, plays no role at all in this story. So why, for the love of Aoike, is there an actor playing Tyrian? For about a month leading up to the performance, my Eroica discord was confused and concerned as to wth they would use Tyrian for. Like is he going to pop out of the painting and sing? Are they trying to ride off the success of the Takarazuka Revue’s El Halcon?

After having watched the full show and spent sleepless nights contemplating, turns out the answer has to do with a character we’ve all sorta forgotten about as a fandom: Caesar Gabriel.

Caesar Gabriel

If you remember reading Eroica for the first time, you might remember that the first chapters were told from the perspective of and in relation to Caesar Gabriel – super-genius university professor at age 18, Art History expert, who's extremely frail, innocent and naïve. It was through Caesar that we as the audience were introduced to the fascinating specimen that is Dorian Red Gloria AKA Eroica. Who takes an interest in him, and whisks him away in a dramatic – illegal – fashion before letting him go, already hopelessly in love.

In the second chapter, Iron Klaus, it was due to Dorian’s effort to bargain and rescue Caesar from Klaus that they end up with a tank on their tail. Thus, beginning Dorian and Klaus' enemies-and-lovers relationship. Afterwards, Caesar is never seen or mentioned again.

So, although Caesar Gabriel might have been written purely as a functional character, his role is important in those chapters.

Caesar fills the role of the proxy through which Dorian is introduced in all of his … Gloria? By using a second-person point-of-view, Dorian first comes off as mysterious, unpredictable, and almost other-worldly. Audiences get to see Dorian’s IMPACT first, and it draws them in to this wildly charismatic character before diving into him in later chapters and arcs.

By removing a functional character, the musical has to compensate the plot-holes that the character filled. And they did that, by reviving Tyrian Persimmon from the painting. But hey before any Tyrian stan gets too excited, they gave him the personality of Caesar Gabriel. Let me tell you why this is bad.

First of all, because Caesar is the POV for the 1st chapter of the manga, it’s almost impossible to reconcile his absence. So, they skipped it. Which … fine, whatever. The big issue, though, comes up in Dorian’s plan to get the 2-in-1 painting.

In the second chapter, Iron Klaus, Dorian and Klaus meet for the first time and decide that they despise each other. Klaus refuses to sell Dorian The Man in Purple. So Dorian, being Dorian, decides that if he can’t obtain it the legal way, he has no qualm with obtaining it the illegal way. Sensing that Dorian might try something, Klaus orders tight-knit security to protect his family’s cultural treasure. Which Dorian and his gang manage to by-pass by mingling into the security unit and filling every room with sleeping gas. Eroica’s first heist is resounding a success.

However, Klaus still has “custody” of Caesar, and he calls Dorian to demand an exchange of “hostages,” to which Dorian gives his verbal agreement. On the day, though, tension is high, and Klaus begins suspecting the unknown guard stationed around the premise. Another guard rushes over and yells that the first one is Eroica, and in the commotion that ensues, the actual Eroica – revealed to have disguised as the second guard – grabs Caesar and speeds off in his red Lamborghini. Eroica’s second heist is a success – for now.

With the removal of Caesar, the plan becomes convoluted. In the musical, Dorian - using the strategy from the first heist - disguises himself as an art appraiser. With every agent out of sight, he fills the room with sleeping gas, which knocks Klaus out. Dorian, James and Bonham take the painting and drive away, feeling victorious.However, he quickly discovers that the painting is a fraud intended to trick him. Hence, Eroica’s first attempt is a failure.

He makes a U-turn - using the strategy from the second heist - disguises himself as a security guard, frames another as fake and steals the real painting right in front of Klaus and his agents. An extremely flimsy patchwork of the second heist, that also makes Klaus’s unit and instincts look slow and weak.

While in the manga, the structure of Iron Klaus is as follows:

Attack (1st heist) => bargain => attack (2nd heist) => to retaliation (tank)

In the musical, it goes like this:

Failed attack (1st attempt) => fix (2nd attempt) => lukewarm retaliation (tank)

There is no tension, no excitement, where it’s supposed to be a confrontation, where 2 characters are one-upping, mind-gaming, out-maneuvering each other. Now, it’s just a single over-complicated mess, because the 2 MacGuffins – Caesar and painting – have been reduced down to 1.

Towards the end of the manga chapter, Dorian willingly gives Klaus back the painting in exchange for Caesar’s well-being. But he steals the tank. The symbolic meaning of his actions can be read as Dorian being satisfied with Klaus’s self-expression. And to show his respect for one with a different viewpoint, he keeps the symbol of Klaus’s ideal beauty, while leaving Klaus his own.

Klaus certainly doesn’t view it as such, but like I said, different viewpoints. It’s a great note for 2 characters who have recently gotten tangled up into each other to part, promising much more to come. But in the musical, Dorian’s heist of the painting is, ultimately, a sadly failed plan, as Dorian is forced to give up on The Man in Purple. And although he does steal the tank, it seems less like a conscious action, and more like an attempt to provoke Klaus.

Tyrian Persimmon

So, in the Aoike Cinematic Universe, Tyrian Persimmon – or The Man in Purple – is Klaus’s ancestor who lived in the Elizabethan period. In Eroica though, he’s been loooooong dead, and it seems that not a lot is known about him. Although his painting is a MacGuffin, Tyrian himself doesn’t play any role, and if one only reads Eroica, it’s just a really nice painting, and that’s all it has to be. The interesting bit comes from a meta viewpoint.

If you have read El Halcon and Nanatsu no Umi Nanatsu no Sora, you would know, that Tyrian was a vile motherfucker. Murderer, rapist, traitor, and so ambitious he cares about nobody’s life but his own. Almost every character who crossed path with him died some kind of gruesome, unjust way. He’s irredeemably terrible even if entertaining. So, what’s the significance of this in the context of Eroica?

In Eroica, everyone fawns over Tyrian’s portrait like he was a god-sent beauty. It is even said that on first glance, Klaus might look like The Man in Purple but he lacks a certain “grace and charm,” attributes that could be considered heroic, or even angelic. The magnetic power of the portrait drew many of the conflicts in Eroica as characters seek to possess his image. But those who worship his beauty knows not the monster beneath the canvas. For an audience looking for meta-reading though, the fact that the portrait is still eliciting so much trouble is a reflection of Tyrian’s own life as the bane of existence. Even Klaus once wonders if they were being played like puppets in the sadistic theatre of The Man in Purple. This combined dramatic irony is severely damaged when the portrait is suddenly personified like a character.

And what’s worse is that, not only did they reanimate the portrait for the musical, they tried to give him a caricature Caesar Gabriel’s personality. This … vile, manipulative, murderous narcissist is now a bubbling, naïve and confused 18-year-old coddled child. It’s comical in the worst moments.

Like in the tense scene of the Autobahn chase, all my attention was directed to Tyrian trying to chase his hat which had flown off the vehicle, while trying to hold the portrait frame around his face. Or during, what I still maintain as the best scene in the entire musical, the cuddling in the tank scene, the budding bond between the two main characters are constantly distracted by Tyrian’s antics.

And to top it all off, they didn’t even give him his PUMPKIN PANTS!!

[Eroica Musical Rant] Dorian Red Gloria, Earl of Gloria, Codename: Eroica

(Series masterlist)

Somehow I am the least mad at what they did to him ...

Dorian Red Gloria, the Earl of Gloria, otherwise known as Eroica the Phantom Thief, is one of the most vibrant characters ever written in manga, and my personal favorite. A respected English aristocrat, a revered art thief, Dorian’s aspiration is to live a life full of – capital R – Romantic splendor, defined by thrill, desires and adventures, bordering on hedonism.

Agile, dynamic and fun, Dorian steals not for money but for said vision, as he thinks stealing art is the most Romantic profession – to the displeasure of his long-suffering accountant and countless museum curators around the world. Extremely intelligent, spontaneous, and armed with complete fearlessness, he outsmarts and baffles even the most cold-blooded, hard-boiled, thoroughly-trained international superspies. Other than those attributes, Dorian’s power is derived from being a people person. He has a charisma and wit that can persuade, trick, or provoke anybody.

With my love for this character, I went into this musical expecting to be severely disappointed. I thought at best he would be a gay stereotype, and at worst, boring. But to my surprise, Dorian in this musical is actually fairly decently played. Most of his scenes and lines are kept, and the actor himself does bring some life into the role. He sings, he dances, he delivers the sass required. And I think the decision to have him sing enka in the tank scene is still in-character.

Direction

My only criticism would be that, compared to the original manga, Dorian is not depicted and portrayed with nearly enough power. First of all, the actor is frequently seen very relaxed, and unfortunately, it translates to slight slouches in his posture. But more importantly, due to various factors like staging, writing and productions, some scenes, while kept, were changed massively.

Let’s take this scene where Dorian supplies Klaus with a key piece of information. The chapter leading up to this scene in the manga starts out with Dorian throwing a gala for his fellow crime lords, and Klaus being tasked with maintaining security for a peace conference between the USA and the USSR taking place nearby. Upon hearing that there is a gathering of some of the most powerful underground figures in that proximity, Klaus intrudes on Dorian’s soiree to warn them not to do anything that might disrupt the conference. Dorian reassures his alerted guests, and informs Klaus that they have no such intention.

It is then that a KGB and a CIA agent rush in to tell Klaus that they received a lead that could hint at a neo-Nazi plot aiming to bomb the conference. An argument soon breaks out amongst the uninvited guests and Dorian promptly kicks them all out. Afterwards, Dorian’s close friend Volvonte offhandedly muses that he remembers something about a neo-Nazi of some sort having borrowed money from his organization some time not so long ago – a piece of information crucial to Klaus’s investigation is now, accidentally, in Dorian’s hands. But the party resumes, and it is only later, once everything is done and cleared, that Dorian thinks to call Klaus before going to bed. He is in bed, phoning Klaus like it was a booty-call. He flirts, Klaus tries to hang up, Dorian supplies the piece of information, then flirts some more and ends the call with a big, fat, sloppy kiss over the telephone. So what is significant about this set-up?

For one, Dorian has no obligation to tell Klaus this information that would not only save a peace conference, but many lives, including Klaus’s. The casual manner with which he treats this key piece of information is also important. He doesn’t urge Volvonte to tell him more, he doesn’t rush to tell Klaus, and he doesn’t communicate with Klaus in the manner of subordination, taking the time for pleasantry and flirtation. A casual bedtime conversation for Dorian, in this case, is a matter of life and death for Klaus. Dorian holds the power.

In the stage show, while the context is the same, details are removed, while other unnecessary ones are added. Due to the rushed pace that the show is written with, Dorian’s feelings for Klaus in this arc is intensified, giving him a motivation to tell Klaus the vital piece of information, as he is now deeply worried about Klaus. This level of care at this point in the story is not seen in the manga. Because of this newly-slotted motivation, his nonchalance is diminished, resulting in a serious exchange where it appears as though Dorian also has stakes in the matter, almost like he is working for Klaus. And because he is not in bed, his “advice” to Klaus comes off less as banter and more like sincere advice, and it presents him as naggy, as opposed to flirtatious and funny. That kiss is also waaaayyy too timid.

Costume

When it comes to costume, Dorian in this musical still exceeds everyone else by a mile. I was concerned when promotional materials only show him in one outfit, but thankfully, they had others made as well. Most of them look glamorous enough to look like they could maybe be part of Dorian’s wardrobe (and he might have worn a few of them while extremely intoxicated because this is the 70s).

However, that is not to say they were perfect. Knowing that this is a small production with limited budget, I will look past the fact that even Dorian’s costumes look pretty cheap in terms of material and tailoring. Especially if you compare them to the Takarazuka Revue’s adaptation of Eroica’s spin-off, El Halcon. But what will always be a sore thumb in my eyes is his rubber-looking rubber-sole jagged platform boots.

Why couldn’t we have given him well-fitted heel leather boots? Manga Dorian is on heels even while scaling walls. And heels would certainly look better when he dances. My problem with the ill-fitted rubber sole boots is that they throw the outfit’s proportion and silhouette totally off balance, shortening his legs, the opposite of what you want for a 1970s look. Considering the actor himself is tall enough to pull off a 1970s shōjo manga type look with loooong legs, these boots definitely did him quite dirty.

Speaking of which, Dorian’s inspiration is Robert Plant. Therefore, I definitely would have loved to see the outfits taking more inspiration from the decade, the rock scene, and Robert Plant himself. Manga Dorian’s fashion is a showcase of Aoike’s love for rock’n’roll, European classic arts, and fantastical shōjo manga aesthetics.

It expresses Dorian’s character as someone who romanticizes the fictionalized past and at the same time, poses as a contradiction to convention and norm.

The outfits given to Dorian in this production don’t exactly hold such punch, some of them seem repetitive, while others pale in comparison to his manga counterpart. And that is without mentioning that godawful wig that's somehow both too flat and too frizzy (in a nylon way).

Overall, Dorian in this production worked and I am not mad about him. I would say that most of the criticisms I have for Dorian is the result of staging, writing, and costuming, and none for the casting itself. I do think Nakayama Yuki did, honestly, a good job.

@whyamihereat4am

How could you leave this in the tag???

In addition to that, Mello might come up with something like Mycrazy McFucker

Matt will simply refer to the culprit as The Unaliver

(I still can't figure out what Near will call him ... he can either be extremely creative and sassy or extremely low effort as a method for psychological war fare - Light isn't worth the time he'd spend coming up with a nickname)

Death Note AU where everything is the same except instead of Kira, the culprit is referred to as "Murderer McMurderFace"

I know L was itching to do it

From Eroica with Love Musical and why I don't trust adaptations of 1970s shoujo manga

Unlike some of its contemporaries which have reached famed accolades and mainstream commercial success, From Eroica with Love seems to have remained a beloved cult classic. It has evaded anime, live-action, or stage adaptation since its serialization began in 1976. That is until now.

When it was announced that From Eroica with Love will be receiving a musical adaptation, I – and several others – were immediately skeptical. Not only are the characters and comedy of Eroica extremely difficult to adapt with real humans, there is also a very specific aesthetic that the adaptation must abide to. This aesthetic combines the style of 1970s shōjo manga, and the contemporary rock scene, along with classic James Bond films. That alone should prove enough of a challenge, but characters are also extremely vibrant and vivid in personality, which usually demonstrates in subtle and/or comedic moments.

And this was actually not the first time that the thought of a musical of From Eroica with Love has crossed my mind. I had casually talked to a friend or two that if Eroica were to be adapted, I think it could work as a musical, if it could utilize the very theatrical and dramatic language of the stage to portray the characters, the style, and the energy of the original. So, did this production succeed in doing so? Well, I wrote a 10,000-word essay that attempts to dive into the topic, which will be split into parts, just so we could get to the bottom of this. Oh and also, it’s Dorian’s birthday.

Happy birthday Dorian Red Gloria - part-time menace, full-time FASHION ICON!!!

Link to each respective parts of this rant essay:

Part I: I want my chaotic characters back

Dorian Red Gloria, Earl of Gloria, Codename: Eroica

Klaus Heinz von dem Eberbach, Major, Codename: Iron Klaus

The Case of the Missing Caesar Gabriel and the Character Assassination of Tyrian Persimmon

Part II: WTF is with this lack of energy bro?

Section 1: The tank scene was the only one they did right

Section 2: I should not be sleepy or bored watching Eroica

Part III: Wanna talk about media-mix?

Near x OC (Corrin) mood playlist for Near's birthday party 2024 @nearsbday

Day 2: Memory

synopsis: compiled series of letters exchanged between Near and Corrin - close friends since Wammy's days, now young adults with vastly different callings in life

Well I only have 1 deck of tarots and it's Greek myth inspired

But I also have a tiny tiny deck of poker fit for a tiny tiny fluffy marshmallow 🥹

Near had to switch safe houses in a hurry and leave behind all of his toys! Will you help gather some new ones for him?

(Reblog with a picture of a toy to put it into the box, and if it's cute, I might just draw chibi Near playing with it! ♥)