Indie Publishing - Tumblr Posts

Hi! How does one go about getting a book published? I promise I don't have crucifix nail nipples in anything I write, though I do lean toward horror.

That depends, are you wanting to go traditional publishing, or self pub?

Trad pub you finish writing and editing, and start shopping around for an agent who will then find you a publisher who works with you through their editing and handles the cost of print and distribution.

Remember: you do not pay agents or publishers. Agents take their fee after they've sold the book and you get your initial payout from the publisher buying the book. After that the publisher takes their cut from sales.

Vanity presses take money from you, avoid them.

For self pub, there are many more steps, so I'm going to list them as bullet points:

Finish your manuscript.

If you can, invest in editing and formatting. If you're not sure what kind of editing you need, developmental vs copyedit vs basic proofing, you might want to ask for a manuscript assessment so the editors can identify any problem areas that they can help you with, or you can work on by yourself before coming back for the actual editing process.

Formatting between ebook and paperback is different, and if you want the finished product to look polished, I'd suggest hiring a formatter-- some editors do this as part of their services. You can also learn to do this yourself. I opted to hire it out.

Cover design. There are places you can buy covers, or you can make them yourself. ebook covers are fairly straightforward, paperbacks/hardbacks will require you to work with a template based on the size of your book (including page count) which places like Amazon and Ingram Spark provide.

Decide where you want to distribute. Amazon is fairly straight forward. You just make a KDP account and follow the prompts.

If you want to go wide, use www.draft2digital.com they will distribute globally for you with a single upload. You should still upload directly to Amazon and Barnes & Noble as they pay better. Otherwise just use d2d.

I'd also suggest reading Let's Get Digital by David Gaughran, who really breaks down the process of indie digital publishing. You can read it for free via his website: https://davidgaughran.com/books/lets-get-digital-how-to-self-publish/

For paperbacks you can use Amazon and Ingram, though Draft2Digital also just launched their paperback distribution service as well. I haven't used them yet, but I will be for the second Phangs book, so I'll report back on how that goes. (They also work with an audiobook distributor if you ever want to do audio.)

If we want to talk marketing and creating an online presence, you should strongly consider having an author website you can send people to to find all your work in one place. If you can't afford to do that, make sure you have a strong presence on your preferred social media platform and make sure your buy links are in a visible place.

If you want to talk more specifics, then I can go into more detail, but otherwise that's kinda it. You need a KDP account, a d2d account and completed files to upload. The rest is marketing and working on new books.

Hope that helps!

You’ve finished your manuscript! Now what?

Whether you’ve finally finished that book you’ve been agonizing over for the past few months, years, or only weeks, whether Nano or not, here are some tips to help you with your next steps:

Stick your manuscript on the shelf now. Right now.

No, don’t glance back at it. Don’t flip through it. Don’t go and read those favorite scenes that you’re particularly proud of, or those scenes that have been bothering you since you wrote them. Close all your documents, shut your notebooks, and hide everything from sight. The waters in your brain are still all churned up, and you need to let all that sediment settle so you can see clearly again. This will help you be more objective.

“How long should I wait?”

I’ve waited anywhere between two weeks to nine months. I’d recommend at least four weeks before you touch a page or run your cursor lovingly over that “Chapter 1” document icon.

The reason why I waited nine months was because, when I typed the last word on the last page, I didn’t feel good about this particular manuscript. I didn’t feel it was my best. I knew I could do better. So I allowed it to sink into the furthest corner of my brain and I moved on to other projects.

If you’re itchy and antsy and having trouble holding back from stealing peeks, then give yourself a new project to distract you. A short story, or a whole new novel. Make a deal with yourself that, when you finish your new project(s), you can go back, but not until then.

The sediment has finally settled. Time for revision.

You’ve sat on your hands or busied yourself for 4+ weeks, so now you’re ready to begin revising. Make sure you’re ready. Clear your plate. Be objective, be harsh, and be prepared to make massive renovations if you find an issue.

In other words, be prepared to write your whole manuscript over again.

Your own revising process should be difficult, but this will help put you in the right mind for the next step. It’s exhausting and it may dampen your spirit—or, you might be the type of writer who loves revising more than writing. Either way, it’s important to toughen that hide and get ready.

A couple ways of revising that work for me go like this:

Read through the whole thing and revise as you go. If major changes need to be made, make them and revise them after you finish your first read-through. Repeat read-throughs until satisfied. (I might make two read-throughs or more, depending on how many changes I’ve made.)

With the case of my nine-monther (what is this, a pregnancy?), sometimes a lot more needs to be changed. In this case, a blank word document or a notebook is good for listing changes that need to be made as you read through. You might have to jot down issues and work them out in your brain before you truly begin revising. (In some cases, and in the case of my pregnancynine-monther, I had a specific word document like this open while I was writing so that I could jot down problems that needed to be fixed later.)

In the case of one of my friends, she would finish her manuscript and then write up a synopsis of all the scenes and plot points, then dissect it and add changes, like creating a floor plan. Then she would begin revising accordingly.

Whichever way you prefer, it’ll take you a long time before you’re finished. Be prepared for the investment.

Revision done. Time for more revision.

Or, in other words, time for critique partners/beta readers. First of all, if you have no plans to get published (or you’re only writing for yourself), you don’t have to go any further than the last step. But, if you intend to be published in any shape or form, this is a crucial step. Don’t move onward without having fresh pairs of unbiased eyes read over your stuff.

Your critique partners shouldn’t be a close family member or a friend—unless the aforementioned are either good writers or avid readers. Some people might tell you that your critique partners shouldn’t ever be anyone close to you because disagreements will spark animosity, or your close somebodies will be less inclined to be honest with you, therefore providing you less effective and biased feedback. This is true, unless you have personal somebodies you can trust to be really, truly honest with you to provide helpful feedback. In equal exchange, you have to understand that critique isn’t supposed to be a comment on your writing ability, so you can’t allow yourself to see it that way. If you want your story to be the best it can be, then you have to be open to change. Critique only hurts if you let it.

Find three or more people to be your critique partners. I generally have three, occasionally a fourth, but never fewer than two. Here’s why:

The first critique partner gives me a general overhaul of things that are both wrong and right (and a good critique partner knows how to supplement explaining issues with the manuscript along with positive feedback).

The second critique partner provides the same, and then considers the feedback that the first critique partner offered, whether they agree or disagree. Putting minds together helps (and, oftentimes, when I’m critiquing and I have a problem that I can’t quite put my finger on, someone else might find the root cause of it so I can have a random and slightly inappropriate outburst of “OH YES.”)

The third critique partner sees the near-finished product after I’ve applied the first two (or three) critique revisions.

There are other ways to go about this, of course. You might have your partners read separately and then send you their notes. You might have them read and then get together and discuss what they thought as you listen.

Remember one thing, however: your reader is never wrong.

If you find yourself having to explain something, then you need to go back and find what your reader missed and fix it. Never tell your reader they were wrong and never defend your writing. If anything, ask your other partners what they think of what was said, listen to what they have to say, and then consider your options. If one reader had a problem, you can’t go into the homes of other readers who may have the same problem and explain yourself.

The critique process can also be repeated. I’ve made major revisions before and then allowed one of my first partners, or a completely new partner, reread and add additional feedback. Keep repeating this process until you’re satisfied and your butt is the sorest it’s ever been (that means it’s been kicked enough, and now your butt should be tough enough to handle the next steps).

In complete contrast, whereas I prefer to allow sediment to settle in step one, I prefer to edit while everything is still fresh. At this point, I know the book inside-out and my critique advice hasn’t seeped from my memory. I can fix a problem at one point in the story, and then realize the ripples will hit other points, which I can jump to right away.

When you’ve finally finished this process (which may, in fact, take just as long as it did to write the whole dang manuscript in the first place), then it’s time to move onto my favorite step.

Line editing.

And here you thought you were done revising.

BWAHAHA. Nope.

Now it’s time to correct all your grammar, punctuation, and minor issues. Polish until the sparkle makes you writhe and you hiss and return to the darkness of your cave.

Queries and synopses are terrible, terrible things.

Some people are exceptional at summing their story up in no more than 300 words and making it enticing. The rest of us are only human. It’s a form of art, and like any art, you can only attain perfection by practicing and practicing and practicing. Typically, I’ll begin writing the query when I begin writing the manuscript, and I can tell you that the query I begin with is nothing like the query I end up.

When I began the querying process seven years ago, it was about 98% snail mail, and the only requirement in regards to length was no more than one page. Nowadays, the querying process is about 98% email, and the writer shouldn’t exceed 300 words. That’s enough to get out your title and the main character’s name. The Agent Query page on queries is your best starting point as to what a query should contain.

After you’ve gotten a perfect query, you need to take it to critique partners just like before. On top of that, I’d recommend taking it to a writing forum such as Absolute Write to get more eyes to judge it. But remember that you have to volunteer your time to critique other queries first (and absolutely make sure you read the rules). You’ll also find links there on how to write your synopsis, which is like a shortened retelling of your story—not quite a summary. Don’t write your synopsis like a summary. As I’ve heard before, write your synopsis like you’ve just seen an awesome movie and you’re trying to explain it to your friend to get them to go see it.

Except, speak more eloquently than you would your friend. Your synopsis should read like your story does, in the same voice and utilizing the same tones.

Also be sure to check out Query Shark and read the whole damn thing. (Or at least make sure you read plenty of queries that didn’t work, and plenty of queries that did.) Slushpile Hell is also a good place to learn what not to say.

Queries and synopses for us regular humans suck. But, this is the most direct way to reach an agent, and you might find that, by the end, writing a query has changed the way you write in general. It’s certainly taught me the power of brevity.

Agents, as far as I can take you.

This is where you give up the wheel to whoever your god may be. Research your agents, and I mean research. If you’re in school, great, think of it as a final project for class that you absolutely must get an A in order to pass. If you’re not in school or haven’t been in school for a while, think of it as a final project for a class that you absolutely must get an A in order to pass.

At the end of your query, if possible, you should feature a little snippet that says why you picked this particular agent—personalization is important. You don’t like getting spam in the mail, right? Sure, it’s got your name on it, but it’s clearly auto-delivered to you regardless of who you are. A query without personalization is like that.

Good places to begin researching agents:

Agent Query

Query Tracker

Absolute Write

Literary Rambles

This is where you can begin researching. Look up agent websites, blogs, and twitters. Make sure to google their names. Do everything you can to be sure that this is the person you want to have a business relationship with. You may also discover through their blogs events that agents may be attending, or contests to get you noticed.

The rejection process is natural. Some writers get rejected a few times, and some (er-hem) get rejected hundreds of times over a period of several books. If you’ve written a good book, then querying is like buying lottery tickets. You’ve got to have good luck and a good book. The market of the publishing industry is often dictated by what’s “at the right time”, also known as marketing trends. Good manuscripts will be turned down because a literary agent might not be sure he or she could sell them.

Non-traditional paths.

Before you consider non-traditional paths, ask yourself why you’re considering them. If you’re considering them because you’ve gotten a couple rejections, and those rejections sting, don’t come here yet. Stick it out. Maybe this manuscript doesn’t work, but the next one might. Each manuscript you write will be better than the last as long as you remain active and write and read more than you write.

If you’ve had several unsuccessful tries and agents have given you lots of positive feedback, but have rejected you for other various reasons, then you might be ready to come here.

Self-pub

The publishing industry is evolving at the speed of light. What’s called “vanity” publishing was frowned upon just five years ago, but authors like Colleen Houck and Amanda Hocking (who also went through the querying process several times to no avail) decided to go the route of self-pub. They achieved such popularity that they required an agent later on.

If you decide to go down this path, however, I’d advise you go to Amanda Hocking’s blog and read about how she got to where she is today. Self-pub is far, far from an easy alternative—in fact, it’s much more work than the traditional process, as you’re in charge of your own publicity (which includes being accessible via internet, creating an evocative cover, formatting your book, and so forth). You must also search for indie reviewers, manage your own copyright, etc. There’s a lot to do.

Some vanity publishers:

Wattpad

Lulu

Blurb

But be careful. Self-pub sites usually make their money by trying to sell you services (such as cover-creation, formatting e-books, or promotions). There are plenty of predators out there who will do the same. If you’re not so apt with Photoshop, sites like Deviant Art have plenty of artists you can commission to do commercial work (be aware that you could pay several hundred dollars for this). If you’re not so apt with formatting either, look for people who offer services at more competitive rates. Instead of dishing out a few hundred dollars to have Lulu convert your manuscript into .epub format, you might find someone who charges by the hour instead.

Don’t sell yourself short with the formatting, either. It’s key. If the e-book doesn’t translate well to your readers’ e-readers, then your readers won’t read it. Similarly, in order to sell in Barnes and Noble and Amazon online stores, you have to have proper formatting. This is likely where you’ll generate the most of your business.

Non self-pub

Self-pub is intimidating, and it doesn’t have to be the next step after. You can reach other readers through such sites as Absolute Write, FictionPress, and Figment. The key is to be active in whichever writing community you decide to participate, which means reading work similar to yours or within the same genre.

Build your platform.

In the beginning, it doesn’t matter if you generate revenue. What’s most important is getting your work in readers’ hands. As my professor says, it’s crucial to start selling your book even before it’s written. Nowadays, writing a book is only a small part of the work that an author has to do. Here are some ways you can build your name:

Create a personal author website.

Create a blog. Blogger and Livejournal are good places to begin.

A twitter and/or tumblr are also excellent (if I do say so myself).

Be easily accessible. Make your web layouts appealing and easy to navigate.

Join writing communities. Connect with other writers.

If you have a creative hand, create your characters or your world through art, fashion, photography, or whatever your knack might be.

If you’ve got the equipment, record yourself reading scenes of your manuscript.

If you write fanfiction, post your fanfiction. (This is how E. L. James created her readership.)

If you draw fanart, post your fanart. (This is how many online comic artists got started.)

The important thing is to get yourself out there through the various modes that are applicable to you. If you’re fairly shy, but awesome at drawing, there’s your niche. If you suck at art but have a great speaking voice, post snippets of you reading your stuff. Writing is one of your talents, now you’ve got to use your others.

It’s important to create a brand for yourself and be memorable, but in the end, no matter what, the most important deciding factor in whether or not you succeed is if you don’t give up. No one fails until they’ve given up.

Good luck!

Time to put a name to a date! Chapters 1 and 2 of GREY MATTER: CNIDARIA will be released for free this February 15th!

The comic will be published on Deviantart, Tapas, Webtoon, Twitter, Bluesky, and Tumblr.

The links to Tapas and Webtoon will be added to this post on release!

(Click the 'keep reading' for more information about the comic!)

GREY MATTER: CNIDARIA is a mystery and psychological horror comic The story follows Sojiro Tsutsumi, a detective recovering from a traumatic incident. Case by case, the bustling city he lives in--Asobi--falls apart into something surreal and strange. Will Sojiro discover why Asobi is unraveling around him, or will he die trying?

GREY MATTER: CNIDARIA is unofficially rated as MATURE (18+). The comic will contain gore, implied sexual content, violence, body horror, and themes of abuse, paranoia, and psychosis. Engage with CNIDARIA at your own risk and comfort. Trigger warnings will be given on each page or chapter as needed.

Poetry Chapbook WIPs

Redamansy - A collection of poems themed around nostalgia and the seconds we long to return to. Sapphic love is also avid throughout the works.

Currently in the editing stage! Also in the process of finding a cover designer.

We Last Were Home-bound - Accumulated works on platonic and romantic love, where home becomes more than a place.

Midway through drafting, cover reveal below!

Aster Filled Atriums - An unthemed collection of ekphrastic poetry and prose.

Being drafted, will be in search of a cover designer soon!

Where Oceans Meet - Encompassing the seasons of love, change and mutual growth written in prose form.

Currently being drafted.

Museum of Unwritten Words - Works themed around what we keep inside and words that are held dear in our hearts from those we care about most.

Recently began drafting, cover reveal below!

Where to Find the Chapbooks

Ebooks will be available for purchase via Lulu Publishing. Order links will be found on here, Instagram, and through my website! Paperbacks may also be available in due time.

A portion of proceeds from We Last Were Home-bound will be donated in support of LGBTQ+ organizations! Similarly, a portion from Where Oceans Meet will be donated to organizations geared towards protecting our oceans and sealife. Lastly, a portion from Museum of Unwritten Words will be donated towards mental health organizations.

Writer Things Bingo 📖

Inspired by @serenanymph at here! The rules are to click on this link to generate a board (feel free to click it again if you want a different one!) and then to fill it in. If you want to join in, go ahead!

Missed checking off Indie Published – I have a poem appearing in Indie Earth Publishing's upcoming anthology The Spell Jar: Book of Shadows vol. 2. Highly recommend that you visit them over on Insta!

Meet the Writer Tag 🔖

Thank you @rickie-the-storyteller for tagging me!

This is me:

(Picrew used found here)

Favorite Season:

Autumn/fall without a doubt. The season in itself gives me ample writing inspiration for paranormal stories, going to pumpkin patches and other festive activities– plus my birthday follows directly after Halloween!

Continent where I live:

I live in the United States.

How do I spend my free time?

Writing

Networking with other writers and authors on a variety of social platforms

Drawing/painting artwork for friends or working on graphic designs

Reading

Visiting state parks and elsewhere

Watching Netflix, YouTube videos, and anime series.

Studying different languages and cultures

Volunteering within my community

Are you published?

Sort of. I haven't had the chance to self-publish my poetry chapbooks or finish my novel drafts yet to start sending queries, but my writing does appear in an magnitude of literary journals as well as from a few publishing company's anthologies! Most recently in Indie Earth Publishing's anthology, The Spell Jar: Book of Shadows vol 2.

Introvert or extrovert?

Introverted completely. I do pretty well on my own, but do enjoy the company of close friends and meeting new people on occurrence who have similiar interests as me.

Favorite meal?

I don't especially have a favorite, however I greatly lean towards Asian and Scandinavian cuisines.

Tagging:

Anyone who'd like to partake in this! I'm still fairly new to the writeblr community and unsure who hasn't done this tag yet. Open to whoever is interested!

Mini-zine in the making! I am currently working on a small, passion-project photography and literary zine titled "Noontime Passenger." The first volume will encompass poetry in varying forms, short prose, words that weave profound emotions to the daily mundane, and so forth!

It'll be free to read through my linktree as it is meant to inspire and ponder. In the meantime– however– before it comes down to publishing, below is the cover to this beautiful, train-ride relaxing zine:

Keep your eyes peeled for the link, as well as updates on my debut poetry chapbook, "Where Oceans Meet."